The Butterfly Effect 3: Revelations Page #4

Synopsis: Sam Reide has the ability of traveling to the past and works with the police department solving unresolved crimes, witnessing the events with the support of his sister, Jenna Reide and reporting the criminal's identity to detective Dan Glenn. When Elizabeth Brown, the sister of his former girlfriend Rebecca Brown that was murdered a couple of years ago pays a visit to him, she tells him that she has just found Rebecca's journal with evidences that Lonnie Flennons, who was accused for the murder is innocent. Sam decides to witness the murder of Rebecca and his interference affects the future. He travels to the past to try to fix his mistakes, but every time he returns, the future is in worse condition.
Director(s): Seth Grossman
Production: After Dark Films
 
IMDB:
5.6
R
Year:
2009
90 min
272 Views


- What?

Now I don't know. It's like all the pieces

of the puzzle just shifted around.

The only person who could explain it to me

is Goldburg,

and now he's disappeared.

Yeah, conveniently.

- What does that mean?

- Sam, he was going to

turn in evidence

linking you to the murders.

If you hadn't fast forwarded

through your past, you'd know that.

What are you talking about?

Sam, you trust me, don't you?

I mean, if you're doing this

for any reason,

I'd never turn you in.

This is ridiculous.

Sam, the night of the Brown murders,

I covered for you.

I know you weren't at home.

You know where I was!

I tried to save them!

Sam, you don't know

what happened two weeks ago.

Yeah, I know I didn't kill anybody.

Okay. Maybe not now, but...

what if with the jumping

you go crazy,

and sometime in the future...

Sam, you don't talk about it.

You don't talk about anything.

You just bottle it all up.

We've never even talked about

what happened in the fire.

Did you... Did you start the fire?

I saved your life, Jenna.

I saw you die.

I went to your funeral, for f***'s sake.

I don't want to hurt people, Jenna.

I don't do that. I help people.

You see? I-I help... I fix things.

It's what I do. That's what I did!

I went back, and I fixed it.

I fixed it, Jenna!

That's why you're here,

because I fix things!

You know, but sometimes

you can't fix everything.

Sometimes things

are just f***ed, Jenna!

And... And right now,

things are kind of f***ed!

So, I...

I'm try... I'm try...

- I'm trying to fix it, but it...

- Sam.

I just don't know why.

I'm too stupid or I'm too...

I'm too weak!

- It's... l... It's just...

- Sam. Sam.

It's going to be okay.

It's the jumping.

Just let the police

do their job for once.

Sam.

Promise me you're not

going to jump anymore.

Promise.

I can fix it, Jenna.

No.

Oh, thank you.

- Bye, guys.

- Night, Vicki.

See you later.

You ever wonder how

your life would be different

if you could go back

and change one thing?

Yeah. Everyone thinks about that.

Bye.

Hey, want to hear a joke?

Sure.

What do you get

when you mix a brown chicken

and a brown cow?

I don't know. What do you get?

Brown chicken, brown cow

It's funny, right?

Hey, Vicki,

you want to come over later?

Thanks for the offer,

but I got to get home to my man.

Right.

Yeah.

Maybe in another life.

Yeah. In another life.

Thank you.

- Bye, Sam.

- Bye.

Brown chicken, brown cow

We're closed!

Is there anyone in here?

Guess the engagement's off.

Is that all you found?

Forensics recovered a charred body

matching a description

at the Eastern body plant.

It's her.

Yep. Unless it was the last customer.

Good sauce.

Let's go over it again.

What time did you leave

the bar last night?

I don't know. I was drunk.

Your roommate says

you got in about 3.

The murders took place at 2:30 a.m.

How long is the walk

from the bar to your place?

About half an hour?

You really think I'm the Pontiac Killer?

You were a person of interest

in the Brown murders,

but you got off on your sister's alibi.

You showed up at Lonnie Flennons'

the day before he dies.

And now you just happen to be

at the bar the night

Vicki gets her last manicure.

Come on, Glenn.

Don't talk about her like that.

Don't be a pig.

Guess they need their privacy.

Now I'm going to tell you

how it's going to happen.

You're going to confess.

You're going to plead insanity.

I'm going to testify myself to what

a crazy motherf***er you are.

Because if you keep giving me

this tired-ass song and dance

about trying to stop the Pontiac Killer,

I'll make sure you're locked up in county

with them big old boys.

Now don't it just make

your a**hole pucker?

Glenn.

The sister's here.

She's got a lawyer.

- So?

- She's got Boswich.

Jesus.

Have you got enough for a conviction?

It's all circumstantial.

Now what?

Go back to the auto body plant.

Sweep for fingerprints.

See what else you can find.

- We were already there.

- Then look harder.

What are we going to do

about psychic boy?

What do you think?

- We have to let him walk.

- Put a tail on him.

The Tigers are looking good this year.

All right. They're letting him out.

Detective Glenn, we got a problem.

- I'm sorry.

- I'm sorry, too.

- You okay?

- Yeah.

How was your night?

Eastern body plant.

This is where the police found

the Pontiac Killer's victims.

September 19, 2004.

September 19, 2004.

What do you want?

I got to take a sh*t, pendejo.

Five minutes.

I'm tired of your f***ing "five minutes."

And I know what pendejo means.

Get the f*** out!

You don't pay rent, you leave.

I don't give a sh*t.

September 19, 2004.

The old auto body plant where

the police find the victims.

They figured it out. When did

the Pontiac Killer start coming here?

Why did he torture his victims?

I got to find him.

I want to see his face,

look into his eyes.

Look into his eyes.

I want to see his face,

look into his eyes.

Hey.

Don't sleep until noon today.

Jenna?

I'm leaving the classifieds

on the coffee table.

Maybe you can look and see

if there's a job in there for you.

Where you going?

Work. It's Monday.

Oh, that's right.

Oh, uh, I'll be back at 6.

- You're going to cook dinner, right?

- I make dinner?

Hell, yeah.

And you said you were going to clean up.

This little project of yours

is starting to look kind of scary.

The Pontiac Killer.

Eight victims, all women.

No, he killed Lonnie Flennons.

Seven victims.

Seven women, one man.

He hides their bodies.

Where does he take them?

The Eastern body plant.

Why does he take them there?

Some victims have signs of torture,

others killed immediately.

What's his pattern?

How does he get out undetected?

Neighbors never hear him.

He must go at night... at night.

Ah, does he live there?

Does he work nearby?

I've got to find him.

I've got to go back. I've got to go back.

What did these women

all have in common?

What's the...

What's the connection?

What's this guy about, huh?

Oh, man.

Anita Barnes.

That's the one that's killing me.

Anita Barnes.

Let's see. There was...

Freeze, motherf***er!

Not a move! Not a f***ing move!

- On your knees!

- On your f***ing knees!

Move down! Get the f*** down!

Face down! Come on!

- Cuff him.

- Hands behind your back!

- Call them up.

- All right. Call it in.

Ouch.

You really had this all mapped out.

Look at that.

You may be a nut job,

but you sure made this

a slam-dunk case for us.

I mean, your girlfriend,

Becky, cheats on you,

so you kill her.

Then you kill her sister because...

I don't know... Bonus points?

Your pal Goldburg was going

to testify against you.

Then he disappears.

And then you kill Lonnie Flennons.

I don't know.

- No, no. No.

- What?

Lonnie was going to be executed.

I had to go back.

What the f*** you talking about?

The next victim.

Which one?

- Anita Barnes.

- Who?

Anita Barnes. Anita Barnes.

Did l... Did he...

- Did he kill Anita Barnes?

Rate this script:0.0 / 0 votes

Holly Brix

All Holly Brix scripts | Holly Brix Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Butterfly Effect 3: Revelations" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/the_butterfly_effect_3:_revelations_4883>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Butterfly Effect 3: Revelations

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In which year was "Avatar" released?
    A 2008
    B 2010
    C 2011
    D 2009