The Coroner

Season #2 Episode #2
Synopsis: Following the failure of a relationship high-flying solicitor Jane Kennedy returns to the small Devon coastal town of Lighthaven, that she left when she was a teenager. She takes up the position of coroner investigating sudden, violent and suspicious deaths. Jane moves back, with her teenage daughter Beth to live with her mother. In her new role Jane must work alongside Davey Higgins, the boy who once broke her heart, who is now the local Detective Sergeant.
 
IMDB:
6.7
Year:
2015
45 min
315 Views


AN ABANDONED COTTAGE, ONE WINDOW

BOARDED UP, BREEZE RIPPLING THROUGH THE

OVERGROWN GARDEN, BIRDSONG - THE IDYLL

SHATTERED BY ANIMALISTIC SOUNDS FROM

INSIDE, A GIRL SCREAMING IN PAIN:

LARGE, SLIGHTLY BLOODY KITCHEN SCISSORS

GLIMPSED THROUGH THE BROKEN WINDOW

BOARD]

ADOLESCENT GIRL (OOV):

(AGONISED) No! No..!

[SLANTING SUNLIGHT BLEACHES OUT THE VIEW]

MIX TO:

EP2/SC2. EXT. COTTAGE. DAY 1. 07:25

[THE SAME COTTAGE, ALL WINDOWS BOARDED UP

NOW, THE GARDEN WILD, A SIGN:

"DANGER:
KEEP OUT".

SOUND OF A MECHANICAL DIGGER WORKING]

CUT TO:

EP2/SC3. INT. COTTAGE. DAY 1. 07:32

NSE WORKMAN:

[DIGGER SOUNDS OUTSIDE. CLOSE SOUNDS OF

SLEDGEHAMMER HITTING MASONRY AND: A

COLLAPSE, DUST CLEARING TO REVEAL:

BROKEN, DECAYED BOARDS - A CORNER OF OLD

NEWSPAPER (FOR SCALE) AND THE SMALL BONES

OF A BABY'S FOOT POKING OUT. SOUND OF BOOTS,

A WORKMAN RUNNING OUT]

CUT TO:

EP2/SC4. EXT. COTTAGE. DAY 1. 08:40

JANE, DAVEY, CLINT

NSE PC'S, CSI

[CREDITS OVER ESTABLISHING SHOTS OF THE

RUGGED LANDSCAPE AROUND:

THE COTTAGE, CORDONED OFF WITH POLICE TAPE,

PC'S EXAMINING THE GARDEN.

JANE APPROACHES (FROM HER CAR) WITH CLINT

AS DAVEY APPROACHES FROM THE COTTAGE]

DAVEY:

You found it then? Should have sent a man for you.

JANE:

(WRY) I didn't need a man, I had Clint.

CLINT:

I heard that. (UNDER BREATH) Sexist.

[A SENSE THE BADINAGE IS A SHIELD AGAINST THE

GRIM DISCOVERY]

DAVEY:

(RE COTTAGE) Shall we?

CLINT:

No thanks. The adult ones are bad enough.

DAVEY:

(NOT RELISHING IT HIMSELF) Very manly.

CLINT:

It's just... human remains! And spiders. And big... boozy, smoochy women.

(SEEING THEM LOOKING) Early Great Aunt trauma.

[THEY SMILE AS CLINT MOVES OFF]

CLINT:

(TO JANE) I need to take the demolition guys names, anyway.

[JANE AND DAVEY SOBER AS HE LEADS HER INSIDE

(AS CSI EMERGE):
]

CUT TO:

EP2/SC5. INT. COTTAGE. DAY 1. 08:41

JANE, DAVEY

[JANE PICKS HER WAY IN AFTER DAVEY, EYEING:

FADED DECOR, DECAYED FURNITURE - STILL

WEIRDLY HOMEY.

DAVEY POINTS HER TOWARD THE COLLAPSED

WALL - CAREFUL, JANE PEERS CLOSER, TOUCHED

BY:

SMALL BONES]

JANE:

So small.

[DAVEY GLANCES AROUND THE COTTAGE

(RELUCTANT TO LOOK AT THE REMAINS, ITCHING

TO GET OUT AGAIN)]

DAVEY:

Wrapped in 1970's newspaper. Elderly couple lived here way back in the

60's, but it's been empty since.

JANE:

(PREOCCUPIED BY REMAINS) And way off the beaten track.

DAVEY:

Condemned due to coastal erosion. Another few years and the sea probably

would have had it. Bury the evidence forever.

[JANE STANDS, SENSING DAVEY'S TENSION]

JANE:

Looks newborn, or near enough. If the birth happened way out here in the

middle of nowhere, the Mum must have been frightened... confused.

[UNCONVINCED, DAVEY TURNS FOR THE DOOR]

DAVEY:

Managed to hide the body, didn't she? That says foul play.

JANE:

(FOLLOWING) Not necessarily. We don't know the circumstances.

Childbirth is traumatic.

CUT TO:

EP2/SC6. EXT. COTTAGE. DAY 1. 08:43

JANE, DAVEY, CLINT

NSE PC'S, HELICOPTER CAMERAMAN & PILOT

[CONTINUOUS:
THEY EMERGE, PICKING THEIR WAY

OVER RUBBLE]

JANE:

Women don't have an easy ride.

[DAVEY IS RELIEVED TO RETURN TO FRESH AIR]

DAVEY:

(WRY) Yeah, neither do men, putting up with them.

[FAUX-OFFENDED, JANE WOULD REPLY]

DAVEY:

(RE RUBBLE) Watch your step, Calamity.

[SHE STUMBLES, DAVEY CATCHING HER ARM,

STEADYING. A BEAT, BOTH SLIGHTLY

EMBARRASSED AS HE LETS GO, JANE SEEING CLINT

APPROACH]

CLINT:

Must have been nice here, once upon a time.

[THEY ALL FEEL A CHILL - JANE HAUNTED,

GLANCING BACK TO: THE COTTAGE, DARK INSIDE,

HIDING ITS SECRETS]

JANE:

Mm. Poor little thing, abandoned in such a lonely place.

DAVEY:

Yeah. What sort of person does that, eh?

[PERTURBED, JANE IS DISTRACTED BY A SCRAP OF

FADED BLUE RIBBON CAUGHT ON THE FENCE,

FLUTTERING.

A BLARE OF NOISE, JANE, DAVEY AND CLINT

TURNING TO LOOK UP (AS A NEWS HELICOPTER

ARRIVES OVERHEAD)]

CUT TO:

EP2/SC7. EXT. COTTAGE. DAY 1. 08:44

JANE, DAVEY, CLINT

NSE PC'S, CSI

[AERIAL SHOTS OF COTTAGE TO BE PLAYED INTO

TV IN SC8&10]

CUT TO:

EP2/SC8. INT. LIGHTHAVEN CARE HOME. LOUNGE. DAY 1.

09.25

RON:

NSE RESIDENTS, TV REPORTER (OOV)

[IN HIS WHEELCHAIR, SLUMPED ON LEFT SIDE,

IMMOBILE (A STROKE SURVIVOR) LOOKING OUT

THE WINDOW, RON REGISTERS:]

TV REPORTER (OOV):

... remains of the baby were found early this morning, hidden in a

condemned Bluff Point cottage. Demolition workers onsite said that the

remains had been sealed up in a small nook in a chimney breast...

[RON EYES THE TV (PICTURES OF THE COTTAGE) -

ALARM GROWING]

CUT TO:

EP2/SC9. INT. MORTUARY. DAY 1. 11.50

JANE, DAVEY, CLINT

NSE FORENSIC PATHOLOGIST, PEDIATRIC PATHOLOGIST

[AN X-RAY OF THE BABY'S SKELETAL REMAINS.

AS THE NSE PATHOLOGISTS EXIT, JANE EYES THE

X-RAY (CLINT TAKING NOTES), SEEING DAVEY

ENTER WITH HIS PAPER REPORT]

JANE:

Not much to go on. Sex undetermined, maybe a month premature, but

perfectly formed.

DAVEY:

(DARK) Apart from the broken ribs.

[JANE CATCHES HIS TONE AND RELUCTANCE TO

LOOK AT THE X-RAY]

JANE:

There's no way to tell whether that happened post mortem.

DAVEY:

Or prior to death. I tell you, the longer I do this job, the more I realise some

people shouldn't be allowed to have kids.

[CLINT IS AWKWARD. AWARE OF THE SUBTEXT

(DAVEY'S CHILDLESSNESS), JANE INDICATES A

SHRED OF (EVIDENCE-BAGGED) NEWSPAPER]

JANE:

At least we have a date: 1976.

DAVEY:

Yeah, decades back, so DNA's doubtful.

JANE:

(RE PATHOLOGISTS) Full nuclear DNA they said, but we might get

something from bone marrow, and the baby had hair...

[THEY BOTH PAUSE, TOUCHED BY THAT]

JANE:

(TO CLINT) Actually, can you get the lab to put a rush on that?

CLINT:

On it.

[CLINT TACTFULLY EXITS]

JANE:

(TO DAVEY, CAJOLING) So there's a chance we'll get mitochondrial

DNA to check against potential mothers.

DAVEY:

(EYEING REPORT) Good. It's the mother we're after.

[JANE EYES HIM, CONCERNED]

CUT TO:

EP2/SC10. INT. KAREN'S HOUSE. KITCHEN. DAY 1. 12.10

KAREN:

NSE FOSTER CHILDREN, TV REPORTER (OOV)

[(BACKGROUND TV AND) CHILDISH SHRIEKS AS

RED DRIPS SPLAT ON THE COUNTER. FINGER-

SWIPING THEM INTO HER MOUTH, STRESSED

KAREN HURRIEDLY SPREADS JAM INTO

SANDWICHES AS 4 (VARIOUS ETHNICITIES) KIDS

TUSSLE AROUND HER]

KAREN:

(ABOVE DIN) We won't be going

at all at this rate!

TV REPORTER (OOV):

... may have been there for up to 40

years, hidden in a cottage which has

been derelict since the 1960's.

[HER ATTENTION ABRUPTLY CAUGHT BY:]

TV REPORTER (OOV):

Police say that although the condition of the baby's remains makes

determining cause of death difficult...

Rate this script:0.0 / 0 votes

Sally Abbott

All Sally Abbott scripts | Sally Abbott Scripts

0 fans

Submitted by aviv on December 14, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Coroner" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_coroner_760>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Coroner

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "cold open" in screenwriting?
    A An opening scene that jumps directly into the story
    B A scene set in a cold location
    C A montage sequence
    D The opening credits of a film