The Doctor and the Devils Page #6

Synopsis: In the Nineteenth Century, the renowned professor of anatomy Dr. Thomas Rock gives classes to neophyte medicine students in the local university. Dr. Rock uses his assistant Dr. Murray to buy corpses for his experiments from body snatchers paying a little fortune for the cadavers. When the alcoholic scum Robert Fallon and Timothy Broom overhear the conversation of grave-robbers about Dr. Rock, they decide to supply fresher corpses that worth more to the doctor, killing the poor inhabitants. Dr. Murray has unrequited feelings for the cockney whore Jennie Bailey that usually hangs around with the also prostitute Alice. When Dr. Murray discovers that Fallon has just sold the corpse of Alice, he seeks out the worthless Fallon and Broom to stop them from murdering Jennie. Will he arrive in time o save Jennie?
Genre: Drama, Horror
Director(s): Freddie Francis
Production: 20th Century Fox Film Corporation
 
IMDB:
6.2
Rotten Tomatoes:
0%
R
Year:
1985
93 min
2,066 Views


More like seven pence.

I'll give you two bob, take it or leave it.

Two shillings?

For a family diamond

with a band of gold?

Diamond and a band of gold?

Brass and glass, my dear,

brass and glass. Two bob.

- It's a diamond, I tell ya.

- Wanna bet?

If it's a diamond, it won't break.

Wanna give it a try?

Ah, give us our money.

- Aren't you a thieving old cow.

- Now who's calling the kettle black?

And don't think I believe

all that malarkey

about you and your mother

and her mother before her.

You wouldn't know a diamond

from a sheep's eye.

Here, make that four, Fallon, and you can

have the pleasure of our company.

Oh, make that four!

Get them in, Fallon.

Come on, give us another.

Ah, girls, you'll have a grand night

with Fallon and Broom now, eh?

Slow night tonight, girls, eh?

Date.

Anyone here?

I've come for my little girl's things.

Let's be goin' back there then.

No, no. Let's stay here.

It's more fun. It's pissing out.

Ah, we'll go to our little room,

where you'll be as warm

and as snug and

as happy as a kitten, huh?

Come on, Jen, a little spit of rain

between friends, eh?

Let's do it. We got gin there.

We got gin like the morning dew.

Make you forget about the rain.

Come on, Jennie.

All right, all right.

I'll believe it when I see it.

I hope you're telling the truth, woman.

It's an offense to lie to the constabulary,

punishable by...

Well, bless my soul.

Come on, Jennie.

We'll soon have you warmer.

Come on. Hey, come on.

Come on, Jennie.

I forgot there's, uh, new lodgers

up there. Children screaming.

- Let's go to the cock pit, eh?

- No, it's cold there.

It's all right, me love. Come on.

Come on, quick.

They're filthy, disgusting.

Thomas! Thomas!

Thomas!

It's all right, Annabella.

It's only a dream.

This'll help you sleep.

I can't sleep. I don't sleep.

I have these awful dreams.

They're vile.

I'm frightened, Thomas.

They're bringing you bodies,

aren't they, from the graveyard?

Consecrated ground.

- It's just street gossip.

Wherever I go, people stare at me.

They whisper things about you.

Are they true?

It's rumors, Annabella.

You mustn't pay any attention to them.

We'll be disgraced. You'll be ruined.

Our name will be dragged in the mud.

Come on, drink it all up.

Do you know what it is to be lonely?

I feel lonely.

I wanted to be mistress

in my brother's house.

I wanted to give dinner parties

and dances.

I wanted to be

admired and charming.

I wanted to marry,

but nobody would come

because of your stupid philosophy.

Nobody'll come now.

Fallon...

Fallon?

Listen, Fallon,

I've been thinking.

There's nothing for us

but to get the hell outta here.

We've gotta make a run for it.

Now, when there's time.

What do you mean run for it?

There's work to be done,

money to be made.

For them two girls,

twice seven sovereigns.

Forget them girls, Fallon.

There's no more money in it for us.

There's only trouble.

They're just lying there, waiting for it.

Forget them, Fallon,

for Christ's sake.

And use your gin brain.

There were coppers back there

at the lodging house.

We were seen with them two whores.

- Who seen us, who?

- People in the tavern, the landlord.

God knows.

- The hell with that.

- They saw us going out with them.

All right, we'll do just one then, eh?

Can I, just one?

Just think of them young and fresh, huh?

You're not listening to me, Fallon.

The game's up.

Not for me, it isn't.

Oh, God, no, not for me.

No. Find me a pillow, Broom, eh.

Find me something soft

to put on her face.

Come on, I'll do it. I always do it.

Come on, just stay with me, Broom.

- Get your hands off me.

- What's the matter with ya?

- You'd do me if you had the chance, Fallon.

Broom, no, not you, just...

just one of the girls, eh?

Just one of them. Come on.

Look, I'll do it right this time.

I'll leave no marks

on their neck, eh, eh?

Trust me, Broom, trust me.

Give me the money, eh?

You're not in it for the money, Fallon.

There's a madness in you. You can't wait

to get your hands on them.

No, no, no, Broom.

It's the money, it's the money.

No, not for you, Fallon, not anymore.

What you love is the feeling when

you're stopping a life. You mad bastard!

Broom, come back here. Broom.

Broom, come back here!

Broom! Come...

Fresh bodies, fresh bodies,

fresh bodies, fresh bodies, fresh bodies.

Gentlemen,

what is there to dissect...

...the human conscience.

Quick, let's have the money.

How did you come by this one?

Just give me the money. I'll be gone.

She's still warm.

How'd you come by it?

Oh, it's a strange story, but, uh...

I'll tell ya, but it's just

between the two of us, eh?

This, uh, this whore and me, we was together,

you know what I mean, eh?

When then she made this sudden noise

in her throat and passed away onto me.

I couldn't believe it.

I mean, there she was one moment,

you know, young and healthy,

the next...

in me arms, under me.

You mean while you were in the...

In the middle of it.

Strange piece of luck. No mistake.

- No mistake.

- You're a rotten, lying murderer.

And if I wasn't told to pay you

and keep me mouth shut,

I'd have the law on you immediately.

Now get out!

Don't you tell me what to do.

You're scum like me,

and I don't take orders from scum.

Now, I'll be back with this one's friend,

so you just have your money ready

and your mouth shut.

There is right and wrong, gentlemen...

...just as there is right and left.

Mine is the right direction.

The fact that the majority would

consider it to be the wrong direction

only substantiates my opinion

that I am right.

Stay out.

I see, sir, that in order to keep you out,

I should have said to come in.

- They brought another body, sir.

- I didn't expect they'd bring a soul.

This one's fresh, sir, too fresh.

They're corpse diviners, Tom.

Some have green fingers for gardening,

so they have black fingers for death.

Do you expect the dead

to walk here, Tom?

They need assistance.

Fallon and Broom

provide that assistance.

Jennie.

My God! Tom!

Tom! Tom!

- Sir?

- Who brought her in?

- Fallon.

- Where is he now?

- He said he'd come back with another one.

- Oh, God. Jennie!

Open up, for God's sake!

Where's Jennie? Jennie!

Ask Alice.

They're always together.

Where's Jennie? Where is she?

Get out of here!

What do you think you're doing?

- Where's Jennie?

- I don't know where she is.

She was in the Black Boar,

drinking with Fallon and Broom last night.

Alice?

Alice?

Alice.

Where you going?

- Where's Alice?

- She went for a walk.

Ah, she wouldn't go without me.

Where is she?

Ah, you can never

trust your friends, Jennie.

You've made closest brothers,

you look around, they've gone, huh?

You never know when

they're gonna turn on ya, eh?

No, no.

I've gotta go, Fallon.

I've got me living to earn!

Don't you like my company now?

Hey, look, look, look.

Look. I'll give you money enough

to keep you off the streets

for a month, eh?

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Dylan Thomas

Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion"; the 'play for voices' Under Milk Wood; and stories and radio broadcasts such as A Child's Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his premature death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".Thomas was born in Swansea, Wales, in 1914. An undistinguished pupil, he left school at 16 and became a journalist for a short time. Many of his works appeared in print while he was still a teenager; however, it was the publication in 1934 of "Light breaks where no sun shines" that caught the attention of the literary world. While living in London, Thomas met Caitlin Macnamara, whom he married in 1937. Their relationship was defined by alcoholism and was mutually destructive. In the early part of their marriage, Thomas and his family lived hand-to-mouth; they settled in the Welsh fishing village of Laugharne. Thomas came to be appreciated as a popular poet during his lifetime, though he found earning a living as a writer difficult. He began augmenting his income with reading tours and radio broadcasts. His radio recordings for the BBC during the late 1940s brought him to the public's attention, and he was frequently used by the BBC as a populist voice of the literary scene. Thomas first travelled to the United States in the 1950s. His readings there brought him a degree of fame, while his erratic behaviour and drinking worsened. His time in America cemented his legend, however, and he went on to record to vinyl such works as A Child's Christmas in Wales. During his fourth trip to New York in 1953, Thomas became gravely ill and fell into a coma, from which he never recovered. He died on 9 November 1953. His body was returned to Wales, where he was interred at the village churchyard in Laugharne on 25 November 1953. Although Thomas wrote exclusively in the English language, he has been acknowledged as one of the most important Welsh poets of the 20th century. He is noted for his original, rhythmic and ingenious use of words and imagery. His position as one of the great modern poets has been much discussed, and he remains popular with the public. more…

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