The Bourne Supremacy Page #15

Synopsis: After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him.
Genre: Action, Thriller
Director(s): Paul Greengrass
Production: Universal Pictures
  5 wins & 21 nominations.
 
IMDB:
7.8
Metacritic:
73
Rotten Tomatoes:
81%
PG-13
Year:
2004
108 min
$176,049,130
Website
1,993 Views


And for the first time they're all thinking the same thing.

EXT. HOTEL BRECKER -- BERLIN -- NIGHT -- RAIN

It is pouring rain. Seen from that Hellish car, A HUGE,

DISTINCTIVE, NEEDLE-LIKE TOWER dominates the skyline, lights

flashing through the dark and wet --

INT. THE AUDI/REST-STOP -- NIGHT

BOURNE'S EYES OPENING! -- heart pounding -- springing up --

alone -- damn, his side hurts -- recoiling from that -- where

is he? -- he's in the car -- looking around and --

HIS WINDSHIELD POV

AN AUTOBAHN REST-STOP. Gas station. Sleeping trucks.

BACK TO:

BOURNE catching his breath -- shifting away from the pain in

his rib -- checking his watch -- but what the hell is that

on his sleeve? -- f***, it's BLOOD -- JARDA's blood --

EXT. AUTOBAHN REST-STOP -- NIGHT

BOURNE out of the car fast -- careless -- wrong -- not even

checking who's watching -- pulling off the shirt -- tearing

it off -- throwing it down and --

Standing there. In the weird light. A big bruise ripening on

his side. Looking around.

It's okay. Nobody's watching. But, sh*t, man...

Get it together.

INT. PEUGEOT -- AUTOBAHN -- NIGHT

Streaking along. BOURNE back to his mission.

EXT. AUTOBAHN -- NIGHT

Roaring by a SIGN: Berlin 75 KM.

INT. MOSCOW AIRPORT -- NIGHT

KIRILL striding through the terminal. Moving quickly toward

a departure gate and --

THE CAMERA FINDS

GRETKOV above. Watching him go.

EXT. BERLIN TRAIN STATION -- DAWN

BOURNE drives up.

DELETED:

INT. BERLIN TRAIN STATION -- DAWN

Quiet and forlorn this early. Just like BOURNE who's taking

A LOCKER. Stashing A BACKPACK. Prepping the evac. Always

ready. He heads outside, we hear:

HOTEL OPERATOR #1 (V.O.)

(front desk German)

[Berlin Hilton, how can I help you?]

BOURNE/PHONE (V.O.)

[I'm trying to reach a guest, Pamela

Landy, please.]

HOTEL OPERATOR #1 (V.O.)

['m sorry but I'm not showing that

we have a guest by that name.]

(continuing as --)

INT. BERLIN TRAIN STATION PHONE KIOSK -- DAWN

BOURNE tucked in with a BERLIN GUIDE BOOK, a felt tip pen,

and a Fifty-Euro phonecard. Working it.

BOURNE/PHONE

[Pamela Landy, please.]

HOTEL OPERATOR #2

[Sorry, I don't see it here.]

Crossing out another Hotel off the list -- four down, forty

to go -- as we start TIME CUTTING and...

HOTEL VOICES (V.O.)

(overlapping)

[--no one here by that name--]

[--no, sir, there's no Landy here--]

[--how are you spelling that, sir?--]

[--sorry, but no--]

[--I have no Landy registered, sir--]

(continuing, until--)

INT. PAMELA'S HILTON HOTEL SUITE -- DAWN

Clean and plain. A bed nobody's slept in. THE PHONE begins

ringing. PAMELA, fresh from the shower, rushing out from the

bathroom to answer it --

PAMELA/PHONE

Hello --

Dial tone. PAMELA hangs up. That was strange --

EXT. BERLIN STREETS/ALEXANDERPLATZ -- DAWN

A TAXI driving through the empty early streets and --

INT. BERLIN TAXI -- DAWN (CONT)

BOURNE in the backseat. Staring out the window and --

HIS POV:

THE FERNSEHTURM looming as they pass, the Berlin TV Tower.

That needle in the sky. From the flashback. And then --

SUDDENLY:

FLASHBACK! -- it's raining -- we're still moving -- still in

a car -- still near Alexanderplatz, but suddenly it's pouring

outside -- turning back, we realize we're not in the cab

anymore -- there's A DRIVER up front, and beside him...

CONKLIN! -- yes, Conklin -- he's in the passenger seat --

turning back to us -- handing us something -- A PHOTOGRAPH --

a face -- some guy --

CONKLIN:

Neski. Vladimir Neski...

(the photo)

He's at the Hotel Brecker. Get the

papers.

(beat)

Say it.

BOURNE -- Treadstone Bourne -- alone in the back -- staring

at the photo --

BOURNE:

Neski. Hotel Brecker. Papers.

CONKLIN:

This is not a drill, soldier. We're

clear on that? This is a live project

and you are go. Training is over.

BOURNE:

Yes, sir.

CONKLIN:

Good, then gimme the damn picture

back.

(taking it)

See you on the other side.

(to the driver)

Pull over, he's getting out.

BACK TO:

BOURNE sitting in the back seat of the cab. Frozen there.

Rocked. What's happening to him? No chance to work it out,

because the taxi's stopped and --

TAXI DRIVER:

(waiting; irritated)

[The Hotel Brecker or the Grand?,

make up your mind.]

BOURNE:

[What?]

TAXI DRIVER:

[This is the Westin Grand. You just

said Brecker.]

BOURNE:

(fishing for money)

[Yeah. Sorry. This is good.]

Rate this script:5.0 / 1 vote

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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