The Bourne Supremacy Page #2

Synopsis: After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him.
Genre: Action, Thriller
Director(s): Paul Greengrass
Production: Universal Pictures
  5 wins & 21 nominations.
 
IMDB:
7.8
Metacritic:
73
Rotten Tomatoes:
81%
PG-13
Year:
2004
108 min
$176,049,130
Website
2,037 Views


MOVING WITH HIM AS

BOURNE follows THE SILVER CAR on foot -- natural -- cruising

the BUSY SIDEWALK -- blending into the mix -- chugging on

that water bottle and --

UP AHEAD:

THE SILVER CAR making the corner and turning now --

BACK TO:

BOURNE slowing as he reaches the corner --

HIS POV:

THE SILVER CAR has parked. There's a GUY -- well-dressed --

casual -- physical -- sunglasses -- call him KIRILL -- he's

out of the car and heading across the street toward a building

there. A TELEGRAPH OFFICE.

BACK TO:

BOURNE checking his watch. The car. The guy. Perimeter.

INT. TELEGRAPH OFFICE/GOA -- DAY

MR. MOHAN at his desk. He's a crisp, proper man of fifty.

He's just been handed something --

A PHOTOGRAPH OF MARIE -- an old passport picture.

MR. MOHAN

And your question, sir?

KIRILL across the desk.

KIRILL:

She's my sister. There's been a death

in the family. This is the last place

we know she called from.

INT. COTTAGE -- DAY

A NOTE ON THE TABLE: "I'M AT THE BEACH"

BOURNE has just come in -- just read the note -- balling it

quickly. In fact, everything is quickly now, because --

BOURNE is bailing.

Fast. Calm. Methodical. Some exfil procedure that he's honed

and choreographed. Packing like a machine --

RAPID TIME CUTS:

-- BACKPACKS thrown open on the bed. -- HOUSE CASH pulled

from a lamp base. -- CREDIT CARDS taped under the counter.

EXT. MAIN STREET/BANK GOA/BEACH TOWN -- DAY

KIRILL coming out of the bank. Mission accomplished.

Heading back to the SILVER CAR. Getting in and --

INT. SILVER CAR -- DAY (CONT)

KIRILL starting it up. Glancing around nice and easy. He's

cool. Putting the car into gear, he makes a slow pass through

the marketplace. Eyes everywhere.

DELETED 14

INT. COTTAGE -- DAY

BOURNE -- done -- the place is stripped -- pulling on the

backpacks -- glancing around -- one last thing -- sh*t, he

almost missed it --

THE PHOTOGRAPH -- the one of he and Marie on the beach --

the one we saw her looking at earlier -- there it is on the

windowsill -- jamming it into his pocket and --

EXT. SIDE STREET/PARKING AREA -- GOA/BEACHTOWN -- DAY

KIRILL now parked and out of the car -- on the move -- on

foot -- he begins a sweep of the beach.

EXT. COTTAGE BACK DOOR -- YARD/ALLEY -- DAY (CONT)

BOURNE out the back -- jogging -- keeping low -- into the

neighborhood -- through the alleys -- nothing random about

it, this has all been worked out and --

DELETED:

EXT. BEACH -- GOA/BEACHTOWN -- DAY

Crowded with tourists -- sunbathers -- MARIE at her favorite

spot. Talking with TWO WOMEN, laughing with them -- happy.

EXT. BEACH/PARKING AREA -- GOA -- DAY

A burly JEEP comes roaring up. BOURNE spots the SILVER CAR,

parks at the other end -- takes off towards the beach.

EXT. BEACH -- GOA -- DAY

KIRILL methodically making his way up the beach -- checking

every blue tent -- every towel.

EXT. BEACH -- GOA -- DAY

BOURNE coming up the beach the opposite way -- one eye on

KIRILL, one eye on MARIE.

He arrives just as KIRILL looks up and sees them a hundred

yards away -- a hard stare between them -- BOURNE bends down --

BOURNE:

We gotta go, Marie. We gotta go,

now.

From the tone of his voice, she knows it's serious. Marie

grabs her bag. A quick goodbye to the friends. They hurry

off. BOURNE uses the sunbathers as cover. KIRILL retreats.

EXT. BEACH/PARKING LOT -- GOA -- DAY

They reach the JEEP -- she knows the drill -- bag tossed in

the back -- even as the Jeep pulls away and --

INT. JEEP -- DAY (CONT)

BOURNE driving. MARIE beside him --

BOURNE:

We're blown.

She hesitates. One minute ago everything was fine.

MARIE:

No... How?

BOURNE:

The Telegraph office.

MARIE:

But we were so careful.

BOURNE:

We pushed it. We got lazy.

EXT. BEACH/PARKING LOT -- GOA/BEACHTOWN -- DAY

KIRILL already back at the SILVER CAR -- following them out

onto the MAIN STREET -- blocked by the local traffic --

pulling a HUGE AUTOMATIC PISTOL out from his travel bag.

EXT. BEACHTOWN ALLEY/OFF MAIN STREET -- DAY

THE JEEP pulling down this narrow little passageway and --

BOURNE'S WINDSHIELD POV

MAIN STREET packed with traffic and --

BACK TO:

BOURNE not liking this. Eyes all over -- trying to decide.

MARIE:

But you're sure?

BOURNE:

He was at the campground yesterday.

MARIE:

So...

BOURNE:

It's wrong. Guy with a rental car

and hundred dollar sneakers sleeps

in a tent?

Trying to decide whether to pull out or back up --

MARIE:

That's crazy.

BOURNE:

No. Not this. This is real.

(suddenly)

And he's right there...

(throwing the car

into reverse)

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Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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