The Death Artist Page #2
- Year:
- 2002
- 307 Views
OLDER MAN:
I've heard you can find some
cutting edge pieces here if you
keep an eye out -
OLDER WOMAN:
I'd like to find something for
CUFF:
interest you -
Cuff shows the woman the photographs - she reacts to them with
disdain -
POV they are pictures of various ROAD KILLS - squirrels, skunks,
possums -
CUFF:
It's our road kill series. I take
the pictures.
LINK:
(proudly)
I do the research.
The woman hands back the photographs -
OLDER WOMAN:
Not quite what I was looking for.
OLDER MAN:
Yes, we're interested in something
with some investment potential -
CUFF:
Hey, this is no supermarket,
there are no aisles, it's all
in the attitude -
Walter approaches -
LINK:
Yeah that's a dead soul way to
look at it -
OLDER WOMAN:
Nonsense. We have developed many
a rapport with struggling artists -
we're very supportive -
WALTER:
"All that is comes through the eye
of the artist - the rest are blind
fish, swimming in the cave of
aloneness."
The four people stare at Walter -
OLDER WOMAN:
That's very deep, and coming from a
bus boy too -
WALTER:
"Feed them that you will be satisfied -
the artist is, all others are not -"
OLDER MAN:
Where have I heard that before?
OLDER WOMAN:
Are you a poet also?
WALTER:
Uh...no. No I'm not.
OLDER MAN:
What do you do?
WALTER:
Well, uh, I'm...working, I've
been working on something, it's
not ready yet.
CUFF:
What is it, a crying clown?
WALTER:
Huh?!
LINK:
Walter must have bought himself
some crayons.
Leonard approaches, looking exasperated -
CUFF:
Get out of here, man. We're
negotiating a deal.
WALTER:
I am working on something! I'm
going to show you soon!
LEONARD:
Walter!
Leonard gets close to him -
LEONARD:
(under his breath)
You're starting to try my
patience!
Walter sheepishly heads off - the two artists laugh -
The older woman looks at Leonard -
OLDER WOMAN:
Is he, uh?...
LEONARD:
About to be out of a job.
Walter returns to Maxwell's table, where Carla, Mayolia, and Charlie
are still sitting - he gestures to some empty glasses -
WALTER:
Are you done with these?
MAXWELL:
Yes, get rid of them...
In the split second when no one is looking, Walter snatches up one
of Carla's head shots, keeping it under his tray, as he cleans up
DISSOLVE TO:
EXT JABBERJAW - NIGHT
Walter passes an alley where a group of THUGS hastily strips down a
EXT STREET - NIGHT
Walter walks the streets alone - soon he stops and looks ahead -
There is a PARKED CAR with the windows open - A COUPLE is making out
in the front seat -
Soon the man in the car, a mean-looking character spots Walter - the
two stop making out and the man stares at Walter -
MAN:
What are you looking at? You want
to get shot?
Walter's smile fades, and he stuffs his hands in his pockets, and
heads down the street, alone, inadvertently bumping into some
GARBAGE CANS -
EXT COURTYARD APARTMENTS - NIGHT
Walter unlocks a creaky iron gate covered with dead ivy -
EXT COURTYARD - NIGHT
As Walter heads in, he runs into MRS. SWICKER, the
landlady -
WALTER:
Oh, hello Mrs. Swicker.
MRS. SWICKER
Hello Walter. I want to tell
pipes and sealed up that hole in
your wall.
WALTER:
Oh, OK.
MRS. SWICKER
Walter you look awful pale!
What did you have to eat today?
WALTER:
I had a salami sandwich, Mrs. Swicker.
MRS. SWICKER
If you were my son...why don't you
let me fix you a nice hot bowl of
soup, it won't take but a minute.
WALTER:
Oh no, that's OK, I can fix myself
something. Besides, I got something
important to do...
Walter goes to unlock his door -
MRS. SWICKER
Oh by the way did you happen to
see Frankie out here, by any
chance?
WALTER:
Uh, no, I didn't see him at all.
MRS. SWICKER
What's got into that cat? Well if
you do see him, tell him I've got
a nice fat piece of ocean-fresh
halibut for him -
WALTER:
T-tell him that?
MRS. SWICKER
If you see him.
WALTER:
OK Mrs. Swicker.
MRS. SWICKER
Good night Walter...
WALTER:
Good night, Mrs. Swicker -
Walter opens his door and heads in -
INT WALTER'S ROOM - NIGHT
Walter closes the door and turns on a LIGHT hanging over a kitchen
TABLE - a CLOTH covers an object roughly the size of a bowling ball
on the table -
He removes Carla's head shot, tucked inside his shirt, and places it
on the table after looking at it for a beat -
Walter heads over to the STOVE, stopping to notice a freshly
plastered area on the wall, a bag of PLASTER still on the ground -
Walter opens himself up a can of BEANS - he looks around and finds
an old, dented metal POT, pouring the beans into the pot -
He throws the empty can in the direction of an overflowing GARBAGE
CAN, lights the stove and puts the pot on the
burner -
Walter then takes a seat at the table - he lifts the
cloth, revealing a mound of CLAY -
A cat meows in the distance as Walter looks at Carla's picture,
appreciating her beauty -
WALTER:
Now I have my muse...
Walter then turns and begins to mold the clay -
DISSOLVE TO:
INT WALTER'S ROOM
A half-hour later. Walter has attempted to sculpt a bust - he looks
at Carla's picture, then back at his sculpture -
Walter's POV it is a badly sculpted HEAD, that not only looks
nothing like Carla but has a hard time passing for anything human -
Walter looks at it, knowing that much work is needed on his creation
-
He grabs a blob of fresh clay from an adjacent pile and begins to
form a nose - the cat meows again - Walter looks around -
WALTER:
Frankie?
Walter continues enthusiastically sculpting the blob of
clay -
WALTER:
A canvas is a canvas or a painting.
A rock is a rock or a statue...a
sound is a sound or is music...
Walter looks at the sculpture -
Walter then attaches the nose - smoothing it on -
It looks RIDICULOUS, something out of grammar school art class -
he's having difficulty forming anything that resembles a nose -
WALTER:
Come on...you're supposed to be
a nose...
The malformed face stares dumbly back at him as he fights to shape
the nose -
The cat meows again - Walter is getting increasingly frustrated - he
backs up to look at the head -
PAN the photograph of Carla, over to the sculpture - one of the ears
falls off -
Walter squints at the head, failing to convince himself it's looking
better - frustrated, Walter yanks the nose off and grabs a little
more clay -
WALTER:
Why can't I make a nose!
On the stove, the beans begin to boil -
Walter shapes the clay and sticks the nose back on, his tongue
sticking out of his mouth as he fumbles with it -
The nose has changed shape and juts perpendicularly off the head,
resembling Pinocchio -
Walter begins to sculpt with increasing fury -
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Death Artist" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_death_artist_265>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In