The Cove Page #4
It's astounding to think
that this horror happens
in one of the most beautiful places.
We snuck up to this park.
It was blockaded,
but we went up there.
The only safe time
to go in Tsunami Park
is when there are no
dolphins in the lagoon.
Then there are no guards around.
Ric pointed down
to the secret lagoon,
and he said, "That's
where all the dirty business happens."
The cops were on our tail,
and I thought, let's get out of here.
We'll try to regroup.
So we went off to do
some sightseeing outside Taiji.
All these beautiful
temples are there,
some of the most beautiful
temples in all of Japan.
In one of these temples,
they have a dry rock garden
where the monks rake these rocks,
and in the center
they have these rocks
that people come from all
over the world to contemplate.
It was gorgeous,
but I thought, in America,
Suddenly I got this idea.
What if the rocks looked back?
This was a big waterfall set
that we constructed
for the movie Evan Almighty.
A dam breaks and floods
and takes the...
washes the road out and...
One of my best friends
and my first assistant
was a guy that became
the head mold maker
at Industrial Light and Magic,
so I called up and said,
"I've got this idea for a project.
"I want to hide
Hi-Def cameras in a rock.
Can you help us?"
Is that what you had in mind?
It's a work of art, man.
We can do all of them
brown if you want,
or we can do a combination
of brown and gray.
would be better.
I think this is going
to be a primary for us
that these are all gray.
I would try to keep them
as lower of a profile
as possible because...
We needed a special group of people
to implement this mission.
a special set of skills.
I started to set up this team,
this... sort of this
Ocean's Eleven team.
Simon Hutchins,
the only guy that had
military experience.
Simon created all these weird ways
to hide Hi-Def cameras
and hydrophones.
You know, he's a mad genius.
Joe Chisolm organized rock concerts,
and we were kind of like
a rock concert...
you know, incognito.
You know, we had hundreds
of cases of material
that we had to import into Japan,
and he did the logistics.
Louis came back, and he said, "Look,
we got to get in,"
and Louis and I started discussing
all of the ways that we can film it.
We had a military grade
thermal camera,
which you're not allowed
to bring out of the country.
If it has a pulse,
the thermal camera picks it up.
One thing that we had decided to do
is get some aerial footage,
so we decided to take
our own helicopter with us.
We looked into, you know,
commandeering a satellite
to do satellite pictures.
We decided to make
our own unmanned drone
with a gyro-stabilized
and that was purely
out of respect for Ric O'Barry.
The idea there was
that even if the blimp didn't succeed
and we got caught
that everybody loves a balloon...
you know, kids, police, everyone.
One of these devices
that was very important to Louis and I
is the hydrophone...
high tech sound devices
put in underwater housing.
I wanted to hear
the dolphins from the lagoon,
but we didn't know
how deep it was.
We had rebreathers,
but it would be clanky,
it would be noisy.
Mandy-Rae Cruickshank and Kirk Krack
Freediving in its simplest terms,
it's like deep snorkeling.
On one breath we see
how deep we can go in the ocean,
how long we can hold our breath.
Mandy-Rae's owned
eight world championships
in her lifetime.
She can go down to 300 feet
on one breath of air
and come back on her own power.
They got on board pretty quickly
when they found out
what we wanted to do.
We have some of the same
physiological traits
that whales, seals,
and dolphins have.
We're all air-breathing mammals.
They live in the water.
We live on land.
When you're out
swimming in the ocean
and you have whales
and dolphins come by you,
it is one of the most
incredible experiences ever.
It's so humbling that this wild creature
would come up and be
so interested in you.
It's...
It's unbelievable, really.
Even though there's
obviously no words spoken,
you really feel like you're on some
level communicating with them,
like there's an understanding
between the two of you.
I don't normally touch
anything in the water,
but I just thought, you know,
it had been swimming
with me for so long,
I put my hand out in front of me,
and it rolled right into my hand,
and it just stayed there
in front of me,
letting me rub its belly.
Here you have this dolphin,
wild and on its own terms,
come up and really
seek out affection and touch.
It really wanted to be with us.
When they asked us
if we wanted to partake
in a secret ops mission
to uncover the dolphin slaughter,
we without hesitation said,
"Absolutely. Sign us up.
What can we do?"
- This is what...
It's so cool.
Yeah.
I'm just a cute little innocent rock.
Getting these into Customs
is going to be the trick, I think, next.
I hope we'll be able
to find them again
once we plant them.
Actually, come back to the hotel
and we have real rocks.
There's 47 suitcases.
I don't think they're going
to let us carry this on.
We definitely were trying
to be as discreet as possible,
but there's nothing discreet
about Westerners
no Westerners with big black cases,
and it was noted.
Well, now, there's a car here.
Just... I just got here yesterday.
You think... Do you think
they know we're here?
You do?
First morning we arrived in Taiji,
Ric O'Barry met us at our hotel.
He decided that it would
be a good idea
if he'd take us on a tour
so we got the lay of the land.
So we all get in the vehicles,
and one of the first
things we noticed
was that we got an escort.
This is the butcher shop right here,
the slaughterhouse.
and there's Private Space.
When we first got in the country,
we had no idea
who was following us.
There was about seven or eight cars
that we had license plates,
so we knew that we were being
followed by these people.
We didn't know
if it was the whalers.
We didn't know if it was Yakuza,
the Japanese Mafia.
We had no idea.
I'd met this guy that spoke English.
He was from
the Whaling Museum,
and I asked him, "Do you know
who's in that car over there?"
He looks over there, and he goes,
"Chief of Police."
If you're around Ric,
they... they know you're trouble.
Our first encounter
with the fishermen
was they went down there
and as soon as we arrived,
a number of fishermen showed up.
We were down by the beach
looking at...
You could see the blood
coming out of the killing lagoon.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Cove" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_cove_5993>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In