The Bourne Supremacy Page #6

Synopsis: After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him.
Genre: Action, Thriller
Director(s): Paul Greengrass
Production: Universal Pictures
  5 wins & 21 nominations.
 
IMDB:
7.8
Metacritic:
73
Rotten Tomatoes:
81%
PG-13
Year:
2004
108 min
$176,049,130
Website
1,991 Views


He's putting this sheet of paper inside the file cover. Now

he's slipping them both underneath the desk, tossing them

there as if they fell in the struggle and --

INT. GLASS OFFICE BUILDING ELECTRICAL CLOSET -- NIGHT

The electrical risers -- as ONE OF THE TWO DETONATION DEVICES

BLOWS -- a single, tidy, self-contained explosion and --

EXT./INT. THE GLASS OFFICE BUILDING LOBBY -- NIGHT

As the lights flicker and fail and THE NIGHT SHIFT SECURITY

GUARD is suddenly cast into darkness and --

INT. BERLIN HQ/COMMAND POST -- NIGHT

As they were. Waiting. But only a moment before --

TEDDY/RADIO

(sudden, urgent)

"Hub? -- we just -- we lost power --

the building! -- the whole place

just went dark! --"

CRONIN looking at Pamela -- the first whiff of dread as --

CRONIN:

"-- repeat -- who is dark? -- the

target building or your location? --

"

RADIO VOICES piling up -- panicked, confusion cascading as --

DELETED:

DELETED:

EXT. BERLIN NOVATEL/PARKING LOT -- NIGHT

Anonymous drone barn. KIRILL stepping out of a car. He's

carrying the duffle.

INT. BERLIN NOVATEL CORRIDOR -- NIGHT

KIRILL. Heading down the hall.

INT. NOVATEL ROOM -- NIGHT

KIRILL enters. It's a small room. GRETKOV is waiting. He's

forty. Professional. Trim and polished. Dominant.

GRETKOV:

(Russian)

[You're early.]

KIRILL:

(Russian)

[You're complaining?]

GRETKOV:

[It's clean?]

KIRILL:

[Would I bring it?]

GRETKOV taking over now. Tosses some money on the bed, checks

out the photocopy of the files.

GRETKOV:

[What are you doing?]

KIRILL stripping quickly --

KIRILL:

[I'm taking a shower, it's been a

long day.]

GRETKOV:

[Make it fast, my plane is waiting.]

GRETKOV dumping three million dollars over the bed as KIRILL

sheds his clothes, and we --

DISSOLVE TO:

EXT. THE BRIDGE -- GOA -- DAY

WORKMEN cluster as a cable winches --

The JEEP is raised from the river bottom. As water pours off

of it --

BOURNE -- Watching -- From a distance -- Empty --

CUT TO:

EXT. BERLIN OFFICE BUILDING -- DAY

Crime scene. POLICE blocking OFFICE WORKERS from getting in

the building. MEDIA vans clogging the street.

PAMELA and CRONIN, across the street, watching.

The mood is black. Ashes.

PAMELA:

We need to get in there.

CRONIN:

I'm working on it.

PAMELA stands there. Silent. Staring at the disaster across

the street.

DELETED:

INT. SHACK -- GOA -- DAY

BOURNE is bailing.

Exfil procedure, but this is a heartbroken exfil.

-- A FOOTLOCKER open. Bourne's main stash.

BOURNE going through the footlocker. Setting aside his 'work

clothes' -- other things he needs.

But he also has to separate.

A GROWING PILE of Marie memories: Bank cards. Phony student

IDs. Loose passport photos with a mix of looks and hair-dos.

Clothes -- vacuum-packed bags -- spare shoes.

EXT. NEAR THE SHACK -- DAY

A gasoline-stoked FIRE burning in a rock-lined pit. BOURNE

feeding his papers and all of Marie's belongings into the

fire. A passport cover crinkles back to reveal her photo.

Her face begins to burn. Gas-soaked clothes tossed in. Nothing

left except --

The PHOTOGRAPH -- the picture of he and Marie at the beach.

The one from his desk.

BOURNE hesitates, holds the photo out to the flames. The

rules of exfil say drop it -- but he can't -- won't --

He reaches to his bag, sticks the photo on top of his gear.

Then, hefting, the bag, BOURNE strides away.

INT. BERLIN HQ COMMAND POST -- DAY

A folding table covered with XEROXED BERLIN POLICE PAPERWORK.

PAMELA getting a show-and-tell from CRONIN and TEDDY.

CRONIN:

-- so there were two of these

explosive charges placed on the power

lines. One of them failed. The

fingerprint...

(Pamela's got it)

That's from the one that didn't go

off.

PAMELA:

And the Germans can't match it?

TEDDY:

Nobody's got it. We checked every

database we could access. Nothing.

CRONIN:

Show her the other thing.

TEDDY:

This is a KGB file that must've fallen

somehow and then slipped under, I

guess, a desk there, or...

(handing it to her --)

PAMELA:

Do we know what this says?

TEDDY:

Yup...

(a scrap of paper)

The main word there, the file heading,

translates as:
Treadstone.

Rate this script:5.0 / 1 vote

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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