The Comedians Page #10

Synopsis: Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically "charged" hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who's in over his head.
Genre: Drama
Director(s): Peter Glenville
Production: MGM
  Nominated for 1 Golden Globe. Another 3 wins.
 
IMDB:
6.5
Rotten Tomatoes:
27%
APPROVED
Year:
1967
150 min
180 Views


I'm fed up with secrets.

I wish you'd sit or something.

Kneeling like that,

you make me feel like a priest.

Sorry.

What's that?

Just a cat.

What I said about Martha,

there wasn't a word of truth in it.

I've never had a woman in my life

I haven't paid for or promised to pay.

Martha said she'd been to bed with you.

Why, I don't believe you!

Those were her last words to me.

Oh, God.

I never realized.

She must be your girl.

Oh, you mustn't believe her, Brown.

I've always lied about women.

I've lied about everything I wanted.

You were never in Burma?

Well, I nearly was.

At lmphal in Assam, 50 miles away.

I managed a cinema there.

When the war came, they wouldn't

have me in the army because of flat feet.

But they gave me a sort of uniform

and put me in charge

of entertaining troops.

Not exactly in charge.

We had Noel Coward once.

How did the two of you get on?

I never actually spoke to him.

Frightened now?

I'm like a fireman at his first fire.

- I'm afraid I can't smuggle you back.

- Oh, I don't want to go back.

You don't know how awful I felt,

safe in lmphal.

I used to make friends with the officers,

introduce them to girls and so on.

Then they'd go off into Burma,

and I wouldn't see them again.

There was a chap called Charters,

who would smell water.

I never quite believed that story.

It wasn't me, but when he told me

about it, I felt sure I could do it, too.

It was like someone calling me

by my real name.

Which wasn't Jones?

Jones was on my birth certificate.

I saw it once.

My father went home before I was born.

He was a sergeant

in the Royal Welsh Fusiliers,

or so my mother said.

And she was Indian?

Or she had some Indian blood.

I never saw my birth certificate,

but I've always believed Brown to be true.

My mother preferred more fanciful names.

- I suppose I've shocked you.

- Oh, no, no.

You know, Jones, I've always liked you.

I never knew why until now.

There's not much to like.

Well, both come out of the same stable.

- Only you've kept your innocence.

- You're joking.

No.

I haven't told you the lot.

This identity bracelet, it isn't mine.

I got it off Charters

when he died of typhoid.

I altered the name after the war.

What's that mean?

It's an old church formula that means,

"Sleep well."

I'll watch a while.

I have to get back to the car at daylight.

Don't move.

Now get over there.

Stay quite still.

Where's Major Jones?

Jones? How would I know?

I was on my way to Cap Haitien.

My car broke down

on that bloody road of yours.

- Speak quietly.

- I know nothing of Jones.

Brown, old fruit,

have a bit of breakfast before you go.

Get back! Get back, you fool!

Run for it! Go on! Run! We're trapped!

This way, Major Jones.

This way.

Into the jeep.

Where is Magiot?

They murdered him yesterday

in the hospital.

Well, where is Jones?

You came about two minutes too late.

- They kill the best of us.

- Yes.

The men were waiting for him.

I told them, "You have an Englishman

coming to lead you, Major Jones.

"He was in Burma. He's fought the Japs.

He knows all the tricks of guerrilla war."

- It was true, wasn't it?

- Of course, of course.

When I left them, their morale was high.

If I bring them back a corpse,

they will lose all heart.

What are you going to do now, Brown?

Well, I'll have to get back

to Port-au-Prince somehow.

You can't. The first patrol which passes

will find these bodies.

Yes, yes, I'm cornered, aren't I?

My men are waiting for Major Jones.

For some reason, they believe

that white men

are the only true experts in killing.

I can drag the bodies out of road,

but they will find the jeep.

Now, look, Philipot, I'm no use to you.

I have no training.

I can't smell water any more than...

Anyway, I've never been in Burma

as he was,

and I don't wanna get mixed up

in your politics.

Was Magiot's death politics?

If you go back,

you die miserably and for nothing.

You have no choice, Brown.

"Major H.O. Jones, 5 Corps, lmphal."

After you, Major.

- What's this supposed to be?

- The closest we can come to liquid fire.

- It's full of petrol.

- Oh.

There's a Tonton post over there,

six kilometers off the slope of Kenscoff.

They have two Bren guns. We need them.

- Is that really Kenscoff?

- Yes.

Then Port-au-Prince is just behind.

We'll get back there one day.

- Do you plan to attack with this job lot?

- Yes.

Your rum punch, Monsieur Brown.

Major Jones, Joseph.

You better let me talk to them.

Don't try to discourage them.

How can I?

They don't understand a word of English.

Then what are you trying to do?

Satisfy myself, Philipot,

an itch to face things as they are.

My friends,

tomorrow we attack the Tontons.

We are crazy fools.

You don't know how to fight.

I don't know how to fight.

We are going against the Tontons

with a handful of shotguns

and machetes and a garden syringe.

A hotel keeper, a painter, a barman

and you, you stupid bastards,

the rabble of the cockpit and the slums.

My ragged regiment.

Petit Pierre.

I was afraid I'd be too late to see you.

There is great excitement in town.

What has happened now?

A Tonton post the other side of Kenscoff

was attacked yesterday.

Two men are dead.

- Tontons?

- No, rebels.

One was Joseph,

the barman at the Trianon.

Please...

And the other?

No one we know.

All passengers aboard, please.

Well, it is time to say goodbye.

Angelito.

It was brave of you to come and see us off.

My diplomatic friends kept away.

You will miss our public festivities.

They're hanging the two bodies

in the square tomorrow.

Joseph and the other one.

Flight 101, begin boarding, please.

Remember us.

I cannot forget.

Remember poor Haiti.

Strange to think

it's somewhere down there.

Is it...

Manuel, look, is that smoke?

No.

No, that's just cloud.

Captain Hockstader and his crew

welcome on board

the passengers

who've joined us at Port-au-Prince.

You can unfasten your safety belts

and smoke now.

No pipes or cigars, please.

Our flying time to Miami

will be one hour, 10 minutes.

English

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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