The Cell Page #7
REID:
Minimal activity in the dorsolateral
prefrontal cortex. And here, the
anterior cingulate cortex.
(to Novak and Ramsey)
It's what helps distinguish between
external and internal stimuli.
RAMSEY:
What the hell does that mean?
TEDDY LEE:
(answering for Reid)
He's schizophrenic.
Novak doesn't like this. Not one bit.
RAMSEY:
What're you doing here, Reid? Paving
the way for his insanity defense?
REID:
No need. There won't be a trial. This
is no act. The coma is real.
RAMSEY:
Whoa. Wait a minute.
REID:
You ever hear of Whalen's Infraction?
Clearly not.
REID (CONT'D)
(re:
the EEG)In any schizophrenic, these areas would
be affected. But in someone with
Whalen's, they're hit hard and hit fast.
Novak's worry intensifies.
REID (CONT'D)
Stargher's neurological system was
infected by a virus in utero. It lay
dormant. In his case for about...
(guesses at Stargher's age)
...thirty years. Most likely, he's
exhibited symptoms for awhile now, but
the infraction - the breach - didn't
occur 'til today. You never know when
it'll happen, at what age, or why. The
triggers vary, but the results don't.
(fascinated by Stargher)
He has no ties to reality. No awareness
of this world or the people in it.
TEDDY LEE:
What about Thorazine? Or... Desoxyn?
REID:
The normal psychotropics don't work.
He's not just catatonic, he's...
disappeared. Like having a dream and
never waking up.
NOVAK:
This girl. Julia Hickson. Only he
knows where she is.
REID:
Then I'm sorry. For her and for you.
Novak is past angry. He's bordering on devastation. Ramsey
attempts to placate him.
RAMSEY:
We'll go back to his house, Pete.
There's still a lot to do. Analyze the
videos, track sales of the bleach, go
through his records. Maybe he owns
property somewhere.
NOVAK:
They're in that f***ing thing for forty
hours, Gordon. Four-oh. He got Julia
at seven-thirty last night. You know
what time it is now...?!
Ramsey backs off, knowing his partner is on the verge of
really losing it. Reid thinks perhaps he shouldn't, but
sensitive to Novak's pain and anger, mentions it anyway - if
only to keep his friend from true hopelessness.
REID:
Peter? This is a longshot. I mean a
real long shot. You're gonna think I'm
crazy...
EXT. EDWARD'S WORLD - DAY
The ship's engine ROARS TO LIFE and the PROPELLER spins
through sand.
CATHERINE (O.S.)
It's fixed!
AT THE TREE TRUNK, Catherine extends her hand and suddenly
Edward is there, quite close, reaching out. Catherine's hand
trembles. The boy is startled.
CATHERINE (CONT'D)
(surprised, to herself)
I'm not signalling...
Her hand tenses and shakes uncontrollably.
VOICE (O.S.)
Sing a song of sixpence...
CATHERINE:
(angry, to the heavens)
I'm not signalling!
Edward is frightened by what's happening and runs away.
Catherine tries to call out, but her throat constricts,
making speech difficult.
CATHERINE (CONT'D)
I'm not...
INT. CAMPBELL CENTER - LABORATORY - DAY
Catherine's face is covered by a cloth floating down from the
sky. The sky is replaced by the ceiling and overhead lights
of the LABORATORY, but Miriam's face remains constant. Now
conscious, Catherine finds herself in the lab at the Campbell
Center, the suspension device lowering.
MIRIAM:
(on intercom)
Sing a song of sixpence.
CATHERINE:
(hoarse)
A pocketful of f***ing rye.
(worried)
What's wrong?
MIRIAM:
(cagey)
Nothing.
CATHERINE:
(disappointed)
Why did we stop?
Cooperman appears in the window and explains.
COOPERMAN:
(on intercom)
I asked them to.
(with gravity)
We have a situation.
INT. CAMPBELL CENTER - CONFERENCE ROOM - DAY
A SMALL TV SCREEN shows footage of Anne drowning in the cell.
Catherine, Cooperman, Henry, and Miriam watch with curiosity,
disgust, pity. Novak and Ramsey flank the portable
monitor/VCR, knowing this is a disturbing but powerful tool.
There's someone else in the room. John Tracy. He cannot
watch the video, not again. Catherine glances at him,
uncomfortable with his presence.
MIRIAM:
When did he lapse into the coma?
NOVAK:
Sometime yesterday morning.
John tries to keep his composure, but Novak's making this
tough for him. Novak wants the scientists to see, to
understand the boy's pain.
NOVAK (CONT'D)
Each tape is the same. He provides
food, drinking water, a toilet.
Periodically, a shower starts. It's on
some kind of timer - he's clever with
machines, building things. I think he
wants them to believe this is a simple
kidnapping. That there's a possibility
of rescue. Of survival. But it's just
a form of torture. At the end of the
fortieth hour, the drain shuts. The
water starts and doesn't stop.
(gravely)
We've already lost more than a day. If
she isn't found tonight. She dies like
the rest.
COOPERMAN:
(to Miriam, Henry and
Catherine)
John and Ella Baines - as well as the
Sunerset Board of Directors - have given
their approval, but the decision is
yours.
MIRIAM:
What about the legalities of this...?
NOVAK:
Stargher is in custody. The functional
equivalent of being under arrest.
Normally, we'd Mirandize him, and if he
didn't lawyer up, we'd interrogate him.
But because of his condition, he doesn't
have the capacity to waive those rights.
HENRY:
So what you're asking us to do is
illegal?
NOVAK:
No, not at all.
(explains)
We're dealing with exigent
circumstances. Somewhere there's a
kidnapped woman still alive. If we
weigh the suspect's Constitutional
Rights against the public safety.
The Law favors the victim and gives us a
lot of leeway. It's called the Public
Safety Exception.
COOPERMAN:
So what can you do?
NOVAK:
Pretty much anything we want. There's a
chance to save a human life. Because of
that, Stargher has no reasonable
expectation of privacy.
Miriam, Henry and Cooperman appear to be onboard. Novak's
made a persuasive, heartfelt argument. Only one person still
remains uncertain.
CATHERINE:
What if...?
All eyes turn to her.
CATHERINE (CONT'D)
What if he wasn't like this? What if he
was "normal?" Conscious. How far would
you go?
NOVAK:
As far as I needed.
Catherine nods, analyzes Novak's eyes, gestures, body
language, and "interrogates" him.
CATHERINE:
Do you think he'd tell you what you need
to know?
John's discomfort is increasing and Novak is sensitive to it.
NOVAK:
There's always a chance they'll confess.
CATHERINE:
Really? I don't work with violent
cases, I work with children. But even a
kid lies. They love it when they get
you to believe something that isn't
true. Don't you think Stargher would do
the same?
NOVAK:
Sometimes... Once they've been caught
they feel a need for disclosure. They
have so much they want to tell.
But they've never had a sympathetic ear.
They need someone to understand why.
(focusing on Catherine)
Stargher used to hide the bodies very
carefully. It was part of the ritual.
Some weren't found for weeks and any
physical evidence had been meticulously
wiped clean. But these last three...
They were still in water - always in
water - but
(clarifies)
Listen, he wasn't just careless. It
went beyond that...
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"The Cell" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_cell_416>.
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