The Descendants Page #16
The sound of an internal PHONE RING begins.
69 INT. MATT AND LIZ'S BEDROOM - NIGHT 69
A sitting area off the bedroom is where Elizabeth displays
her trophies and sports memorabilia.
(CONTINUED)
52.
The Descendants PINK Shooting Draft 4/11/10 Draft
69 CONTINUED:
69This is where Matt now sits nursing a whiskey and pressing a
PHONE to his ear.
BRIAN SPEER (O.S.)
Hi, this is Brian Speer at Kaimana-
Prudential Realty. Sorry I missed you.
Leave a message with your name, number
and time of call, and I'll get back to
you just as soon as I can. Mahalo.
Looking as though he's about to vomit, Matt hangs up, regards
the flyer on the coffee table before him.
SID (O.S.)
Hey, boss.
Matt looks up to see Sid in his boxers.
SID (CONT'D)
Did you call him?
MATT:
None of your business. And put some
clothes on. And you're not sleeping in
Alex's room. In fact, you should
really go home, son.
SID:
Alex wouldn't like that.
MATT:
Guest room. Take it or leave it.
SID:
We're going to do what we're going to
do.
MATT:
I'm not going to make it easy for you.
SID:
I'm just fooling with you, man. We're
not like that. Guest room's awesome.
(then --)
Just call him. He's nobody. Raise
hell.
WIPE TO:
70 INT. MATT'S BEDROOM - NIGHT 70
Matt sits on the bed, listening once again to Brian Speer's
outgoing message.
(CONTINUED)
53.
The Descendants PINK Shooting Draft 4/11/10 Draft
70 CONTINUED:
70MATT:
(on the BEEP)
Yeah, hi, Brian. My name's, uh, Herb
Fitzmorris. I'm interested in that
house you've got on Koloa Street, the
one with the plantation shutters. I'm
at 645-2796. Thanks.
71 INT. HOSPITAL HALLWAY - DAY 71
As Matt leads his daughters toward Elizabeth's room --
MATT:
Let me go in for just a quick moment
alone first. I'll be right out.
72 INT. HOSPITAL ROOM - DAY 72
Matt closes the glass door behind him and slides the privacy
curtain across it. He looks at his wife. She's starting to
look different -- her face more gaunt, her hair more matted.
Since the last time we saw her, OTHER ITEMS have been added
around her bed. Along with draped LEIS, we see a childhood
DOLL, DIPLOMAS, and of course SPORTS MEDALS and RIBBONS. An
antique QUILT covers her legs. Her father meant it when he
said they'd bring her old things.
Matt crouches down bedside.
MATT:
You were going to ask me for a divorce?
So you could be with some f***ing
fuckhead Brian Speer? Are you kidding
me? Who are you? Because the only
thing I know for sure is that you're a
goddamned liar. So what do you have to *
say for yourself? Go ahead, make a *
little joke and tell me I've got it all *
wrong. Tell me again I'm too out of
touch with my feelings and need to go *
to therapy. *
(then --) *
Isn't the idea of marriage to make your
partner's way in life a little easier?
For me it was always harder with you.
And you're still making it harder.
Lying there on a ventilator and still
f***ing up my life. You're relentless.
You know what? I was going to ask you
for a divorce some day.
(MORE)
(CONTINUED)
54.
The Descendants PINK Shooting Draft 4/11/10 Draft
72 CONTINUED:
72MATT (CONT'D)
(grabbing a DOLL, tossing it)
Daddy's little girl.
Matt rises, looks at her motionless face, exhales, gets
himself together.
MATT (CONT'D)
I'm bringing in your daughters now.
Alex is home from school. Try to be
nice, okay?
He slides the curtain open and lets the girls in.
SCOTTIE:
Hi, Mom! Look who's here.
Alexandra approaches the bed slowly, startled by the changes
in her mother's appearance and knowing the end is near.
SCOTTIE (CONT'D)
Say something, Alex. People in a coma
can hear you. You're supposed to talk
to them.
ALEXANDRA:
Hi, Mom.
SCOTTIE:
Tell her how you were drunk the other
night. Tell her maybe you're an
alcoholic.
ALEXANDRA:
I guess it's in the genes.
MATT:
Girls, be serious.
ALEXANDRA:
Hi, Mom. Sorry for being bad. For
wasting your money on expensive private
schools. Money you could have used on
facials and massages and sports
equipment. Sorry for everything.
(looking at Matt)
Sorry we weren't good enough for you --
especially Dad.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Descendants" Scripts.com. STANDS4 LLC, 2024. Web. 27 Nov. 2024. <https://www.scripts.com/script/the_descendants_209>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In