The Bourne Supremacy: The Bourne Mastermind (Part 2) Page #3

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NICKY :
Because of what

they had been through,

they were prone to

a variety of problems.

PAMELA :
What kind of problems?

NICKY :
Depression, anger,

compulsive behaviors.

They had physical symptoms.

Headaches,

sensitivity to light.

- Amnesia?

- Before Bourne? No.

(KNOCKING AT DOOR)

CRONIN :
The plane's ready.

ABOTT :
There's a car

waiting for you.

Good luck.

PAMELA :
No.

You were his

local contact.

You were with him

the night Conklin died.

You're coming with us.

(BEEPING)

Langley pulled

an image out of Naples.

It's uploading right now.

It's coming in now.

WOMAN :
I need clearance.

He's not hiding,

that's for sure.

Why Naples? Why now?

Could be random.

WOMAN :
Zoom in.

Maybe he's running.

On his own passport?

PAMELA :
What is

he actually doing?

He's making

his first mistake.

NICKY :
It"s not a mistake.

They don't make mistakes.

They don't do random.

There's always

an objective.

Always a target.

The objectives and

targets always came

from us.

Who's giving them

to him now?

Scary version?

He is.

(BEEPING)

BOURNE :
I emptied it.

JARDA :
It felt a little light.

Put it down.

Front.

JARDA :
Sorry. Old habits.

BOURNE :
Use your teeth.

JARDA :
Word in the Ether was

you'd lost your memory.

You still

should've moved.

What do you want?

Conklin.

JARDA :
He's dead.

Shot dead in Paris.

Dead the night

you walked out.

BOURNE :
So who's running

Treadstone now?

Nobody.

They shut it down.

It's over.

We're the last two.

BOURNE :
If it's over, then why

are they still after me?

I don't know.

Ever heard

the name Pamela Landy?

I don't know who that is.

Pamela Landy in Berlin.

What's going on in Berlin?

JARDA :
I don't know.

Why would I lie?

I thought you

were here to kill me.

BOURNE :
What'd you do?

I'm sorry.

Did you call it in?

Get up. Come on.

You have a car out front?

JARDA :
The keys are

in my coat pocket.

But we should...

What?

Go out the back.

I have another car.

(PHONE RINGING)

(GRUNTING)

(CHOKING)

(PANTING)

(HISSING)

(CAR ALARMS BLARING)

(POLICE SIRENS WAILING)

(BEEPING)

(WHIRRING)

(WOMAN SPEAKING IN GERMAN)

(SPEAKING IN GERMAN)

(PHONE RINGING)

(MAN SPEAKING IN GERMAN)

(SPEAKING IN GERMAN)

(BEEPING)

(PHONE RINGING)

(WOMAN SPEAKING IN GERMAN)

(PHONE RINGING)

(WOMAN SPEAKING IN GERMAN)

Pamela Landy, please.

One moment, please.

Thank you.

(PHONE RINGING)

I wanted to call a guest.

Pamela Landy.

Just one second, please.

Hello?

PAMELA :
Hello?

I'm sorry, sir.

The phone's busy right now.

I'll just call later.

Thank you.

PAMELA :
Okay. Let's take

a look at the timeline.

What's Bourne's objective?

Now,

I wanna break

this out in boxes.

Naples outbound.

Check everything.

Flights, trains,

police reports.

That's box one.

Teddy, that's yours.

Got it.

PAMELA :
Box numBer two.

Call it "Prior Connections. "

I want to rerun all Bourne's

Treadstone material.

Every footstep.

Kim, Box three.

I want to identify

his method of travel.

Stay on the local cops.

We need a vehicle,

a parking ticket,

something.

Langley's offered to upload

any satellite imaging we need.

So let's find

a target for them.

Danny, box four.

I need fresh eyes.

Review the buy where

we lost the Neski files.

Timeline it

with what we know

about Bourne's movements.

Turn it upside down

and see what we find.

Come on, guys. We ran

this guy's life with total

control for all those years.

We should be

a step ahead of him.

You wanna go home?

Find Jason Bourne.

(DIALING)

(PHONE RINGING)

Pamela Landy.

This is Jason Bourne.

Bourne?

It"s Bourne.

We need 90 seconds to

triangulate his position.

What do you want?

BOURNE :
Are you running Treadstone?

Treadstone was closed down

two years ago.

You know that.

Then who's

planning the

missions now?

There are no missions.

It's over.

BOURNE :
Then what do

you want with me?

Berlin.

Have you forgotten

what happened in Berlin?

(ECHOING) You killed

two people, Bourne.

MAN :
Vladimir Neski.

Bourne?

I wanna come in.

Okay.

How do you wanna do it?

MAN :
We need 35 seconds.

I need someone I

know to Bring me in.

Who?

There was a girl in Paris.

She was part of the program.

She used to handle logistics.

Alexanderstrasse, 30 minutes,

under the World Clock.

Send her alone.

Give her your phone.

What if I can't find her?

BOURNE :
It's easy.

She's standing

right next to you.

There's just so

many of them, sir.

Here it is.

MAN :
It's the

second quadrant.

Kurt, pull it up.

MAN 1 :
Where is it?

MAN :
Get the

second quadrant, please,

and pull it all the way up.

The clock is right here.

Sh*t, he's put her right

in the middle of everything.

This is a security nightmare.

There is no way

we are going to

get her covered.

ABOTT :
Call a mayday

into Berlin station.

We need snipers, DOD,

whatever they've got.

PAMELA :
No snipers. No snipers.

You put snipers on the roof

and it'll scare him off,

and I need answers.

ABOTT :
You can't really

believe he wants

to come in.

PAMELA :
He knows something

about the Neski case.

And I'm not gonna

pass up this chance

to find out what it is.

Don"t be a fool.

Not when we"re this close.

Are we talking about

protecting Nicky or

killing Bourne?

We're talking

about killing Bourne.

We're talking about

the next dead body.

It might be Nicky.

It will be someone.

You're not hearing me.

Bourne dead gives me

nothing.

ABOTT :
Can I talk to

you privately?

- What?

- I know how you're feeling.

You lost two men in Berlin,

and you want it to mean

something.

But nothing

Bourne gives you

will bring your men back.

Nothing in those files

makes their sacrifice

worthwhile.

You have to let go.

We're professionals.

When an operation

goes bad, we tie it off.

If there's something

you're not telling me,

I want it now

before I send

that girl out there.

Do you understand?

You talk about this stuff

like you read it in a book.

What do you want to do?

Put the snipers in place.

If things go bad,

we take him out.

You got it.

(WOMAN SPEAKING IN GERMAN)

(CHANTING IN GERMAN)

Hub, this is Survey One.

We have a crowd moving in.

It's some sort

of protest march.

I'm sorry. This is

as close as I can get.

Survey Two,

can you get in

any closer, please?

Kurt, make sure

the south end is covered.

KURT :
Roger.

Affirmative.

Copy that.

(PHONE RINGING)

Hello.

BOURNE :
There's a tram

coming towards you.

Get on it.

MAN :
She's moving to the tram.

Where's it going?

Where's it going?

MAN :
The tram is going

to Alexanderplatz Station.

CRONIN :
Alexanderplatz.

Survey Five,

I can't see him.

I don't see him.

HuB, this is Survey Two,

she's getting on the tram.

She's getting on the tram.

Zoom in on the tram.

Bourne's on the tram.

I don't think

he's on the tram.

He's on the tram.

Send them in to follow.

Tell them to keep

their distance.

MAN :
Okay, Delta, let's go.

Get on it.

Come on. Let's go.

PAMELA :
Tell them to hurry.

ABBOTT :

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