The Butterfly Effect 2 Page #6

Synopsis: Nick Larson and his best friends Trevor Eastman and Amanda are celebrating the twentieth-fourth birthday of his girlfriend Julie Miller in a beautiful lake on a Sunday morning. Nick is expecting to be promoted in the company where he works, and Julie is planning to move to his place instead of going to New York for her Master degree. However, Nick is called by his colleague Dave Bristol, who is disputing the promotion with Nick, for a meeting with a client. While on the road, Nick has an accident and Julie and his friends die. One year later, Nick finds that he can travel in time and tries to fix the past, with tragic consequences for the future.
Director(s): John R. Leonetti
Production: New Line Cinema
  1 nomination.
 
IMDB:
4.5
R
Year:
2006
92 min
$57,000,000
Website
197 Views


Hey, Nick.

You're awake.

Come on, baby,

we've got a big day.

l've got class

in a half-hour.

Ah...

That's right,

Nicky, yeah!

Aw...

Mommy has to go to class

in a half an hour.

That's right. Okay?

l'm gonna drop you off

at Grandma's. Yeah!

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John Frankenheimer

John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964), The Train (1964), Seconds (1966), Grand Prix (1966), French Connection II (1975), Black Sunday (1977), and Ronin (1998). Frankenheimer won four Emmy Awards--three consecutive--in the 1990s for directing the television movies Against the Wall, The Burning Season, Andersonville, and George Wallace, the latter of which also received a Golden Globe Award for Best Miniseries or Television Film. He was considered one of the last remaining directors who insisted on having complete control over all elements of production, making his style unique in Hollywood. Frankenheimer's 30 feature films and over 50 plays for television were notable for their influence on contemporary thought. He became a pioneer of the "modern-day political thriller," having begun his career at the peak of the Cold War.He was technically highly accomplished from his days in live television; many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment," similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. He developed a "tremendous propensity for exploring political situations" which would ensnare his characters.Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all." more…

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Submitted on August 05, 2018

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