The Bourne Supremacy Page #10

Synopsis: After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him.
Genre: Action, Thriller
Director(s): Paul Greengrass
Production: Universal Pictures
  5 wins & 21 nominations.
 
IMDB:
7.8
Metacritic:
73
Rotten Tomatoes:
81%
PG-13
Year:
2004
108 min
$176,049,130
Website
1,991 Views


FINALLY:

BOURNE -- exits the door, wedging a desk under the handle so

it cannot be opened from the inside and calmly walks away

like nothing ever happened --

EXT. NAPLES FERRY BUILDING -- NIGHT

And now we see the old BOURNE, in his long black coat,

purposely striding out of the building. He pauses long enough

for the security camera to get a good look at him.

THE RONIN returns.

EXT. NAPLES FERRY PARKING LOT -- NIGHT

BOURNE crosses the street and approaches a man putting his

suitcase in the trunk of a green Peugeot. BOURNE reaches

into his bag, pulls out some cash.

DELETED:

INT. FERRY/SECURITY HOLDING ROOM -- NIGHT

NEVINS stirring, the CARABINIERI still out. A phone starts

to RING. Nevins' phone. Finally sitting up, he answers.

NEVINS:

Hello?

DELETED:

INT. C.I.A. SITUATION ROOM -- DAY

PAMELA at the other end of the line.

PAMELA/PHONE

Mr. Nevins?

NEVINS/PHONE

Who's this?

PAMELA/PHONE

Pamela Landy, again. Where do we

stand?

INT. FERRY/SECURITY HOLDING ROOM -- NIGHT

Nevins barely knows where he is.

EXT. NAPLES STREET -- NIGHT

BOURNE sits in the dark car. Headphones. A nest of cool

gadgetry -- on the passenger seat. Listening in -- recording --

He writes:
Pamela Landy -- circles it.

NEVINS/PHONE

I think... I think he got away.

PAMELA looks at the faces waiting around the table. Shakes

her head no...

PAMELA:

Have you locked down the area?

NEVINS/PHONE

Ah, we're in Italy. They don't exactly

"lock down" real quick...

INTERCUT -- BOURNE -- NEVINS -- PAMELA --

PAMELA/PHONE

How long have you worked for the

agency?

NEVINS/PHONE

Me? Four years.

PAMELA/PHONE

If you ever want to make it to five,

you're gonna listen to me real close.

Jason Bourne is armed and extremely

dangerous. A week ago, he assassinated

two men in Berlin, one of whom was a

highly-experienced field officer...

(continuing as --)

We're TOTALLY ON BOURNE at this point -- sitting there in

the dark car, struggling to make sense of this -- what the

f*** is she talking about? -- Berlin? -- He writes it, circles

it.

PAMELA/PHONE

I want that area secured, I want any

evidence secured and I want it done

now. Is that clear??

NEVINS/PHONE

Yes, sir -- ma'am...

PAMELA/PHONE

I'm getting on a plane to Berlin in

45 minutes, which means you are going

to call me back in 30, and when I

ask you where we stand, I had better

be impressed. My mobile number is...

BOURNE already turning the key in the ignition -- THE PEUGEOT

ROARING TO LIFE, as he writes the number.

Dropping the car into gear, BOURNE pulls briskly away from

the curb.

INT. C.I.A. SITUATION ROOM -- DAY

PAMELA finishes, hangs up.

ABBOTT:

Berlin!

PAMELA:

I've already got a team there. I

doubt Bourne's in Naples to settle

down and raise a family.

ABBOTT:

You don't know what you're getting

into here.

PAMELA:

And you do? From the moment he left

Treadstone, he has killed and eluded

every person that you sent to find

him...

Before it can come to blows --

MARSHALL:

(riot act)

Enough. I want both of you on that

plane. And we are -- all of us --

going to do what we were either too

lazy or inept to do the last time

around -- you're going to find this

sonofabitch and take him down before

he destroys any more of this agency.

(beat)

Is that definitive enough for you?

ABBOTT nods. Sharing a look with PAMELA as we --

INT. CIA HEADQUARTERS HALLWAY -- DAY

PAMELA and CRONIN come screaming around a corner and down a

long corridor, ABBOTT and ZORN trying to keep up.

CRONIN:

-- Kurt's reopening all the wyfi and

sat links --

PAMELA:

-- uplink all relevant files to Kim --

(a look back at Zorn)

-- and I want them to contact anyone

who had anything to do with Treadstone --

ZORN looks to ABBOTT, as they disappear around a corner...

EXT. AUTOSTRADA -- NIGHT

THE PEUGEOT speeding North -- North towards Germany and --

DELETED:

INT. BOURNE'S PEUGEOT -- NIGHT (CONT)

BOURNE driving -- listening to playback of Pamela's

conversation with Nevins.

Rate this script:5.0 / 1 vote

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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