The Country Girl Page #5
- UNRATED
- Year:
- 1954
- 104 min
- 1,150 Views
Why should I care? They don't.
The producer doesn't come back
after the show...
- Leave the bottle.
- I need it for my cough.
- Leave it here.
- But I need it.
George, I need it.
- Frank's on stage.
- I know. I want to talk to you.
Last time we talked, Mr Dodd,
you reduced me to tears.
I promise you it won't happen again.
In fact, I'm glad you're here.
You ought to know he's getting a cold
and shouldn't be kept up late.
- We need stills. How's his spirit?
- Low.
- Why?
- Ask the Boston critics.
I've spent between
10 and 15 hours a day with Frank.
Nothing bothers him
except through your mouth.
We've been through that.
Either he laughs and makes bad jokes
or sits in silence and rots inside.
Either way, for your edification,
he's heading for a bender.
Why do women always think they
understand men better than men do?
Maybe because they live with them.
You'll have him full of whisky
before morning.
He's getting a cold. That's a reason
to jump down the well.
Why work so hard? You handle him,
and now you're trying to handle me!
And don't think I couldn't,
after handling a cunning drunkard.
If you loved this man, you could
never call him a cunning drunkard.
I have a greater love for the truth.
I'm a drunkard's wife.
That's the truth.
Stop looking at everything
as if it were a musical comedy!
I find you slightly grotesque.
You came here to tell me
something. What is it?
Cook's got a replacement for Frank
and a lot of money to protect.
Cook thinks he won't.
- Well, he won't unless you leave.
- You'll be sorry. He'll be helpless.
- I'll help him.
- You wouldn't know where to begin!
a cunning drunkard.
I'll give him confidence
by rejoicing in his talents
instead of reminding him
of his weaknesses.
I'll let him face a decision
without fear.
I won't stifle him with bitterness.
I might bend the truth, but I'll get
a performance out of him.
That's the difference. You want him
to become the actor he once was.
I'm his wife. I want him once more
as the man he once was,
able to face responsibility, and you
don't do that by bending the truth!
You don't do it by stripping him
of self-respect.
I'll fight you for this man.
Not too hard. I may let you have him.
Oh, no. You want him wholly
and utterly dependent.
You realised, with all your fine
breeding, you were a failure.
It gave you a feeling of power
to control someone else's life.
Worse, you do it in the name of love.
You're as phoney as an opera soprano.
Did I forget to tell you I'm proud?
Make up your mind. Either you go
to New York alone, or you both go.
I'll go, on one condition.
Let me tell Frank in my own way,
in my own time.
As long as you're on that train
by tomorrow night.
- The traffic's a little heavy!
- Finished?
Got it all wrapped up.
Frank, I'd like to run through that
new scene after the matine tomorrow.
- You tired?
- Me?
How can you be tired playing a part
you've waited for all your life?
- Your energy was low again tonight.
- I know. It's this cold.
- Are you sure it's not nerves?
- Are you kidding?
- Tell him what's bothering you.
- What's bothering me?
- Cook and the notices, for instance.
- Oh, that.
I just wondered why
he didn't come backstage.
Is he mad or something?
Those weren't exactly money notices.
Mr Dodd believes in you. I can't
help you if you're worried. He can.
But I'm not worried.
Did you not tell me ten minutes ago
that you wanted
to hand in your notice?
I was just ribbing you, honey.
You got to be careful around here.
You can't open your mouth.
- Your wife's returning to New York.
- I said nothing of the sort.
- What do you mean, New York?
- We can talk about it later.
Would you leave us alone, Mrs Elgin?
Let's get one thing straight.
- What is that?
- It's cough syrup.
Pine, tar, cherries,
a whole bush in a bottle.
- This stuff is 22% alcohol.
- Alcohol?
I told Georgie to get something
to loosen my throat.
- Don't you know what these can do?
- She didn't look at the label.
Maybe she did. She's jealous
of the show and of me.
This is how far she'd go.
She'd even kick you off the wagon.
- I know she's high-strung...
- I want her back in New York.
We've got hard work ahead. I haven't
time for frustrated females.
Go back to the hotel and get some
sleep. I want you fresh tomorrow.
Mrs Elgin, Frank knows
exactly how I feel.
He appreciates what has to be done.
See you tomorrow, Frank.
He can be pretty arrogant
and insulting.
He had no right
to treat you like that.
Did you tell him that?
I poured it in the sink. If you
don't believe me, go and smell it.
- Where's the other bottle?
- What other bottle?
I'm tired. Where's
I didn't buy another bottle. I wish
you'd take my word for something.
Never mind. I give up.
I'm not going to look.
- I apologise. He had no right...
- Stop putting on a front.
- Who's putting on a front?
- You are! You lie, you lie, you lie!
- Are you going back to New York?
- I don't know why not.
You want to leave me, don't you?
At the moment, I want you to get
dressed so we can get out of here.
Who's in New York? Who's the guy
you want to get back to?
I'm going to hit you
with the first thing I pick up!
- Now get dressed!
- If you're in such a hurry, go on.
I'll take a walk,
get something to eat.
- It won't do your cold any good.
- Do you want me to go?
- Yes, if you're in such a hurry.
Have you got the key to the room?
I'll get one from the hotel.
Don't wake me up when you come in.
I may be having a happy dream!
- 65, 75.
- That's for you.
Thanks.
Do you like me?
You're one of the most likeable guys
I've ever seen.
- Jackie, sing something!
- I'll sing if you'll be quiet.
- Yeah, Love And Learn.
- All right, simmer down.
It's my turn to holler.
Go, dad, go!
What about this guy?
Take me home, dad.
Hey, aren't you Frank Elgin?
I used to be. Not a word
or I'll tell them you're Harpo Marx.
- The Pump Song!
- I'm tired. Dance a while.
Order up. Buy something already.
- I'm sorry.
- It's all right. Another?
Yeah. Give me a double.
Pour, pour. Go ahead, fill it up.
Sorry about that drink.
It's all right. Could have happened
to anybody. Just an accident.
Yeah. Just an accident.
That's what the papers said.
It could have happened to anybody.
It was just an accident.
- Come in.
- Morning.
- Morning.
- How's it going?
- We got out 23 minutes.
- That's fine.
If we cut that chorus in half,
what will that give us?
- Good. That's where we need it.
Hello? Yeah.
What? When?
- Oh, no.
- I think you'd better come down.
I'll wait for you.
- Here's his keys, his belt.
- I know, I know.
75, 85, 90.
Here's your five dollars.
You promised me a couple of problems.
I see you made good your threat.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Country Girl" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_country_girl_19981>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In