The Bourne Identity Page #6

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,582 Views


ZORN:

-- yes, sir, it's confirmed --

INT. U.S. CONSULATE -- VISA ROOM -- DAY

BOURNE on line. Fear meter rising by the minute.

BOURNE'S POV

Scanning the room -- the perimeter -- the people -- A

TURKISH MAN almost in tears as he tries to explain his case

to a DESK CLERK -- TWO AMERICAN BACKPACKERS that have lost

their passports -- MARIE still in the midst of her madness --

A SECURITY CAMERA high on the wall capturing everything --

lots of data -- too much going on and --

MAN ON LINE (OS)

(from behind him)

You're up.

BOURNE comes to. Sh*t. It's his turn.

A WOMAN CLERK waving him forward. BOURNE trying to think --

what the f*** is he doing? -- what's he gonna say? -- now

he's at the window, and if he was looking for a friendly

face, he came to the wrong place --

WOMAN CLERK:

(cold sh*t)

You're a U.S. Citizen?

BOURNE:

Yes.

(pause)

I mean, I think so. Yes. Yes...

WOMAN CLERK:

Well, either you are, or you aren't.

BOURNE:

Right.

WOMAN CLERK:

You have your passport?

BOURNE:

I have a passport. I've got...

(the bag there, but...)

Actually, it's a little complicated.

WOMAN CLERK:

Do you have your passport, sir?

BOURNE:

Look, maybe I should just...

WOMAN CLERK:

Sir, you waited on line.

BOURNE:

Yeah, I know...

But he's already bailing, walking away from the woman, the

window, the room -- he's out of here --

INT. U.S. CONSULATE LOBBY -- DAY

BOURNE on the move -- hustling back toward the lobby --

trying to snag a view out to the street -- there's a window

just ahead and --

BOURNE'S WINDOW POV -- ZURICH COPS -- outside -- on the

street -- half-a-dozen of them lingering around the entry

gate and --

BOURNE stalled for a moment -- options dwindling -- he can't

go back to the passport office -- he can't go out the front

and --

The lobby looks tough -- there are two other points of entry

into the main building, but they're both guarded by MARINES

and METAL DETECTORS --

As he gets closer -- it gets worse --

A ZURICH POLICE INSPECTOR near the door, in deep conversation

with TWO MARINES and THE EMBASSY SECURITY OFFICER and --

BOURNE trying to burrow through the human traffic -- trying

to get to THE LARGER OF THE TWO ENTRY GATES -- this one the

farthest from the front door and the passport office

corridor, and it's the most crowded -- A COUPLE PEOPLE lined

up here -- waiting for one of THE THREE MARINES STAFFING

THIS POST to check their bags and pass them through a metal

detector and --

SECURITY CHIEF (OS)

-- stop! -- stop right there! --

BOURNE turns back -- as does everyone else in the lobby --

SECURITY CHIEF:

(from across the lobby)

-- YOU -- red bag -- the red bag --

stop right there! -- hands up! --

BOURNE glancing back -- ONE OF THE GATE MARINES BEHIND

HIM -- the guy's raising his M-16 --

GUN MARINE:

-- you heard him -- let's move

it! -- down -- let's go! --

BOURNE nodding -- total compliance -- starting to drop --

but only starting, because now --

He's swinging the backpack and --

THE GUN MARINE -- nailed -- blind-sided -- no chance and --

BOURNE -- all motion -- all forward -- all perfect --

vaulting the metal detector even as he pulls ONE OF THE

PEOPLE ON LINE around to shield his back and --

ANOTHER GATE MARINE -- right there -- trying to grab him --

making his move -- BOURNE -- almost an afterthought -- his

boot -- like a knife -- out of nowhere -- SNAP! -- the guy's

arm just shattered and --

THE SECURITY CHIEF -- freaking out -- TWO MARINES WITH

HIM -- they're raising their weapons and there's people in

the lobby and --

SECURITY CHIEF:

-- no -- no -- hold your fire! --

BOURNE -- landing hard on THE GUN MARINE -- rolling away

from the gate -- into the building now -- coming up with the

backpack and --

SOMEONE SCREAMING

-- he's got a gun! -- he's got a

gun! --

And he does -- BOURNE with the M-16! -- coming up with it --

coming up on the move -- swinging it around as he searches

for an escape route and THE GUN -- it's like a magic wand of

hysteria --

PEOPLE IN THE LOBBY -- SCREAMING -- diving away -- everyone

dropping for cover and --

BOURNE -- bailing -- on the run -- sprinting down a

hallway -- tossing away the M-16 as he sprints into the

building --

THE SECURITY CHIEF

(frantic on his radio

now--)

-- red! -- red! -- red! -- code

red! -- South side entrance! --

male -- five-ten, brown hair -- black

jacket -- red bag --

INT. U.S. CONSULATE OFFICE HALLWAY -- DAY

Quiet for a second -- offices on either side of a carpeted

hallway -- BUREAUCRAT-TYPES doing their thing, when suddenly --

BUREAUCRAT #1

Excuse me? Can I help you?

(but backing up as he

says it, because--)

Here comes BOURNE -- coming fast -- and he definitely does

not belong back here --

INT. U.S. CONSULATE LOBBY/SECURITY GATE -- DAY

Panic -- people fleeing the lobby -- MORE MARINES hustling

in from outside and --

INT. U.S. CONSULATE FIRE STAIRWELL -- DAY

Door flies open -- BOURNE bombing in -- sh*t! -- it's a dead

end -- no way out but up the stairs --

INT. U.S. CONSULATE GROUND FLOOR CORRIDOR -- DAY

SECURITY CHIEF -- THREE MARINES -- sidearms drawn -- jogging

past the INNER OFFICES -- running beside them, a frantic guy

in a suit --

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

All Tony Gilroy scripts | Tony Gilroy Scripts

0 fans

Submitted on July 17, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Bourne Identity" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_bourne_identity_250>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Bourne Identity

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1997?
    A Good Will Hunting
    B L.A. Confidential
    C Titanic
    D As Good as It Gets