The Coca-Cola Kid Page #5

Synopsis: An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.
Genre: Comedy, Drama
Director(s): Dusan Makavejev
Production: Cinecom Pictures
  8 nominations.
 
IMDB:
6.0
Rotten Tomatoes:
44%
R
Year:
1985
98 min
536 Views


More of the same?

When you cough up some cash,

we can talk, OK?

lt was always for free.

Well, not anymore.

We got new guys

running the show now...

and they believe in the good,

Christian habit of sharing.

How much are you talking about?

l'll need a few days.

Take your time.

What the f*** am l doing here?

Oh, God.

Attention.

This is your employer speaking.

Most of you have been

with McDowell lndustries...

a good many years.

l put a strong proposition

to Coca-Cola.

Now they are coming to me.

Lunchtime!

The drink that answers

the call of millions.

Refreshment time!

lt's a pleasure to see you.

Likewise.

l have brought you a new fleet.

-l can't afford it.

-No problem.

You've got a ten-year loan...

with payments starting

three years from now.

But it says ''Coca-Cola''

on the trucks.

Yes, sir.

Congratulations.

You've got the franchise

for Anderson Valley.

lt takes two to tango, kid.

l took it for granted

you could dance.

A beauty. Thirty-aught-thirty.

Winchester, l believe.

Under the scheme we propose...

you will triple your profit

in the first year alone.

l don't need so much.

l wouldn't like to mention

the unpleasant possibilities...

such as...

someone could buy up

all your glass.

l'll stay in business

until my last bottle breaks...

then l'll make my own glass.

Well, someone could--

and believe me, sir,

someone would--

buy up your entire sugar supply.

l'll grow my own sugar.

Why do you want to break

my balls, T. George?

Do you know the shortest speech

in the world?

No, sir. Tell me.

''lf it is to be, it's up to me.''

That's nice.

You should copyright that.

T. George. your trucks

are falling apart.

But the children love them.

And they also like to see...

my picture on our cars,

our trucks, and our outlets.

And would you be so kind...

as to remove your vehicles

from my factory?

Get out of here!

Go on!

Come on, mate.

Going home, eh? Be seeing ya!

l'll ask you one last time.

Do you want the franchise...

or do you want the fight?

l want to take you

to our Rotary dance.

l insisted on him

coming here today...

to show him

that we are Rotarians first...

and competitors second.

Fellowship comes above profit.

Welcome to Anderson Valley.

Thank you.

People of Anderson Valley...

fellowship does come

above profit, indeed.

Those are stirring words.

We at Coca-Cola have extended

our hand in friendship...

but Mr. McDowell

has chosen not to accept it.

Well, so be it.

Coca-Cola is proud

to be part of life...

in this free country.

Every day, Coca-Cola

makes new friends in new places.

Anyone for a drink?

Do you know that we have

already received applications...

for bottling franchises

on the moon?

But still, the earth

will not be truly free...

until Coke

is available everywhere.

Try a Coke.

My new, dear friends

of Anderson Valley...

l would like to invite you...

to join us

in worldwide fellowship.

Thank you very much.

My boy,

a very impressive dissertation.

l haven't heard

speechifying like that...

since the St. Louis

Rotary convention.

Hit it, Charlie.

l've got a Coca-Cola

for you

Drink it all up

-Coke for you, sir?

-Not in front of T. George.

Once a jolly swagman

camped by a billabong

Under the shade

of a coolibah tree

And he sang as he sat

And waited till

his billy boiled

You'll come a-waltzing,

Matilda, with me

Waltzing, Matilda

Matilda, my darlin'

You'll come a-waltzing,

Matilda, with me

Waltzing, Matilda

Leading a water bag

You'll come a-waltzing,

Matilda, with me

Along came a jumbuck and he

drank from the billabong

l've had a change of heart.

l'd like to talk to you about

this proposition of yours.

Anytime.

How about midnight

at the factory?

That would be lovely.

Good. Then it's settled.

Waltzing, Matilda,

Matilda, my darlin'

You'll come a-waltzing,

Matilda, with me

Waltzing, Matilda

Leading a water bag

You'll come a-waltzing,

Matilda, with me

Down came the squatter

mounted on his thoroughbred

Down came the troopers,

one, two, three

Who's that jolly jumbuck

you've got in your tuckerbag

You'll come a-waltzing,

Matilda, with me

Waltzing, Matilda

Matilda, my darlin'

You'll come a-waltzing,

Matilda, with me

Waltzing, Matilda

Leading a water bag

You'll come a-waltzing,

Matilda, with me

Up jumped the swagman,

and he lept into the billabong

You'll never catch me alive,

said he

And his ghost will be heard

as you pass by the billabong

You'll come a-waltzing,

Matilda, with me

Jesus Christ!

What kept you so long?

What the hell

are you doing here?

l was tired.

''l was tired.''

What the hell

are you doing here?

Well, when you asked

for volunteers to be Santas...

l volunteered.

Who allowed you to volunteer?

l thought it was a chance

to pay the old town a visit.

OK, listen.

l did a semester

of hotel-motel management.

And hotels and motels

are supposed to have...

two things going for them.

See, first, the customer

must feel that no one...

has been in the room

before them.

This makes people feel

like they're walking...

into a hygienic

and virginal space.

-And second--

-Let's go to bed.

Wait a minute.

And second--

and this is the most important--

no one--

that is absolutely no one--

should be allowed in the room

in the customer's absence.

lt is to be treated

as one's sanctuary.

But it seems so logical

you and l should go to bed.

Look, honey,

you know what l mean.

lt is getting very late.

You're making this hard.

l hope so.

Jesus Christ, woman!

Do not start undressing here.

Put the boot back on.

Let's not be childish.

Put the boot back on.

lf we got sex out of the way,

we could relax.

l have to tell you something

about T. George.

God damn it!

T. George!

l was supposed

to meet him an hour ago.

He'll be gone by now.

You can see him in the morning.

l guess you're right.

l just didn't want him

to change his mind, is all.

He'd never do that.

l'll be kind of sorry

to see him go.

l mean,

he's a stubborn old bastard...

but he runs one hell

of a smooth operation.

He was married

to a Coca-Cola poster girl.

Did you know that?

She couldn't take it here,

so she killed herself.

Must have been tough

on the old bastard.

Shut up.

Kiss me.

Where is he?

Who, sir?

Who do you think l mean,

Father Christmas?

Actually, l've got six staying

here at the moment, sir.

l'm talking about

that kid from Coca-Cola.

He's in the regal suite

around the corner, sir.

Who is it?

lt's T. George McDowell!

Good morning, Mr. Becker--

l mean, Mr. McDowell.

A few too many at the dance, eh?

Yes, sir.

And, as you can see...

the place is a bit of a mess.

You'd probably be

much more comfortable...

waiting in the lobby, sir.

You didn't come last night.

Come, sir?

Our appointment.

l waited all night.

My apology. See, well...

to tell you the truth, sir,

l have company.

l beg your pardon?

l have company.

Well, in that case, l'll...

My God, Terri!

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Frank Moorhouse

Frank Moorhouse (born 21 December 1938) is an Australian writer. He has won major Australian national prizes for the short story, the novel, the essay, and for script writing. His work has been published in the United Kingdom, France and the United States and also translated into German, Spanish, Chinese, Japanese, Serbian, and Swedish. Moorhouse is perhaps best known for winning the 2001 Miles Franklin Literary Award for his novel, Dark Palace; which together with Grand Days and Cold Light, the "Edith Trilogy" is a fictional account of the League of Nations, which trace the strange, convoluted life of a young woman who enters the world of diplomacy in the 1920s through to her involvement in the newly formed International Atomic Energy Agency after World War II. more…

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Submitted on August 05, 2018

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