The Danish Girl Page #13
EINAR:
I feel strange going dressed like this.
GERDA:
It’s important. Hans says the Germans will
check your papers.
HANS:
Don’t take any chances. You’re nearly
there.
Hans and Einar embrace, then Hans holds him at arms length.
EINAR:
I won’t be seeing you again.
HANS:
You know, I’ve only really liked a handful
of people in my life and you’ve been two of
them.
Einar half-laughs. Hans twinkles.
HANS (cont’d)
Take care. Take care. *
The men part. Hans withdraws. Einar turns to Gerda. What
can he say? They hold one another close, intensely private.
GERDA:
I wish you’d let me come with you.
EINAR:
I can’t. You love Einar. And I have to let
him go.
They kiss, an emotional parting. She removes her bright
scarf.
GERDA:
Here, take this...
He takes it, smiles, and boards the train - just in time.
The air fills with steam and NOISE. Gerda raises her hand to
wave as the train pulls out, carrying Einar away. Einar
fights tears as he moves off... Gerda runs alongside a
little way, the gap that’s opening between them suddenly
unbearable. And then... the train has gone. Gerda turns to
leave, finds Hans waiting. She walks past him, bereft.
(CONTINUED)
26/11/15
70.
CONTINUED:
HANS:
Gerda...? Let me give you a lift.
She barely turns, hands stuffed firmly in her pockets.
GERDA:
I’m going to walk.
She strides down the platform, trying to outpace the pain,
face set, body strong. She could walk like this forever.
INT. TRAIN COMPARTMENT, DAY
Einar watches the scenery fly by outside.
INT. PARIS APARTMENT, STUDIO, EVENING
Gerda prepares a fresh canvas.
Einar opens a document - his passport. Takes a long look
GUARD (O.S.)
148 Next stop, Dresden. Dresden is the 148
next stop...
INT. PARIS APARTMENT, STUDIO, DAY
Gerda, charcoal in hand, the canvas before her, waits to
begin. Then there’s a swift line on the canvas - the curve
of a flank - conjures a nude Einar or Lili... Whatever name
is attached to it now. She sketches the form of a body she
loves. Strong magic to keep it from harm.
EXT. STREET, DRESDEN, AFTERNOON
Lili walks into town, a high road that gives her a panoramic
view of the river.
INT. WARNEKROS’S CLINIC, RECEPTION, EARLY EVENING
RECEPTIONIST:
Hello...?
LILI:
Yes, my name is Lili, I’m here to see
Professor Warnekros. *
RECEPTIONIST:
Lili what?
(CONTINUED)
26/11/15
71.
CONTINUED:
Lili wonders, surprised at the question...
LILI:
Oh... Lili Elbe. Yes. Like the river.
The Receptionist nods. Writes it down.
RECEPTIONIST:
Please take a seat...
Lili settles... looks around. A sanctuary. For women.
INT. WARNEKROS’S OFFICE, EVENING
Lili sits with Professor Warnekros. Behind him, anatomical
models of women’s reproductive parts, plastic foetuses.
LILI:
Must I really wait?
WARNEKROS:
It’s only a week, We need you to rest and
gain some weight. We can’t risk an
infection.
Professor Warnekros rises, rests his hands on Lili’s
shoulders, paternal. Lili pats his hand, tender, submissive.
WARNEKROS (cont’d)
For what I’m attempting, you’ll need to be *
strong.
LILI *
This is not my body, Professor. *
Please take it away. *
EXT. WARNEKROS’S CLINIC, DRESDEN, GARDEN, DAY
Lili amidst other young women patients, many pregnant. She
concentrates on balancing a teacup on her knee. A VOICE:
URSULA (O.S.)
Do you think Spring will come early?
Lili looks round. A delicate blonde, URSULA, sits nearby.
URSULA (cont’d)
I saw you looking at the crocuses.
LILI:
Oh - yes. You’re having a baby.
Ursula nods, cradles her round belly.
URSULA:
And you?
(CONTINUED)
26/11/15
72.
CONTINUED:
LILI:
No - I’m ill inside. But Professor *
Warnekros’s going to make me better. He’s
operating tomorrow.
URSULA:
Will you be able to have children after?
The question catches Lili by surprise, sets her thinking...
LILI:
I don’t know.
URSULA:
I hope so.
Lili smiles, full of optimism.
INT. WARNEKROS’S CLINIC, DRESDEN, LILI’S ROOM, EVENING
A particularly solicitous NURSE gives Lili a white pill.
NURSE:
To help you sleep tonight.
Later - Lili at the sink, wipes a washcloth over her face.
The water runs a peachy colour as powder and rouge rinse
away. Lili looks in the mirror at Einar for the last time.
INT. PARIS CAFE, EVENING
Hans smokes his cigar. Picks a speck of tobacco from his
tongue.
HANS:
Rasmussen called. The Dufour people want
you in their group show. I like the idea.
Gerda looks across at him, hasn’t heard anything.
GERDA:
I’m sorry?
HANS:
The Dufour Gallery?
But Gerda shakes her head. Hans SIGHS, considers, then:
HANS (cont’d)
Gerda, why don’t you go...?
GERDA:
He asked me not to.
(CONTINUED)
26/11/15
73.
CONTINUED:
HANS:
should be there. I’ll go with you.
Gerda turns on him:
GERDA:
No. If I go, it’ll be alone.
HANS:
Now you’re sounding like Einar.
GERDA:
I am like Einar.
Hans seethes, frustrated.
HANS:
What do you want me to do Gerda?
GERDA:
I want you to go away.
Hans is surprised, hurt.
HANS:
Really?
Gerda looks down, fixes her eyes on a burn mark on the
tabletop. She senses movement as Hans chair is pushed aside.
GERDA:
No, I’m sorry...
But it’s too late. Hans is gone.
INT. WARNEKROS’S CLINIC, DRESDEN, NEXT DAY
Einar/Lili sleeps a deep sleep. We pull out to see the
operating theatre around her, Warnekros prepped to begin.
INT. PROFESSOR WARNEKROS’S CLINIC, DRESDEN, *
CORRIDOR/LILI’S ROOM *
Warnekros escorts Gerda along the corridor.
WARNEKROS:
She only regained consciousness very *
briefly. We’re having to give her a great
deal of morphine, of course, so that’s to
be expected.
As they reach Lili’s room, a CRY fills Gerda with fear. *
(CONTINUED)
26/11/15
74.
CONTINUED:
WARNEKROS (cont’d) *
It’s nothing, I assure you... *
Gerda is stunned to see Lili held down by ropes weighted with *
sandbags. She looks terrible, grey-green, exhausted. A
nurse administers morphine, another soothes.
NURSE:
You mustn’t move Lili. It only makes it
worse...
GERDA:
(under her breath)
My God...
The nurse pushes a paralysed Gerda gently aside -
NURSE:
Excuse me...
The nurse slips a mask over Lili’s face. She sucks
gratefully at the numbing gas. Gerda comes to, galvanises
herself, moves the nurse aside, takes hold of the mask.
GERDA:
I’ll do that. I’m here now. Don’t worry,
I’m here...
The nurse looks to Warnekros - he nods. She withdraws. Gerda *
smooths Lili’s brow, determined, devoted.
EXT. WARNEKROS’S CLINIC, GARDEN, TWO WEEKS LATER, DAY
Lili dozes in her wheelchair. Gerda sketches. Lili smiles a
little but her eyes don’t open. Gerda notices, stops.
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"The Danish Girl" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/the_danish_girl_563>.
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