The Comedians Page #8

Synopsis: Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically "charged" hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who's in over his head.
Genre: Drama
Director(s): Peter Glenville
Production: MGM
  Nominated for 1 Golden Globe. Another 3 wins.
 
IMDB:
6.5
Rotten Tomatoes:
27%
APPROVED
Year:
1967
150 min
165 Views


- This way.

Oh, don't worry about Major Jones.

My wife will look after him.

Come and have a drink. You deserve it.

I think I better not. I better get back.

They're probably searching the hotel.

But the Tontons

must have questioned you.

Yes, they...

Well, I told them

that I was lending you my cook.

Well, I wouldn't like to be in their shoes

tomorrow morning.

In fact, my shoes are gonna start pinching

once the President finds out

where Major Jones is.

I'm sorry, but there was nowhere else

I could take him.

No, I'm very glad. Very glad.

We shall enjoy having him here.

Life is fairly lonely here at times.

Yes.

Oh, all your things are wet.

I'll have them dried in the morning.

These are old friends.

They've played their last game.

We have plenty of cards here.

What do you play?

- Gin rummy.

- Very good. So do I.

Monsieur Brown is here, mon capitaine.

Good afternoon, Brown.

- Why have you brought me here?

- I invited you.

If I'd refused?

Please, come with me.

You will not be wanted, Michel.

Please take a chair.

- I hope I've not inconvenienced you.

- You have. I had an appointment.

Or perhaps a rendezvous?

- What do you mean by that?

- I think you know.

We could be friends.

Really? That's a curious thought.

We can help each other.

The President very angry

with Ambassador Pineda.

For two weeks now, we have brought

every legitimate pressure to bear.

I think Pineda may have to leave Haiti.

His wife, too, of course.

You know Major Jones well.

You could tell him

of the probable consequences

for his hosts.

I think he'd prefer to save his own skin.

We would give him a safe conduct

to the airport and a ticket to New York.

You would drive him to the airport

in your car.

He trusts you. You're English.

Safe conduct?

I suppose

there'd be one seat on the plane empty.

Perhaps.

But Madam Pineda's bed

would be empty, too.

Our Tontons get to know about things,

and servants talk.

He certainly has a way with him,

your Major Jones.

First, Mere Catherine,

and now fun at the embassy.

He even took me in and badly.

So at least

we have something in common.

I wouldn't like to believe that.

For you, $2,000, American currency.

Inflation everywhere.

It used to be 30 pieces of silver.

I want

to thank you very much, Concasseur.

I always wanted to know

the worst about myself,

always wanted to feel

the bottom of the gutter with my toes.

You agree?

You're too simple to be a good tempter.

You're nothing but a flatfoot, after all.

- What happened, darling? You're so late.

- I'm sorry.

What's wrong?

Oh, I had a bad quarter of an hour

with Concasseur.

Oh, damn Concasseur,

he wastes precious minutes.

I have to go soon.

- He knows a lot about us.

- Who cares?

We stopped being prudent long ago.

Look, we're being watched now.

- You trust your servants?

- No, none of them,

except, of course, Pedro.

Your maid watches you, you know that?

What is there for her to see?

You aren't there.

Darling, I really must go.

We have the Brazilian Ambassador

coming over for lunch.

I see.

You know how fat and pompous he is.

Jones does a wonderful imitation of him.

I can imagine it.

Will you come this evening?

Oh, my darling, I can't.

I want to, but I can't.

- Something important?

- Well, I promised Angelito and Jones...

Too bad. Too bad.

Haven't you ever made a promise

you have to keep?

No, never.

As you've told me often enough,

I'm a man without a family.

Don't tell me you're jealous

of Angelito and Jones?

I must confess that

when I brought Jones to the house,

I'd no idea he was gonna become

such a friend of the family.

Manuel likes him. Angelito likes him.

He makes us laugh. He's interesting.

He tells us of his days in Burma.

Othello caught Desdemona

with his tales of adventure.

It's a very old technique.

- You going?

- Yes.

Darling, be careful.

To you,

nothing exists but in your thoughts.

Not me, not Jones.

You're trying to turn poor Jones

into a seducer.

But we do exist, independently.

We can't always play

the parts you've written for us.

Probably a misunderstanding

due to language.

Does Jones speak German, Frau Pineda?

When you want me, I am a woman.

When I've hurt you, I am always German.

Magiot.

Magiot? Let me put on the light.

I had a difficult operation this afternoon.

My eyes were tired.

- Drink?

- No.

I want your company, that's all.

Your mother and I used to sit here often,

talking or silent

or reading.

I would never admit even to myself

that she would die before me.

What are you reading?

"Bernanos, Diary of a Country Priest."

I thought Das Kapital

was more in your line.

Last time I dined with you,

you had Karl Marx on your shelf.

Do you think that was wise?

Papa Doc allows us to study

the theory of communism.

If there were no communists at all,

what help would he get

from the United States?

I think you have something there.

Papa Doc is a bulwark

against communism.

- You're lucky.

- Why?

You have a faith,

even if it's only Papa Marx.

I came up tonight

for more than old times' sake.

- I want help.

- Help from me?

I'm worried about young Philipot.

I had a message from him today.

Does he share your faith?

He doesn't read Karl Marx,

if that's what you mean.

Rebels are not always communists,

unless America insists.

- Where is he?

- In the mountains with a few men.

Untrained, some of them unarmed.

It's happened here before.

They get drunk with courage,

charge a fortified post and die like heroes.

- A happy death.

- A useless death.

It changes nothing.

If only he had with him

anyone with a bit of real experience.

Don't look at me. I don't know

one end of a gun from another.

I was thinking of your friend, Jones.

He had the right sort of experience,

didn't he, in Burma?

He boasts about it often enough.

Keeps the entire embassy enthralled.

He can't want to spend his life there.

Doesn't want to die on the steps, either.

An escape is not too difficult to arrange.

No, no, you'll never get Jones.

He's snug, and he's safe.

Also, he's got the best audience

he's had in years.

You can sometimes trap

a man who boasts.

Perhaps, after all, I will take a whisky,

a light one.

Grand gin. Want your revenge?

I've played enough.

Perhaps Martha would like to play.

Is there any more news in the town?

Have you heard of the latest arrest?

Well, Angelito is asleep.

- Are your drinks all right?

- Magiot says there's been another arrest.

- Anyone we know?

- A schoolmaster.

I used to see him out with his pupils.

What's he supposed to have done?

He refused to take his children

to the cinema.

They are showing the film

of the executions every day for a week.

You mean the kids

have to go and see that?

Papa Doc's orders.

Personally, I feel ashamed,

sitting here drinking this good whisky.

Why should you? We're all right, Jack.

Well, speak for yourself.

As an old soldier, I feel rotten

sitting around, hors de combat.

Rate this script:0.0 / 0 votes

Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

All Graham Greene scripts | Graham Greene Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Comedians" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/the_comedians_5796>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Comedians

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriter wrote "The Big Lebowski"?
    A David Lynch
    B Joel and Ethan Coen
    C Paul Thomas Anderson
    D Quentin Tarantino