The Crow: City of Angels
- R
- Year:
- 1996
- 84 min
- 1,271 Views
FADE IN:
EXT. LIMBO - DAY/NIGHT
A heavy mist hangs before us - endless and impenetrable. And
out of that primordial fog a CROW materializes, flying toward
the camera in slow motion.
SARAH (O.S.)
I believe there's a place where the restless souls wander. Burdened
by the weight of their own sadness, they cannot enter Heaven...
Presently a second shape materializes - a FIGURE ON HORSEBACK.
A warrior whose baleful eyes shine behind the familiar irony
mask war paint.
SARAH (O.S.)
And so they wait, trapped between our world and the next, endlessly
searching for a way to rid themselves of their pain - in the
hopes that somehow, some day...
The figure on horseback sweeps past us, disappearing once again
into the mists of time.
SARAH (V.O.)
... they will be reunited with the ones they love.
DISSOLVE TO:
EXT. DOCS, COMMERCIAL WATERFRONT - NIGHT
Present day. The Crow settles on a shipping container, tilts
its head, watching...
SUPER TITLE:
"CITY OF ANGELS - OCTOBER 29TH - LA NOCHE DE SAN LUCAS"
CLOSE ON A PAIR OF HANDS tearing open a tiny glassine envelope
filled with powder - our drug du jour - Trinity. The face of
the envelope has been stamped with an image - a cartoon imp with
a sh*t-eating gring giving us the thumbs-up sign.
A MAN lowers his face to the envelope, snorts up the powder.
The man discards the glassine envelope...
FOLLOWING THE ENVELOPE
as it flutters to the ground, landing "imp-side" up. Let the
rush begin.
Garbage-poisoned waters wreathed in fog. Although once part of
a thriving shipping industry, decades of decline have seen these
docks become a hellish dumping ground. Case in point:
are kneeling next to one another at the end of a pier, their
arms linked together, then tied behind their backs. DANNY CORVEN
(8) is quietly sobbing. ASHE (late 20s), tries to calm the frightened
boy.
DANNY:
I'm sorry, Dad...I'm sorry... I didn't mean to look...
ASHE:
It's okay, Danny. It's okay...
NEMO (O.S.)
Lights...
A bright light comes on. Ashe and Danny turn their heads to avoid
the glare.
NEMO (O.S.)
...camera...
CLOSE ON:
A camcorder lens as it auto-focuses, bringing Danny's distorted
face into view via the lens' reflection.
NEMO (O.S.)
...action.
CAMERA FINDS Ashe and Danny's executioners, CURVE, KALI, SPIDER
MONKEY, and NEMO.
NEMO, a post-modern sleaze-hound, circles Danny and Ashe with
a camcorder. He Pats Ashe's face.
NEMO:
Make-up.
SPIDER MONKEY, lean and gangly, crouches next to Ashe, holding
a marigold in his hand.
SPIDER MONKEY:
Flowers for the dead, Senor?
CAMERA POV (CLOSE ON ASHE'S EYE)
Ashe stares directly into the camera.
SPIDER MONKEY:
No? Suite yourself, then.
Spider Monkey tucks the flower behind his ear. Danny is praying
now, MUMBLING a Catholic School litany.
SPIDER MONKEY:
You're wasting your breath, angelito. Nobody up there's listening.
WHOOSH!
We cut to an extreme high-angle shot - God's omniscient POV,
perhaps.
CURVE:
leans up against his motorcycle a few yards away - big, burly,
shaved head, a ciggie hanging from his lips. He's got a custom
paint-job on his pearl drop gas tank - a buxom blonde doing the
"wild thing" with the Grim Reaper. Curve's also the one who just
dusted himself
CURVE:
(hyped on drugs)
Let's get this over with. Judah's waiting.
Kali, a cold-eyed heavy-metal femme with a killer's casual stoicism,
is methodically loading bullets into her revolver. She's taking
her own sweet time, in defiance of Curve. There's a tension between
them. Finally, she flicks her wrist, snaps the revolver shut.
Kali walks up to them...
DANNY:
I'm scared, Dad.
ASHE:
I know...
Ashe turns to his executioners, pleading with them...
ASHE:
Listen to me, please. He's just a kid. Let him go. He can't hurt
you. He doesn't even know who you are...
...and puts a bullet through Danny's chest. Ashe SCREAMS.
ASHE:
NO!!!
Danny's body slumps forward, dragging Ashe down next to him.
Ashe stares into his son's lifeless eyes.
Curve saunters over, stares down at Ashe, flicks his cigarette
butt off into the water.
CURVE:
Nothing personal, sport. Guess you were just in the wrong place
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Crow: City of Angels" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_crow:_city_of_angels_1404>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In