The Constant Nymph Page #5
- NOT RATED
- Year:
- 1943
- 112 min
- 139 Views
-I came in just now, Miss.
-Roberto, have you seen her?
-She's gone to find Miss Toni.
Here they are, now.
Tessa!
Tessa!
-She's fainted.
-She's quite pale.
Bring her into the house.
-You told her.
-Yes.
What's happened?
Told her what?
Poor little Tessa.
She often does this
when she runs too hard.
Take her to our bed, Lewis,
I know how to take care of her.
She's all right, Florence.
I can take care of her.
All right.
They're excitable little things,
arent' they? It's just a faint.
There's always something silly
happening up here!
All right you are, father dear.
What are you laughing at?
When you hear my news
you're going to faint.
I'll faint if I don't get
my breakfast. Robert-o!
S, s, signore!
Well, what's the joke?
The joke will wait till
after breakfast.
Have you gone barmy, too?
Yes, I'm afraid I have, darling.
Hello.
-She has faint before.
-Oh, please, go, Roberto.
Poor little Tessa.
Go and have your breakfast, Lewis.
Why did you run so fast?
Don't talk to her, Lewis.
Please, go.
She's all right now.
If you need anything
call me.
-Isn't that Lady Longborough's mare?
-Yes, sir.
Hello, Charles!
Oh, there you are!
Hello... hello, Charles.
My dear Constance.
One can drop off
at this slow pace.
I've been behind you
all over around the park.
I couldn't mistake that
fat back of yours.
-When did you get back to London?
-About a week.
What's all this about Florence?
My girls tell me that...
...she's hidden that beautiful
husband of hers away.
I can't wait to know
what's wrong with him.
That's a long story. You're coming
tonight, of course.
accepted at once.
I can't wait to see this man,
this Mr. Dodd. Who was he?
-That's still a matter of conjecture.
-Oh, I see.
Not a bad looking sort of bloke,
bangs away all day on a piano...
Nothing wrong, really.
It's all quite beyond me but...
...as long as he keeps
Florence happy.
-She's all I've got left, you know.
-Is she happy?
It's something new for her,
a chap like this.
We, Creightons, have always been
on the exploring side.
Mmm, I remember, that nice
sister of yours, Evelyn.
That was a sort of
musician fellow too, wasn't it?
Yes, well, that's too
another story.
-Well, I see you tonight, right?
-All right.
-Good-bye.
-Good-bye.
Take care of yourself.
-What's all this about?
-Mrs. Dodd's orders, sir.
Reception tonight.
The second piano, sir.
Oh!
-Be careful!
-Careful!
-Where you want it, governor?
-I'll let you know.
The hat, sir?
I'd like to know how you got it
into your head that I'm a pianist,
-which I'm not.
-That's a pose, darling.
We're married.
Why pose to me?
I've heard you play with Carolli, so...
...I have Carolli coming to play
the piece with you.
The other piano is coming in now.
Then let him play alone!
Why stick me out there
on exhibition?
I promised myself you'll play,
I promised lots of my friends--
I will not be told
what I must or must not do!
I've never permitted to be bullied
and I'm not going to start now.
I'm not a child.
Aren't you behaving like one?
is your class of upper-class.
-Pompous, hard-headed, domineering.
-Now, you're becoming rude.
If you hated my class,
why did you--?
I know. Why did I marry you?
Well,
you said that before, and
each time you ask...
...I find it more difficult to answer.
-You'd not dare say such a thing--
I do dare! I have dared,
it's the blunt truth.
It's most ungallant and cruel of you
to say such a thing to my face!
You dislike the truth.
I'm sorry I haven't got
the gift for that...
...mental sleight of hand
you people call manners.
I won't allow you to say
such things to me.
Then, stop me, or leave me alone.
-Madame...
-What?
The other piano, madame.
Oh, yes. Bring it in here
with the other one, will you?
Come on, boys.
-Good morning, Lewis.
-Good morning, Charles.
I'm very angry.
You're very wet.
Nevertheless, I-I--
I've never felt less like talking
to anyone in my life.
You two people are turning
this house into a camp room.
If this sort of brawling
gives you such squack...
why don't you go out in the park
and shout it out?
Was I very noisy?
I thought you weren't earnest!
And I'm sure the servants
and those workmen out,
even the policeman on the corner
would share my impression.
Whenever did you learn
to behave like this, Dodd?
Where did Florence learn
to believe she's a superior being?
Florence has no such illusions.
Whatever minor differences
arise between you...
...you could have the decency
to keep it between yourselves.
Yes, Charles.
I realize that you're
a different sort of chap.
You have your ideas about things
and we have ours.
And there you are,
it's love's young dream and...
...I can readily see that
it could easily go on the rocks.
I don't care about you,
but Florence, well, naturally...
...she's a great concern to me.
And let me tell you, Dodd,
I think, well--
you seem to take a certain
satisfaction on upsetting her.
No, no...
to lunch last Thursday,
you lunched in the park!
And told her you'd rather
eat with the birds...
...and share your lunch with them.
After all, that is--
well, it seems to me, I'm sure
that if I cared for a woman--
-well, you know what I mean.
-My dear Charles,
I will not be run by Florence
or anyone else.
Oh, no, come,
come, my dear chap.
How is she trying to run you?
She wants me to become
a concert pianist overnight...
-...and perform at the party.
-The poor girl's got her heart set on that.
-I know.
-I dislike this piano business myself.
But she's got quite
a lot of friends and...
...you've been sort of
a mystery chap to them all.
-You know Florence.
-I wonder.
Have you had any doings
with horses?
-Mm?
-Horses.
Horses? I'm afraid not.
If you'd had, you'd know that
a strong light hand works wonders.
-Oh, you mean, slap?
-With Florence? Oh, dear, no!
Not on your life! Then,
you would have fireworks!
But a light rein,
Lewis, my boy.
She's got plenty of spirit.
You wouldn't have her otherwise.
And she's really devoted to you.
I know that.
You are the first and only one.
And she's a woman.
And a very charming one.
I do see clearly what you mean.
I'm the one that's wrong.
-We must do something about it.
-Ah, good boy.
I'm really very sorry
about all this.
Now, don't you lean over
too much the other way.
She'll take the bit in her teeth
if you give her too much ahead.
-I see. Thank you very much, Charles.
-Not at all.
Hello.
Here's your piano.
I hope it's in tune.
Uh-huh. Very nice.
You're nice.
Do I always seem
to get my own way?
I see no reason why
you shouldn't.
I'm afraid my way is a little
on the selfish side sometimes.
But in this instance is
as much for you as for me.
-For me?
-I want them to know you, like you.
In other words, I want
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"The Constant Nymph" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_constant_nymph_19972>.
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