The Cell Page #11
HENRY (CONT'D)
That's why we monitor the use of the
drugs so closely. We don't want her
getting to that degree of perceptual
disorientation.
MIRIAM:
Pump in two liters of pure oxygen,
please Henry.
Henry types a command and Novak speaks into the intercom.
NOVAK:
Dr. Kent?
IN THE PROCEDURE ROOM, Miriam eases Catherine back to
consciousness.
MIRIAM:
Deep breaths.
When she sees Stargher, Catherine's flesh crawls.
CATHERINE:
Is it cold in here?
MIRIAM:
What happened?
No response.
MIRIAM (CONT'D)
What's wrong?
Incapable of being in the same room as him, Catherine tears
out of the apparatus and anxiously exits.
MIRIAM (CONT'D)
Catherine!
IN THE PROCEDURE ROOM:
NOVAK:
I'll get her...
INT. CAMPBELL CENTER - DAY
A worried Novak searches the halls of the Campbell Center.
He's about to ask the staff for help, but stops when he sees
through the window to Edward's room.
INT. CAMPBELL CENTER - EDWARD'S ROOM
Catherine sits next to the boy's bed, holding Edward's hand,
softly singing a lullaby (to him, to herself). Feeling that
he must speak to her, Novak intervenes.
NOVAK:
Edward Baines, I presume.
(to the catatonic child)
Hi, Ed. I'm Pete.
CATHERINE:
Do you think that's funny?
NOVAK:
No. Not at all. From what I
understand, he knows I"m here, isn't
that right?
Catherine nods. Novak picks up Edward's fallen teddy bear
and rests it in the crook of the child's arm.
NOVAK (CONT'D)
I read about a woman in TExas who was in
a coma for seven years. Every time her
husband came to visit, her heart would
beat faster. Isn't that something? I
don't know what name scientists have for
something like that...
CATHERINE:
It doesn't have much to do with science.
NOVAK:
What then?
CATHERINE:
The soul. The spirit. Whatever you
want to call it.
NOVAK:
Ah, the part of us that can't be
explained.
She appreciates his understanding. And finds herself
comforted by his presence. Catherine scrutinizes Novak, his
intensity, his honesty, his complexity. And asks:
CATHERINE:
Agent Novak?
NOVAK:
Peter, okay?
CATHERINE:
Do you feel there's a side of yourself
you don't show people?
The question catches Novak off-guard, but he's willing to
answer. Anything to get her talking.
NOVAK:
Absolutely.
(realizing it's too personal)
I suppose everyone does.
CATHERINE:
Just like we all have fantasies, right?
Things only we know, that we don't
share.
NOVAK:
That's what therapists are for, right?
Catherine laughs. It helps her relax. If only slightly.
CATHERINE:
During the sessions. When I'm inside.
I see those things. What a person
hides, what they despite, what they want
to control. With Stargher...
This is difficult for her.
CATHERINE (CONT'D)
With Stargher I saw things...
NOVAK:
What did you see?
CATHERINE:
(professionally)
A kingdom. His utopia.
Life without consequence or restriction.
He's not even Carl Stargher anymore.
He's this... idealized version of
himself who can do anything he
pleases... Without fear. A horrible
primitive ugly thing.
(uncomfortable; re: Edward)
I don't want to talk in here.
She kisses Edward's forehead and exits.
INT. CAMPBELL CENTER - CONFERENCE ROOM/COURTYARD - DAY
Catherine and Novak sit on a bench in the center of the
courtyard. John Tracy is visible in the reception area,
unable to sleep, desperately trying to fight frustration.
CATHERINE:
Why'd you bring him here?
NOVAK:
You're the shrink, you tell me.
CATHERINE:
(already knows)
As soon as I met him, you knew I'd say
yes. He makes Julia real for me.
Novak nods. Guilty.
NOVAK:
It's an old lawyer trick. Target the
emotions. Do it right, you get a
reluctant witness to testify, a scared
kid to confess.
Catherine looks at him with disbelief. "You?!"
NOVAK (CONT'D)
Before I was with the Bureau, I was an
attorney, a prosecutor. Mr. Law and
Order. And then... I had a murder case
in North Carolina. Charles Gish.
Butchered seventeen people in three
days. And because of one tiny piece of
tainted evidence, he walked.
(no regrets)
That's when I quit the DA's office and
joined the FBI.
Catherine can see the pain and frustration in Novak's eyes.
She gives him a moment and asks:
CATHERINE:
You thought Stargher wanted to be
caught.
NOVAK:
I did, yeah.
CATHERINE:
You were right. There's a part of him
that knows the truth. About what he
did, about himself.
Novak's curiosity is piqued.
NOVAK:
What about Julia?
CATHERINE:
This is going to sound terrible, but...
I don't think she matters anymore. Not
to him. He never finished her. The
others...he was able to make them his.
NOVAK:
You think you can do this, don't you?
CATHERINE:
He might tell me about Julia. The part
of him that wants to help, that feels
shame and remorse. Who wants to be
redeemed.
NOVAK:
(skeptically)
This is Stargher we're talking about?
CATHERINE:
Not Stargher, not really. He's split
himself right down the middle.
Good/evil, right/wrong, merciful/cruel.
A monster. And an innocent child. If I
could reach the boy.
NOVAK:
Whoa. Hold on. Aren't they the same
guy?
CATHERINE:
Don't you feel there are different sides
to every personality? Maybe even the
worst of us is capable of one decent
act. We're all human.
NOVAK:
It's hard for me to see Stargher as
human, capable of something like
"remorse."
CATHERINE:
Then what is he?
NOVAK:
Evil.
CATHERINE:
If you believe that.
NOVAK:
Maybe this is a big f***ing waste of
time.
CATHERINE:
(sensing something)
What happened to Charles Gish?
Novak doesn't respond. She prods him.
CATHERINE (CONT'D)
What happened?
NOVAK:
What difference does it make...?
CATHERINE:
Tell me.
God, he does not want to do this.
NOVAK:
Right after the trial, the night after
he was released. Mr. and Mrs. Frank
Simmons found Charlie sitting in their
living room watching TV with their
twelve-year old daughter Margaret. He'd
cut her right down the middle with a
carving knife.
NOVAK (CONT'D)
Found the girl's heart in the freezer -
he thought they might want to keep it.
(grim humor)
Luckily, the next thing he did was slit
his own throat.
(bleakly)
I am convinced of one thing.
Charles Gish could've been raised by
Ozzie and Harriet and the same thing
would've happened.
He can see Catherine doesn't accept that.
NOVAK (CONT'D)
A child can experience abuse worse than
Charlie's. And grow up to be someone
who would never, ever hurt another
living thing.
CATHERINE:
You're sure of that?
NOVAK:
Yes. I am.
Catherine realizes that was a confession.
RAMSEY (O.S.)
Where the hell you been?
They turn to see Ramsey.
NOVAK:
Right here.
RAMSEY:
Next time, tell me, okay?
NOVAK:
But you looked so cute. All sleepy...
Ramsey shoots him a murderous look, then asks Catherine.
RAMSEY:
Your colleagues want to know what to do
with Stargher.
Novak looks to Catherine for the answer. Through the window
blinds, she watches John Tracy lower his head.
CATHERINE:
Tell them to prep him. And that I'll be
right there.
Ramsey nods and heads back to the lab.
NOVAK:
Thank you.
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