The Bourne Identity Page #27

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,589 Views


CONKLIN:

Am I Treadstone? Me?

(peering at him

closely now--)

What the hell're you talking about?

BOURNE showing nothing -- or is he trying too hard not to?

BOURNE:

What did you do to me?

CONKLIN:

What did I do? I spent thirty

million dollars on you. I spent

three years finding you -- four

years training you --

(incredulous)

What did I do?

(staring now)

What in the name of God have you

been doing, Jason?

BOURNE:

I don't know.

CONKLIN:

They're right about you, aren't

they? You're fried.

(on it now)

You really don't know what's going

on, do you?

BOURNE:

I know you've been trying to kill me.

CONKLIN:

Of course. We had to try. We

didn't know what was wrong.

(warming to this--)

We didn't know you were in trouble.

BOURNE:

So now you know.

CONKLIN:

So it's time to go home.

BOURNE:

That's all I get?

CONKLIN:

We'll make you better. We can put

the pieces back. We can do that.

BOURNE:

I don't think so.

CONKLIN:

We have to go home, Jason.

BOURNE:

Jason Bourne is dead.

CONKLIN:

There never was a Jason Bourne.

(that gets him)

You have to come with me. It's the

only way. We can give it back to

you...

BOURNE:

Keep it.

(and he's walking--)

CONKLIN:

Jason...

(trying to follow--)

They can't let you go...

BOURNE:

That'll be their second worst mistake.

And with that, BOURNE scrambles up a wall -- like it's

nothing -- CONKLIN just left there -- on the Quai -- in the

dark --

EXT. BANKS OF THE SEINE -- NIGHT

BOURNE walking away -- faster and faster --

EXT. BANKS OF THE SEINE NEARBY -- NIGHT

MANHEIM -- A CAR PARKED IN THE DARKNESS -- sitting alone

with his briefcase. Opening it. There's his gun.

BOURNE -- walking -- deeper into the darkness and --

MANHEIM -- in the dark car -- loading the weapon -- calm --

steady -- methodical and --

BOURNE -- walking and --

MANHEIM -- stepping out of the car -- closing the door

quietly -- deep in the shadows and --

BOURNE -- still coming -- the darkest part of the path just

ahead and --

MANHEIM -- raising the gun and --

THE CAMERA SPINS TO HIS TARGET AND --

IT'S CONKLIN! -- just climbing back up from the Quai --

MANHEIM -- the gun -- phftt -- phftt -- phftt --

CONKLIN -- three holes -- head -- heart -- gut -- his body

dropping like a stone beside his car.

MANHEIM walks over. Looks down. Point blank -- phftt --

that makes it four and --

INT. TREADSTONE COMMUNICATIONS DESK -- NIGHT

ABBOTT and ZORN alone in the dark. As a red light begins

pulsing on the console.

That red light means Conklin's dead.

After a moment, ZORN moves to the console and shuts the

light off.

EXT. BANKS OF THE SEINE -- NIGHT

BOURNE still walking. And he's just gonna keep on going, as

we --

DISSOLVE TO:

INT. CIA OPERATIONS CONFERENCE ROOM -- DAY

MARSHALL at the head of the table. A cadre of INTEL HONCHOS.

ABBOTT (O.S.)

The Treadstone project has actually

already been terminated. It was

designed primarily as a sort of

advanced game program...

ABBOTT in the hot seat. ZORN right there beside him.

ABBOTT:

...We'd hoped it might build into a

good training platform, but quite

honestly, for a strictly theoretical

exercise, we thought it was far too

expensive. The cost-benefit ratio

was just too high. It's been all

but decommissioned at this point.

MARSHALL:

All right, what's next?

ZORN handing ABBOTT the next hundred pages.

ABBOTT:

Okay, this is Blackbriar.

Blackbriar is a joint, DOD,

communications program that we

really feel has good traction to it.

ABBOTT is just gonna go on and on and on.

EXT. MARTHA'S VINEYARD -- DAY

Gorgeous Summer day. A SCOOTER RENTAL SHACK near the beach.

SIX MONTHS LATER

MARIE coming out of the shack with two helmets. Handing

them to A HAPPY COUPLE waiting there on their scooters.

THE HAPPY COUPLE rides off.

MARIE turns back and --

There's BOURNE. A new look. A smile.

MARIE:

Can I help you?

BOURNE:

This your store?

MARIE:

Yes.

BOURNE:

Think I could rent a scooter?

MARIE:

You have ID?

BOURNE:

Not really.

Beat. He smiles.

MARIE:

It's not a problem.

Her turn to smile. And we...

FADE OUT:

THE END:

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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Submitted on July 17, 2016

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