The Descendants Page #6
Matt and Scottie walk away. Barb closes the door.
MATT:
Are you going to act different with
Lani?
(CONTINUED)
18.
The Descendants PINK Shooting Draft 4/11/10 Draft
22 CONTINUED:
22SCOTTIE:
I'll try, but it's hard. She has a
face you just want to hit.
MATT:
Yeah.
23 23
INT. MATT'S STUDY - NIGHT
The camera makes its way past PHOTOS of Matt's ancestors,
BOOKS of Hawaiian history, other family memorabilia to find
Matt at his desk pouring over PAPERS. A clock reads 1:20.
MATT (V.O.)
My great-great-grandmother was Princess
Margaret Ke'alohilani, one of the last
direct descendants of King Kamehameha.
She was originally supposed to marry
her hanai brother, but she fell in love
with her haole banker and estate
manager, Edward King, whose parents
were missionaries. Between his land
deals and her huge inheritance, all of
their descendants for generations have
watched the past unfurl millions into
our laps through leases and sales. Now
the Rule Against Perpetuities is
forcing us to dissolve the trust, and
we're selling the last parcel of
undeveloped land.
Matt looks up, his glance falling on the portraits of Edward
and Margaret.
MATT (V.O.) (CONT'D)
Soon my daughters and I can just be
normal citizens like everybody else,
and these dead people will stop
controlling our lives.
MATT (V O.) (CONT'D)
I just want to be a normal guy.
24 EXT. DOWNTOWN HONOLULU - DAY 24
Establishing -- tall buildings, business people, lunch
wagons.
19.
The Descendants PINK Shooting Draft 4/11/10 Draft
25 INT. MATT'S LAW OFFICE - DAY 25
Matt eats a SACK LUNCH at his desk. His window has a grand
view of DOWNTOWN. We glimpse his Punahou, college and law
school DIPLOMAS.
MATT (V.O.)
Unlike a lot of my cousins, I haven't
touched my share of the trust money.
Like my father before me, I live only
on the income from my law practice. I
don't want my daughters growing up
entitled and spoiled. And I agree with
my father -- you give your children
enough money to do something but not
enough to do nothing.
Matt's secretary NOE cracks open his door.
NOE:
Mr. King, your cousins are here.
26 INT. LAW OFFICE CONFERENCE ROOM - DAY 26
Matt enters the room to find SEVEN COUSINS waiting to greet
him. From their casual clothing and shaggy hair, an observer
might hardly suspect their status.
MATT (V.O.)
Not only am I the sole but I'm a
commercial real estate and
transactional attorney, so the most
involved of my cousins have been
meeting with me regularly to analyze
the bids -- Cousin Dave, Cousin Hal,
Cousin Six, Cousin Wink, Cousin Lisa,
Cousin Connie and Cousin Stan, both of
whom oppose the sale entirely. Don't
be fooled by appearances. In Hawai'i
some of the most powerful people look
like bums and stuntmen.
LATER --
Matt and his cousins stand above the conference table,
looking at blueprints and architectural drawings.
MATT (V.O.) (CONT'D)
The proposals are virtually the same --
hotels, shopping centers, condos and
golf courses. 3000 new jobs in the
first five years. Support letters from
the construction industry and unions.
(MORE)
(CONTINUED)
20.
The Descendants PINK Shooting Draft 4/11/10 Draft
26 CONTINUED:
26MATT (V.O.) (CONT'D)
A Chicago group is offering half a
billion dollars, but we're leaning
toward a lower bid from a guy named Don
Holitzer. He's actually from Kaua'i
and made a fortune in Silicon Valley.
Cousin Hugh is pushing us in that
direction, and I say why not?
CLOSE ON MATT, nodding along but highly distracted, the sound
of Liz's VENTILATOR growing louder in his brain.
We CUT TO ARTIST'S RENDERINGS of comatose Elizabeth -- wide,
closer, closer still, closer.
27 EXT. QUEENS'S HOSPITAL - DAY 27
Establishing. Matt walks inside the front door.
28 INT. FAMILY CONSULTATION ROOM - DAY 28
Matt sits across from old family friend DR. SAM JOHNSTON.
DR. JOHNSTON
Bad news, Matt. Dr. Chun, Dr. Mueller
and I -- we believe her condition, *
which we call a multi-factorial anoxic *
encephalopathy, is deteriorating. We *
see no eye movement, no pupillary *
response, basically no brainstem *
reflexes whatsoever. The machines *
could keep her going, but her quality *
of life would be... very poor. *
Basically what you see now. She'll
never be like she was, Matt. Never. *
We know that now.
Matt sits very still.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Descendants" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_descendants_209>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In