The Bridges of Madison County Page #4

Synopsis: The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and all
Genre: Drama, Romance
Director(s): Clint Eastwood
Production: Warner Bros.
  Nominated for 1 Oscar. Another 6 wins & 14 nominations.
 
IMDB:
7.6
Metacritic:
66
Rotten Tomatoes:
89%
PG-13
Year:
1995
135 min
3,802 Views


I can take you if you want.

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Or I can teII you.

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18:40,029 -- 00:18:41,621 X1:266 X2:452 Y1:431 Y2:495

I can take you

or teII you.

212

00:
18:41,869 -- 00:18:44,258 X1:266 X2:452 Y1:435 Y2:495

It's up to you.

I don't care.

213

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18:45,189 -- 00:18:47,498 X1:131 X2:587 Y1:468 Y2:495

I wouIdn't want to take you away.

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18:48,429 -- 00:18:51,978 X1:173 X2:546 Y1:434 Y2:495

No, I was just going to have

some iced tea, and then. . .

215

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18:52,309 -- 00:18:54,504 X1:241 X2:477 Y1:436 Y2:495

. . .spIit the atom,

but that can wait.

216

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Okay.

217

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18:57,229 -- 00:18:58,821 X1:218 X2:501 Y1:468 Y2:495

I'II just get my shoes.

218

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19:31,389 -- 00:19:33,903 X1:119 X2:600 Y1:468 Y2:495

I wasn't exactIy expecting company.

219

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Where are we headed?

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19:47,269 -- 00:19:49,305 X1:250 X2:469 Y1:469 Y2:495

Out. Then right.

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19:49,549 -- 00:19:50,618 X1:322 X2:397 Y1:474 Y2:495

Out. . .

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19:50,989 -- 00:19:52,388 X1:277 X2:441 Y1:469 Y2:495

. . .then right.

223

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20:12,749 -- 00:20:17,027 X1:117 X2:601 Y1:431 Y2:495

WonderfuI smeII to Iowa. Kind of

particuIar to this part of the country.

224

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You know what I mean?

225

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20:19,469 -- 00:20:20,424 X1:338 X2:381 Y1:474 Y2:495

No.

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It's kind of hard to expIain.

I guess it's in the Ioam of the soiI.

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That kind of rich, earthy. . .

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. . .aIive. . . .

WeII, maybe not aIive.

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You don't smeII it?

230

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20:38,669 -- 00:20:40,546 X1:160 X2:558 Y1:468 Y2:495

Maybe it's because I Iive here.

231

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20:40,909 -- 00:20:42,501 X1:246 X2:472 Y1:469 Y2:495

Yeah, I guess so.

232

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20:42,829 -- 00:20:44,581 X1:224 X2:495 Y1:469 Y2:495

SmeIIs great though.

233

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Are you from Washington?

234

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20:59,109 -- 00:21:01,907 X1:118 X2:600 Y1:469 Y2:495

I Iived there tiII I was in my mid-20s.

235

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I moved to Chicago

when I got married.

236

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When did you move back?

237

00:
21:09,149 -- 00:21:10,707 X1:244 X2:475 Y1:474 Y2:495

After the divorce.

238

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21:17,269 -- 00:21:19,260 X1:137 X2:582 Y1:469 Y2:495

How Iong have you been married?

239

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21:27,629 -- 00:21:28,857 X1:291 X2:428 Y1:469 Y2:495

Long time.

240

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21:31,469 -- 00:21:33,221 X1:254 X2:465 Y1:469 Y2:495

Long time, huh?

241

00:
21:33,869 -- 00:21:36,383 X1:199 X2:520 Y1:431 Y2:495

Where are you from?

Do you mind me asking?

242

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21:36,629 -- 00:21:40,178 X1:196 X2:523 Y1:435 Y2:495

I don't mind your asking.

I'm from. . . .

243

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21:40,869 -- 00:21:44,179 X1:246 X2:472 Y1:430 Y2:495

-I'm born in ItaIy.

-ItaIy?

244

00:
21:47,429 -- 00:21:49,659 X1:235 X2:483 Y1:431 Y2:495

From ItaIy to Iowa.

Where in ItaIy?

245

00:
21:51,669 -- 00:21:54,661 X1:197 X2:521 Y1:436 Y2:495

We Iived in a smaII town

on the eastern side.

246

00:
21:54,909 -- 00:21:56,581 X1:224 X2:495 Y1:435 Y2:495

No one's heard of it.

Bari.

247

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21:59,469 -- 00:22:00,822 X1:282 X2:437 Y1:474 Y2:495

I know Bari.

248

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22:06,189 -- 00:22:08,180 X1:142 X2:577 Y1:469 Y2:495

I was on assignment to Greece. . .

249

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22:08,429 -- 00:22:11,102 X1:190 X2:528 Y1:431 Y2:495

. . .and I went through Bari

to get to Brindisi.

250

00:
22:12,109 -- 00:22:15,226 X1:173 X2:545 Y1:431 Y2:495

I was Iooking out,

it Iooked Iike pretty country.

251

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22:15,469 -- 00:22:18,029 X1:206 X2:512 Y1:431 Y2:495

So I got off the train

and stayed a few days.

252

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22:19,629 -- 00:22:22,143 X1:194 X2:524 Y1:431 Y2:495

You got off the train

because it Iooked pretty?

253

00:
22:26,349 -- 00:22:27,748 X1:284 X2:434 Y1:472 Y2:495

Yeah, I did.

254

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22:29,909 -- 00:22:31,058 X1:286 X2:433 Y1:474 Y2:495

Excuse me.

255

00:
22:45,149 -- 00:22:46,662 X1:225 X2:494 Y1:469 Y2:495

Care for a cigarette?

256

00:
22:48,029 -- 00:22:49,826 X1:236 X2:483 Y1:471 Y2:495

Sure, I'II have one.

257

00:
23:07,149 -- 00:23:09,902 X1:206 X2:513 Y1:431 Y2:495

So teII me, how Iong

have you Iived in Iowa?

258

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23:11,309 -- 00:23:13,061 X1:180 X2:539 Y1:431 Y2:495

Long.

You just got off the train. . .

259

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23:13,309 -- 00:23:16,028 X1:152 X2:567 Y1:431 Y2:495

. . .and stayed

without knowing anyone there?

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That's it.

261

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23:35,349 -- 00:23:36,941 X1:272 X2:446 Y1:473 Y2:495

It's beautifuI.

262

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Yeah, this is great.

263

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23:59,149 -- 00:24:03,062 X1:172 X2:546 Y1:430 Y2:495

I won't shoot this today.

I'II just do a IittIe prep work.

264

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Shoot it tomorrow.

The Iight's no good right now.

265

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So I'II just wait.

266

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I don't mind.

267

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24:14,149 -- 00:24:15,946 X1:242 X2:476 Y1:474 Y2:495

Go on down here.

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24:16,549 -- 00:24:19,541 X1:167 X2:552 Y1:431 Y2:495

This is about as good a pIace

to start as any.

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BeautifuI bridge.

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BeautifuI.

You out here much?

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No.

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AIways this hot around here?

273

00:
25:40,069 -- 00:25:42,458 X1:179 X2:540 Y1:469 Y2:495

Oh, yes. This time of year.

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25:50,149 -- 00:25:53,346 X1:148 X2:571 Y1:430 Y2:495

There's some sodas in the truck

if you'd Iike one.

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-WouId you Iike one?

-Not right now.

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25:57,909 -- 00:25:59,308 X1:264 X2:454 Y1:468 Y2:495

I'II go get one.

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There you are.

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26:58,029 -- 00:26:59,428 X1:256 X2:463 Y1:469 Y2:495

You caught me.

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27:01,029 -- 00:27:03,224 X1:148 X2:571 Y1:469 Y2:495

I was picking you some fIowers.

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Men stiII do that, don't they?

I'm not out of date, am I?

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27:11,189 -- 00:27:14,067 X1:191 X2:528 Y1:431 Y2:495

Picking fIowers

as a sign of appreciation?

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No, except those are poisonous.

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Richard LaGravenese

Richard LaGravenese (born October 30, 1959) is an American screenwriter and film director, best known as the writer of The Fisher King. more…

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Submitted on August 05, 2018

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