The Contractor Page #3

Synopsis: Retired CIA Black-Ops hit man James Jackson Dial is living his life in seclusion on his ranch in Montana when he is offered the chance to redeem himself by his former employer, Jeremy Collins. A few years ago, Dial was seconds away from taking down notorious terrorist cell leader Ali Mahmoud Jahar when when his carelessness allowed Jahar to escape, marking his mission as a failure. Now, Collins wants Dial to eliminate Jahar, who has been captured and is now in the custody of the police in London, England. Provided with a safe house, passports, and an assistant named Terry Winchell, Dial is off to London to finish what he started years ago. Disguised as a priest, Dial gets in position in a church's bell tower across the street from the building that Jahar is being brought into. When Jahar is brought out of his transport truck, his head is covered by a jacket, leaving Dial without a clean shot. Not wanting to fail again, Dial patiently waits for his opportunity. Moments later, Dial fatal
Director(s): Josef Rusnak
Production: Sony Pictures Home Entertainment
 
IMDB:
5.5
R
Year:
2007
99 min
850 Views


- Thank you, my lady.

- Does he/she have more?

- Yes, clear.

- About 200?

- Clear.

And will they be ready ties Monday?

- Yes, my lady. Just for itself.

- Thank you, Sr. Bellware.

Very well. Let us go.

Mister?

Do I can help him/it?

Yes.

As it helped my friends.

And friends like him.

Do excuse?

Terry Wintcher.

I need a passport.

The Service of Foreigners

and Borders and that passes passports.

I make invitations, announcements, headers.

Half now, half when

the work be ended.

Everything is that can be.

Tomorrow the afternoon. The 15 hours.

And too late.

I need him today.

No and possible.

Everything and possible.

Already to proceed, know the risks that he/she runs

when finding with the shooter

of the Inspector Chefe Andrew Windsor.

Scotland Yard offers a reward

of .20.000 for any information

that takes this man's detention.

This will become a lot

stressful for you.

- I will be well.

- I also fake in that way.

Ballard.

Who and Bowa?

My father took that coat for

the work, all of Mondays.

Of the good

impression, said him.

Done these worry, not?

You refer aquando him

he/she was not to travel for the world?

Before him leaves.

I saw the obituary, Emily.

You know, in my earth, in the mountains...

...I have a horse.

Stubborn and she don't let to tame.

I think will like him.

How and what does he call her?

I call him/her Beauty.

Original.

You see him/it.

I tell you, this horse has one

spirit as he/she had never seen.

Maybe will see him/it one day of these.

Maybe.

These well?

Yes.

This in the hour.

Mister, listen to me.

- I am going his/her front and I verify the store.

- What?

To certify me that no and an ambush.

For the case of appearing some detective.

No.

- Because not?

- No.

- I will just enter in a store.

- No!

Because not? Enough!

When he/she leaves, if it moves away me

and because this everything well.

But if he/she walks in his/her direccao

and because there is police there inside.

Emily!

If he/she walks in his/her direccao...

...run.

Trust me.

I am me that will get married,

no and you.

- This well?

- Does he/she have 100% of certainty?

I am the absolute sure.

I won't alter the date.

Do I can help her, girl?

I need to remove some you photocopy.

They are printers, we don't have

photocopiers. Lament.

This well.

Thank you, gentleman.

I await orders.

Objective the view.

I repeat, objective the view.

I suspect to 100 meters.

Objective in approach.

Do we have authorization to shoot?

Objective in direccao

Bellware Printings.

King, identification.

I repeat, we have

authorization to shoot?

Did we shoot or not?

- 20 seconds.

- What ray does come to this to be?

This operation was not authorized.

I have shot angle.

- I have trust information.

- Mister, the objective...

- He/she leaves me front!

- 10 seconds.

- Remove their men, inspectora!

- Certainly that not!

The objective this to stand back.

I repeat, the objective this to stand back.

Vain!

The objective this to drive for North,

in direccao to the market.

Dial!

Objective to move for the center.

Objective in aim.

Did we shoot?

Don't shoot.

I repeat, don't shoot.

Maintain the position, 18.

We will enter!

Don't shoot.

I repeat, don't shoot.

I lost the view objective.

Completely.

Yes, he escaped.

I inform him/it as soon as it can.

Sr. Collins.

I know because the

I want to be hit, gentleman.

The one that I don't get notice

and because and that you want him/it.

National security of the

United States of America.

The laboratory already returned

the recordings?

- Not yet.

- He/she tells me that somebody this to try!

Of course is.

- Is he/she going finding out, this well?

- With certainty, inspectora.

Here these!

- He/she was concerned.

- He/she excuses, grandmother.

I want you to sit down

to my side, Emily.

- I am not with a lot of will.

- Now, if you do favor.

I know that we had the

our divergences.

You are not you, grandmother.

No. I am to speak to her serialize. Me...

The facto of you be here.

I know that no and something natural.

Any mother would already have would act of the same

he/she forms that me, instinctively.

You escape.

Sincerely.

The honesty no and something with

that are very familiarized.

I also feel their lack, Emily.

Let us try to do the best.

Like this this well.

I thought that were dead.

- No.

- They were the wait.

Yes.

The whole world walks

your search.

- The things are to complicate.

- Albeit you can say that.

I will have to surrender.

But later you are going to the prison.

Maybe.

And the one what will to the Beauty happen?

The Beauty?

The Beauty had been well.

I want to go to your ranch.

You teach me to set up.

I will just go of visit,

and I won't be an I inconvenience.

For... with that.

There is how long you have

this computer?

It was a present.

Of your neighbor, Sr. Whitney.

- How does that know?

- A lucky hunch.

They lack two days for

the audience, gentleman.

Do you know a thing?

Them that are sanded.

That all are sanded.

People as us, Purcell...

...they are just the soldiers us

clandestine battlefields.

I know that you know him/it.

Combat the fire with fire, gentleman.

We should be heroes.

Me, you, James.

This and shameful.

We have to hide

as criminals.

To the that seems, everyone

if this to collapse.

All have the telephones of the

Scotland Yard under he/she listens.

It is very soon

he will call.

How and what does know?

And my work.

That and on the one what?

Maneuver margin.

It was a beautiful service,

the one of his/her father, inspectora.

- Thank you.

- These to endure?

In the end of the day, maybe me...

I don't know.

You don't have that doing.

With license.

- Yes?

- Inspectora Ballard, has a call.

- Pass the call.

- I will make the connection now.

Speech Ballard.

Does he/she walk my search?

- Do excuse?

- Does he/she walk my search?

Clear.

The things are not...

...the one that you/they seem be.

That forms?

I am a...

I am an operational of CIA.

It was my Director of Operations

that ordered the murder of Jahar.

He/she calls himself Jeremy Collins.

I didn't kill his/her father.

Do I serialize her?

I have proofs.

- Meet with me.

- Where?

In Rua Harington's corner.

- There is wool a recent commercial center.

- I know where it is.

Inside of one hour.

And Ballard...

...anything of you police.

If there it is some

he/she polices, I disappear...

...forever.

I understand.

This ready one, gentleman?

Emily?

Hello, grandmother.

Sr. Bram this sick one, therefore

I don't have classes the rest of the day.

Who and that?

I made you coffee, and I put the

clothes dirties to wash.

Done these possess, girl?

I know that today have your reading club

therefore I made you a snack.

You made something terrible, as

to set on fire the school, or like this?

Of course no. Now it goes,

or else you arrive late.

Emily?

He/she is going for this highway

Rate this script:0.0 / 0 votes

Robert Foster

All Robert Foster scripts | Robert Foster Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Contractor" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_contractor_5901>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Contractor

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The opening scene
    B The highest point of tension in the story
    C The final scene
    D The introduction of characters