The Danish Girl Page #10
Now Lili’s up, her hand held out. Hans takes it...
LILI:
You can’t imagine how happy I am.
He holds on to her hand, instinctively kind...
LILI (cont’d)
We met before in Vejle, but you probably
don’t remember...
Hans is utterly wrongfooted...
GERDA:
Can I take your coat Hans?
HANS:
Of course...
He comes to, allows Gerda to relieve him of it. She takes it
away. Lili continues, frighteningly animated...
LILI:
A digestif, Hans? It’s so chilly all of a
sudden. I feel the cold these days. I
don’t know why...
HANS:
Thank you.
Hans sits, but his eyes wander to the portraits that are now
ranged around the room. A kaleidoscope of Lili.
LILI:
I’m so sorry Einar couldn’t be here. He
told me:
in Vejle you were his greatfriend. Both always plotting to getting
away!
HANS:
That’s true...
(CONTINUED)
26/11/15
52.
CONTINUED:
LILI:
Such a tedious place! He said you’d sit
and look out together, beyond the fjord..
to the sea... to the future.
HANS:
Oh, we had big dreams...
LILI:
And you were the only one who let him paint
in peace, who told him it was alright to be
a painter.
Gerda returns to the room. Hans searches Lili’s face for the
remains of his old friend Einar.
HANS:
He... used to sketch my portrait. Take a
stone and draw me on the rocks at the side
of the road.
GERDA:
I didn’t know that.
LILI:
Oh yes.
Gerda turns to Hans:
GERDA:
Would you like to see more of Einar’s
work...?
LILI:
Do we have any?
Gerda’s surprised, unsettled by the question.
GERDA:
Yes, of course, Lili...
LILI:
Oh, but couldn’t we see it another time? I
so want to hear more from Hans... Hans,
are you married?
HANS:
No...
LILI:
Why not?
Gerda flinches, but:
LILI (cont’d)
He doesn’t mind, do you...?
Gerda looks helpless. Hans takes over:
(CONTINUED)
26/11/15
53.
CONTINUED:
HANS:
I’ve... been on my own a long time now.
I’m too set in my ways.
LILI:
I think marriage is the single thing we
should all hope for in life.
HANS:
Really?
Lili looks utterly buoyant...
LILI:
It creates someone else, more than just the
two of you. It would be terrible never to
know that...
Her expression crumbles... Hans looks to Gerda...
GERDA:
Lili...
Lili’s dissolving...
LILI:
Excuse me.
She hurries out towards the bedroom, clearly in distress.
Hans struggles to comprehend the situation...
GERDA:
You... you ought to go...
HANS:
No - let me help...
She turns, holds Hans’ hands... the intimacy, intensity of
connection surprises him:
GERDA:
Please - please - I’m sorry...
He resigns himself to leaving... as he reaches the door:
HANS:
Goodnight Lili...
LILI (O.S.)
Goodnight...
Hans lets himself out.
In the bedroom, Gerda, still shocked, looks at Lili -
bewildered, afraid, head hanging.
LILI (cont’d)
I don’t think he noticed anything, do you?
(CONTINUED)
26/11/15
54.
CONTINUED:
GERDA:
I don’t know...
LILI:
No, I think I got out just in time.
GERDA:
Sleep now. We’ll talk more tomorrow.
LILI:
Can I borrow a nightdress?
Gerda’s shocked.
GERDA:
No... we’ve never done that. Lili’s never
spent the night...
Einar confesses:
LILI:
It doesn’t matter what I wear. When I
dream, they’re Lili’s dreams...
Gerda struggles to accommodate this, very reluctant... but
she gives in, nods. What else can she do?
INT. PARIS APARTMENT, BEDROOM, LATER
Gerda in bed. Lili’s sleeping head on the pillow next to
her, where Einar’s once was. Gerda turns out the light.
INT. PARIS APARTMENT, BEDROOM, DAY
Gerda arrives to find Lili in a bright dress with matching
scarf. Shopping bags everywhere. Slight tension in the air.
GERDA:
A new dress...
LILI:
And this. Do you like it?
She hands Gerda a bright scarf...
GERDA:
Yes. It’s perfect for you...
Gerda hands it back.
GERDA (cont’d)
We’re actually a little short of money at
the moment.
Lili hangs the scark back round Gerda’s neck, hardly misses a
beat:
(CONTINUED)
26/11/15
55.
CONTINUED:
LILI:
I know, but now I’m back, I can sit
for you again, can’t I...? That
worked well before, Gerda, didn’t
it...?
Lili and Gerda take each other in, on a new footing...
INT. PARIS APARTMENT, STUDIO, DAY - MONTAGE
Gerda paints Lili who has found a new stillness. A more
serious spirit beneath the translucent skin. A sense of her
growing into herself.
We see on the wall now a number of double portraits, telling
the story of a developing negotiation - Gerda and Lili
depicted together, with a sense of close friendship or a
wistful attempt at coupledom.
Now Gerda paints with Lili advising... The two
collaborating, a sense of shared vision.
And throughout, we see Lili fully imagined as a woman, and an
increasingly idealised one - unrealistically lovely...
INT. ETIENNE DUFOUR GALLERY, RAINY NIGHT, ONE MONTH LATER
Another show of ‘Lili’ paintings. A lot of the paintings of
the two as a couple, but Gerda is here alone. She feels it.
She works the room, determined, then sees Hans, across the
crowd. Misses a beat. They make their way toward one
another. An awkward social kiss. Gerda’s unusually brittle.
HANS:
It’s a good crowd.
GERDA:
She’s a popular girl. Thank you for
coming.
HANS:
Thank you for asking me. I thought you’d
forgotten all about me.
GERDA:
We’ve been busy.
HANS:
Is Einar here?
GERDA:
Einar hates this kind of thing.
HANS:
That’s a shame. For you, I mean.
(CONTINUED)
26/11/15
56.
CONTINUED:
GERDA:
I don’t mind.
Hans wonders about this... lets it go.
HANS:
Is he well...?
GERDA:
He’s excited. We have an old friend coming
to town:
Ulla Fonsmarck, the dancer. Doyou know her?
HANS:
I don’t think so. Could I take you to
dinner? To celebrate? Someone ought to.
GERDA:
No. Thank you.
Hans absorbs this, regroups.
HANS:
Gerda, have I offended you?
GERDA:
No.
HANS:
Gerda...
He rests his hand on her arm, pressing for some honesty...
Gerda’s cornered, the heat of the room, the nearness of Hans.
GERDA:
I am still Einar’s wife.
She brushes past him, into the crowd. A MAN’S VOICE calls:
MAN:
Hans!
Hans’ social mask slips quickly back into place.
Later:
CLOSE ANGLE on Gerda, watching as a flirtatious womanWHISPERS something in Hans’ ear. His eyes widen, he LAUGHS.
Gerda looks away. Quickly sets down her drink and moves
through the crowd toward the door...
A GALLERY EMPLOYEE frets as Gerda pulls on her coat.
GALLERY EMPLOYEE
At least take an umbrella...
GERDA:
I’m fine, honestly...
(CONTINUED)
26/11/15
57.
CONTINUED:
GALLERY EMPLOYEE
If you just wait a minute someone will
drive you...
But Gerda’s out in the rain, the party still in full swing.
INT. PARIS APARTMENT, KITCHEN, NIGHT
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"The Danish Girl" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_danish_girl_563>.
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