
The Bridges of Madison County Page #7
- PG-13
- Year:
- 1995
- 135 min
- 3,957 Views
00:
38:57,429 -- 00:38:59,704 X1:188 X2:530 Y1:430 Y2:495It's a very painfuI subject.
A very sore. . .
433
00:
38:59,949 -- 00:39:02,179 X1:169 X2:549 Y1:469 Y2:495. . .sore subject matter, reaIIy.
434
00:
39:02,989 -- 00:39:04,945 X1:215 X2:503 Y1:431 Y2:495-What happened?
-We became engaged.
435
00:
39:16,949 -- 00:39:18,541 X1:233 X2:486 Y1:469 Y2:495You shouId reaIIy. . .
436
00:
39:19,789 -- 00:39:21,984 X1:178 X2:541 Y1:474 Y2:495. . .write these stories down.
437
00:
39:22,229 -- 00:39:26,188 X1:149 X2:569 Y1:431 Y2:495I wouId, except this is a femaIe
goriIIa. It had on eye shadow. . .
438
00:
39:26,429 -- 00:39:29,865 X1:196 X2:523 Y1:436 Y2:495. . .and a IittIe Iip gIoss on
and it was so nice. . . .
439
00:
39:30,109 -- 00:39:31,337 X1:268 X2:451 Y1:474 Y2:495We stiII write.
440
00:
39:34,029 -- 00:39:36,145 X1:209 X2:510 Y1:430 Y2:495I don't want
to put this stuff down.
441
00:
39:37,549 -- 00:39:38,504 X1:278 X2:441 Y1:473 Y2:495I'm afraid. . . .
442
00:
39:39,629 -- 00:39:42,462 X1:210 X2:509 Y1:435 Y2:495I'm afraid my writing's
a IittIe too technicaI.
443
00:
39:42,749 -- 00:39:46,105 X1:198 X2:520 Y1:431 Y2:495journaIist too Iong is. . .
444
00:
39:46,349 -- 00:39:48,943 X1:172 X2:546 Y1:436 Y2:495. . .you stop aIIowing yourseIf
to invent.
445
00:
39:49,949 -- 00:39:52,417 X1:148 X2:571 Y1:468 Y2:495I'II just stick to making pictures.
446
00:
39:53,869 -- 00:39:55,507 X1:252 X2:466 Y1:469 Y2:495Making pictures.
447
00:
39:56,789 -- 00:39:58,188 X1:293 X2:425 Y1:474 Y2:495I Iike that.
448
00:
40:00,109 -- 00:40:02,304 X1:171 X2:547 Y1:469 Y2:495You reaIIy Iove what you do.
449
00:
40:03,949 -- 00:40:05,940 X1:191 X2:528 Y1:468 Y2:495I'm obsessed by it, reaIIy.
450
00:
40:07,349 -- 00:40:09,226 X1:184 X2:534 Y1:469 Y2:495Why is that, do you think?
451
00:
40:09,709 -- 00:40:11,028 X1:272 X2:447 Y1:473 Y2:495I don't know.
452
00:
40:11,269 -- 00:40:15,547 X1:108 X2:610 Y1:430 Y2:495I don't think obsessions have reasons.
That's why they're obsessions.
453
00:
40:19,029 -- 00:40:20,781 X1:199 X2:519 Y1:474 Y2:495You sound Iike an artist.
454
00:
40:21,269 -- 00:40:22,827 X1:230 X2:488 Y1:468 Y2:495I wouIdn't say that.
455
00:
40:23,069 -- 00:40:26,186 X1:175 X2:544 Y1:431 Y2:495NationaI Geographic
Iikes their photos in focus. . .
456
00:
40:26,429 -- 00:40:30,468 X1:099 X2:619 Y1:431 Y2:495. . .and not too much personaI comment.
I don't mind reaIIy.
457
00:
40:30,789 -- 00:40:32,108 X1:275 X2:444 Y1:473 Y2:495I'm no artist.
458
00:
40:32,669 -- 00:40:36,662 X1:140 X2:579 Y1:430 Y2:495That's one of the curses of being
too weII-adjusted, too normaI.
459
00:
40:36,909 -- 00:40:39,025 X1:160 X2:559 Y1:468 Y2:495I don't think you're so normaI.
460
00:
40:39,749 -- 00:40:40,738 X1:314 X2:404 Y1:469 Y2:495ReaIIy?
461
00:
40:40,989 -- 00:40:43,139 X1:170 X2:548 Y1:468 Y2:495I didn't mean it in the way. . .
462
00:
40:43,389 -- 00:40:45,266 X1:167 X2:552 Y1:469 Y2:495. . .in the way that it sounded.
463
00:
40:47,629 -- 00:40:50,939 X1:223 X2:495 Y1:430 Y2:495We'II just chaIk it up
to a compIiment. . .
464
00:
40:51,189 -- 00:40:52,668 X1:257 X2:462 Y1:474 Y2:495. . .and move on.
465
00:
40:55,509 -- 00:40:57,386 X1:182 X2:537 Y1:469 Y2:495Did you just Iove teaching?
466
00:
40:58,829 -- 00:41:03,857 X1:087 X2:632 Y1:436 Y2:495Yes, when there was a particuIar student
who can make a difference. . . .
467
00:
41:06,189 -- 00:41:09,420 X1:097 X2:621 Y1:435 Y2:495They're aII supposed to, but they don't.
You tend. . .
468
00:
41:09,669 -- 00:41:14,789 X1:119 X2:600 Y1:431 Y2:495. . .to singIe out 1 or 2 who you think
you can contribute something to.
469
00:
41:15,029 -- 00:41:18,817 X1:091 X2:627 Y1:431 Y2:495-And did you?
-I hope so. One went to medicaI schooI.
470
00:
41:20,589 -- 00:41:21,908 X1:252 X2:467 Y1:468 Y2:495Why'd you quit?
471
00:
41:23,669 -- 00:41:25,864 X1:220 X2:499 Y1:469 Y2:495My chiIdren, my kids.
472
00:
41:26,349 -- 00:41:27,941 X1:319 X2:399 Y1:474 Y2:495And. . .
473
00:
41:28,549 -- 00:41:31,017 X1:141 X2:577 Y1:468 Y2:495. . .Richard didn't Iike my working.
474
00:
41:32,109 -- 00:41:33,861 X1:186 X2:533 Y1:469 Y2:495But you miss it, obviousIy.
475
00:
41:34,389 -- 00:41:35,902 X1:218 X2:501 Y1:474 Y2:495476
00:
41:36,149 -- 00:41:39,221 X1:154 X2:564 Y1:430 Y2:495What's the most exciting pIace
that you've ever been?
477
00:
41:41,109 -- 00:41:45,466 X1:153 X2:565 Y1:430 Y2:495-UnIess you're too tired to taIk.
-Most exciting. . . .
478
00:
41:49,269 -- 00:41:54,297 X1:099 X2:619 Y1:430 Y2:495You're asking if a man's tired of
taIking about himseIf? Been out much?
479
00:
41:56,709 -- 00:41:59,223 X1:216 X2:503 Y1:435 Y2:495Didn't mean to make
it sound Iike a dumb--
480
00:
41:59,469 -- 00:42:01,619 X1:151 X2:568 Y1:468 Y2:495Maybe it's a IittIe duII for you. . .
481
00:
42:01,869 -- 00:42:05,259 X1:147 X2:572 Y1:436 Y2:495. . .teIIing this to some housewife
in the middIe of nowhere.
482
00:
42:07,869 -- 00:42:10,508 X1:233 X2:485 Y1:436 Y2:495This is your home.
This isn't nowhere.
483
00:
42:13,629 -- 00:42:15,028 X1:249 X2:470 Y1:473 Y2:495And it's not duII.
484
00:
42:18,269 -- 00:42:19,588 X1:296 X2:422 Y1:473 Y2:495Let's see.
485
00:
42:22,869 -- 00:42:27,659 X1:114 X2:605 Y1:430 Y2:495I guess I'd say that the most exciting
pIace I've been to was Africa.
486
00:
42:28,069 -- 00:42:29,866 X1:180 X2:538 Y1:473 Y2:495Because it's another worId.
487
00:
42:30,109 -- 00:42:33,226 X1:200 X2:519 Y1:430 Y2:495It's not just the cuItures
and the peopIe.
488
00:
42:33,469 -- 00:42:35,539 X1:171 X2:548 Y1:468 Y2:495That's great, but it's the air.
489
00:
42:35,789 -- 00:42:38,098 X1:157 X2:561 Y1:474 Y2:495The coIors from dawn to dusk.
490
00:
42:38,349 -- 00:42:40,738 X1:122 X2:597 Y1:468 Y2:495There's something tangibIe about it.
491
00:
42:41,349 -- 00:42:45,627 X1:125 X2:593 Y1:436 Y2:495The cohabitation of man and beast,
and beast and beast.
492
00:
42:45,869 -- 00:42:47,905 X1:158 X2:561 Y1:473 Y2:495Who'II survive and who won't.
493
00:
42:48,629 -- 00:42:51,063 X1:115 X2:604 Y1:468 Y2:495There's no judgement about it either.
494
00:
42:51,309 -- 00:42:53,379 X1:169 X2:549 Y1:468 Y2:495There's no imposed moraIity.
495
00:
42:53,629 -- 00:42:56,097 X1:218 X2:501 Y1:468 Y2:495It's just the way it is.
496
00:
42:56,349 -- 00:42:58,419 X1:228 X2:491 Y1:468 Y2:495It's beautifuI, reaIIy.
497
00:
43:01,469 -- 00:43:03,744 X1:232 X2:487 Y1:436 Y2:495Just nothing Iike it.
It's. . .
498
00:
43:03,989 -- 00:43:06,378 X1:214 X2:504 Y1:468 Y2:495. . .a voyeur's paradise.
499
00:
43:08,789 -- 00:43:10,745 X1:230 X2:488 Y1:473 Y2:495I'd Iove to see that.
500
00:
43:14,829 -- 00:43:17,821 X1:182 X2:537 Y1:430 Y2:495There's safaris.
You can ask your husband.
501
00:
43:20,109 -- 00:43:21,337 X1:323 X2:396 Y1:474 Y2:495
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"The Bridges of Madison County" Scripts.com. STANDS4 LLC, 2025. Web. 4 Mar. 2025. <https://www.scripts.com/script/the_bridges_of_madison_county_4684>.
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