The Day the Clown Cried Page #26
- Year:
- 1972
- 90 min
- 1,507 Views
HELMUT:
If you want me ...
remember, just close your eyes.
CLOSE SHOT - LITTLE GIRL WITH THE DARK EYES
Wordlessly, she shuts her eyes -- tight.
PAN SHOT - CHILDREN
Following the dark-eyed girl's example, the smaller children
one by one, close their eyes.
CLOSE SHOT - HELMUT
Near tears with emotion, he wavers. Then with great control
...
HELMUT:
(huskily)
Goodbye.
MED. SHOT - HELMUT
He turns and sits down on the floor of the car with his feet
hanging outside. He is just about to jump down when he is
stopped by a LOUD WAIL of anguish from one of the children
behind him. He turns and looks back at them.
MED. SHOT - CHILDREN - HELMUT'S POV
A BOY of about six, one of the Czech youngsters, is crying
with the dejection of a lad who has just lost everything.
The other little Czechs and the older girl who first
recognized Helmut at the boxcar door are trying
unsuccessfully to console him. Between cooing and patting
the boy's shoulder, the girl throws accusing looks at
Helmut.
WIDER ANGLE - TO INCLUDE HELMUT
Uncertain what to do, Helmut glances around outside.
Satisfied that the train isn't going to move at once, he
gets up and goes to the children.
HELMUT:
What's this now? Crying?
After all the fun we've had?
The boy only looks at Helmut and goes right on crying.
Helmut looks helplessly at the older girl.
GIRL:
It's his birthday. He thought
there would be presents.
HELMUT:
(to girl)
He's a Czech. Do you speak ...
GIRL (annoyed)
Of course not!
Helmut is angry with the girl because he really wants to get
off the train and yet can't because of the accusing look in
her eyes.
HELMUT:
(pointedly)
Then how do you know it's his ... birthday?
GIRL:
He told me.
HELMUT:
He speaks German?
GIRL:
No.
HELMUT:
But he told you it's his birthday?
The girl nods firmly as do the other children. The boy
watches it all, wide-eyed. Helmut figures to put an end to
this.
HELMUT:
What date is this?
GIRL:
(after thinking it over)
Why, it's his birthday!
This is too much for Helmut to fathom. He turns his head
away, trying to think.
GIRL:
Don't you believe him?
Helmut turns back to them, looking first at the girl, then
at the boy, his little upturned tear-stained face full of
wonder. Helmut softens, recalling perhaps his own birthday
disappointment.
HELMUT:
Of course, I do.
(pats boy's head)
Tell him I wish him a happy birthday.
GIRL:
He knows that. But ... but what're
you going to do about a present?
Helmut fans his clothes, finds the harmonica and produces it
with a flourish.
HELMUT:
Aha, the very thing. He can
be the clown while I'm gone.
ANOTHER ANGLE - FAVORING THE CZECH BOY
As Helmut bows and holds out the harmonica to him.
HELMUT:
Happy birthday.
The boy looks solemnly at Helmut and the harmonica. He
doesn't quite seem to understand what this is all about, but
the harmonica is enticing. He looks up at his countrymen
for encouragement. They smile at him, and he takes the
harmonica, examines it, then blows into it experimentally.
When he hears the SOUND that comes out, he brightens. Then
the little girl with the rag doll comes forward and offers
it to the boy. He looks at her strangely, one of the older
German boys scoffs.
GERMAN BOY:
He's a boy! Dolls are for girls.
The little girl is hurt, and looks to Helmut for support.
HELMUT:
When you give something you love ...
it doesn't matter if it's the right thing.
He takes the doll and puts one of it's hands in the boy's
hand, the other in the little girl's. They stand looking at
each other and sharing the doll. Helmut looks towards the
door apprehensively, but there seems to be no action outside
-- and there are the eyes of the children on him.
HELMUT:
Maybe we have time for a birthday game.
A quick one. Let me take a look.
Helmut goes back to the door. He glances around outside.
There still seems to be time. He returns to the children.
HELMUT:
Everybody line up behind me now,
and I'll show you how a train goes.
Wait -- the harmonica.
Helmut looks around for the new owner of the harmonica. He
goes over to him.
HELMUT:
May I borrow it back .. .
for just a minute or two?
The boy studies him dubiously with that "Indian-giver" look
in his eyes.
HELMUT:
For just a minute -- then I'll
give it right back to you.
(trying a sort of sign language)
Just for the game.
Finally the boy hands over the harmonica and manages a smile
because he sees all the other children smiling at him.
HELMUT:
Good. Now everybody ...
line up behind me.
The children scramble into line behind him. Helmut looks
back at them.
HELMUT:
Grab hold of the one in front of you ...
'cause we're going to be
a fast express train.
The children, laughing and giggling, grab hold of one
another.
HELMUT:
(calling out)
All aboard. All aboard.
He puts the harmonica to his lips and begins huffing and
puffing on it, imitating a train. He begins to shuffle his
feet and move slowly down the side of the car ... the
children holding on for dear life and following him ...
their eyes shining with expectation as Helmut begins to
quicken his pace.
CUT TO:
Dim shafts of light from the two small square vent openings
near the top on each side, gives the boxcar an eerie look.
Helmut stops abruptly as he hears the slamming of the door.
The children pile up behind him.
HELMUT:
WAIT!
He moves quickly to the door and tugs at it. Finding it
locked, he pounds on it.
HELMUT:
Open the door!
Let me out...
LET ME OUT!
But the train NOISES drown his voice. Then the boxcar
suddenly lurches and starts to move forward. Helmut's
pounding weakens and stops. He turns from the door, his
face reflecting his fright. The children, not quite
understanding what has happened, gather around him, and pull
on him. He manages to control his fear, and looking at the
children, he manages a big smile.
HELMUT:
Guess I'm going with you after all.
He switches on the lantern and holds it high so its rays
cover all the children.
CHILD:
Let's play some more, Doork?
Helmut glances down at the tot, started by the suggestion.
Then he nods in a stunned sort of way. He puts the
harmonica to his mouth and begins puffing on it.
CUT TO:
EXT. RAILROAD SIDING - EVENING
Scharff and Sergeant Hoffman stand watching the boxcar move
away.
MED. TWO SHOT - SCHARFF, HOFFMAN
SCHARFF:
I'm glad that's over.
Call in the sentries.
SERGEANT HOFFMAN
Yes, sir.
He starts to move away.
SCHARFF:
Kessler in the car?
SERGEANT HOFFMAN
Kessler?
SCHARFF:
The clown?
SERGEANT HOFFMAN
(looking around)
I... I guess he is, sir.
SCHARFF:
You GUESS!
Scharff races to the car with Sergeant Hoffman right behind
Scharff peers inside and finds the car empty. With an angry
glance at Hoffman, he hurries to the truck and looks in the
cab. It too is empty.
SCHARFF:
(moving back toward Hoffman)
I told you to get him off the train.
SERGEANT HOFFMAN
I told him, sir. HE was standing right
by the door. I'm sure he got off.
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