The Cider House Rules Page #6

Synopsis: Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage Dr. Larch provides medically safe, albeit illegal, abortions Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?
Genre: Drama, Romance
Director(s): Lasse Hallström
Production: Miramax
  Won 2 Oscars. Another 6 wins & 29 nominations.
 
IMDB:
7.4
Metacritic:
75
Rotten Tomatoes:
71%
PG-13
Year:
1999
126 min
Website
597 Views


Homer points his finger at the child's forehead like a gun.

HOMER:

Henceforth you shall be... Little

Wilbur.

LARCH:

I'm not crazy about the "Little..."

Homer is writing the name.

HOMER:

Okay, he's just a Wilbur then.

LARCH:

We haven't had a Wilbur here in a

year or so, have we? We used to have

*dozens*!

They are interrupted by Copperfield, who comes running from

the corridor.

COPPERFIELD:

They picked Hazel! The idiots chose

Hazel!

INT. GIRLS' DIVISION - DAY

Hazel is being fussed over by Edna. Hazel clutches a cardboard

suitcase and a tattered rag doll. Mary Agnes, by far the

oldest, sits on a bed.

MARY AGNES:

If people want to adopt one of us,

they should have to take the oldest

first.

EDNA:

Please, Mary Agnes! This is Hazel's

special day--don't make her feel

sad.

MARY AGNES:

Hazel's practically the youngest of

us. She should be the *last* to leave!

CLARA:

At least Hazel can talk. Usually

they take one of the stupid babies.

MARY AGNES:

They take the babies so they won't

ever have to tell them that they

were orphans!

HAZEL:

(begins to cry)

I'm not a baby!

MARY AGNES:

If you cry, Hazel, they'll just send

you back.

EDNA:

Mary Agnes, that's not true!

Hazel cries harder.

MARY AGNES:

That's what they did to me!

EDNA:

You *wanted* to come back--that's

why you cried.

(to Hazel)

You can cry if you feel like it,

Hazel. You cry as much as you want.

INT. LARCH'S OFFICE - DAY

Homer is in the corridor outside the office, overhearing

Larch's lecture to the couple adopting Hazel.

LARCH:

It is strictly for our orphans' sake

that I destroy any record of their

natural mothers. Of course they will,

one day, want to know. But orphans,

especially, should look forward to

their *futures*. Not back to their

pasts.

INT. WINDOW, CORRIDOR - DAY

Homer sees Curly standing all alone by a window in the

corridor; a suitcase is next to him.

HOMER:

Hi, Curly. You going somewhere?

Curly shakes his head.

CURLY:

I thought they might take me.

HOMER:

They wanted a girl.

CURLY:

Nobody ever wants me!

Homer embraces Curly and lifts him up, he grabs the suitcase

and continues down the corridor.

HOMER:

You're one of the best, Curly--we

couldn't let just anyone take you.

CURLY:

Dr. Larch wouldn't let just anyone

take *any* of us!

HOMER:

That's true.

CURLY:

Nobody's asked for me, have they?

HOMER:

Nobody special enough, Curly.

CURLY:

You mean somebody asked?

HOMER:

Only the right people can have you,

Curly.

Homer disappears into the boys' bunk room carrying Curly and

his suitcase, leaving the corridor empty.

INT./EXT. ORPHANAGE - DAY

Faces in the windows; the orphans watch Hazel walking across

the snowy lawn with her new parents.

INT. GIRLS' DIVISION - NIGHT

Edna (with the girls) gives her good-bye blessing to Hazel.

EDNA:

Let us be happy for Hazel. Hazel has

found a family. Good night, Hazel.

THE GIRLS:

Good night, Hazel! Good night, Hazel!

Good night, Hazel!

INT./EXT. ORPHANAGE - FRONT DOOR - DAY

The front door opens. The orphans excitedly run outside onto

the green lawn, into the warm weather of spring.

INT. DISPENSARY - MORNING

Angela is singing along with the song on the phonograph, a

more romantic song then before, which rouses Larch from his

ether. He is grumpy, but she sings the song in his ear and

won't give him back the ether cone; he rolls away from her,

but she tickles him and bites his ear, coaxing him into a

more playful mood.

LARCH:

I was dreaming about you. How

beautiful you were!

ANGELA:

You weren't dreaming about me.

LARCH:

I was!

Playfully, she slips out of his embrace.

ANGELA:

Then I wasn't beautiful.

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John Irving

ohn Winslow Irving is an American novelist and Academy Award-winning screenwriter. Irving achieved critical and popular acclaim after the international success of The World According to Garp in 1978. more…

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