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The Doors Page #26
- R
- Year:
- 1991
- 140 min
- 1,502 Views
Chaos, confusion now erupt in the crowd! The BOYFRIEND is
running at JIM as the BODYGUARDS throw him back into the
crowd. Jim flicking his shirt over his crotch, back and forth
like a drunken matador. The Doors look at each other, don't
know what's going to happen.
JIM:
Didja see it! You wanna see it
AGAIN???
The crowd roars its approval. Confusion reigns. Drunken
CATCALLS. Things, bras, cans thrown at the stage.
VOICES:
(ad lib)
Take it off! Take it all off!
JIM:
What if I pull it out fer ya!! And
SHAKE IT AROUND!!! Will that do it
for you! Would ya, would ya, would
ya!! Now watch -- I'm gonna show it
to ya!
He feigns opening his belt and exposing himself, flipping
his shirt back and forth over the crotch in a mock striptease.
JIM:
There it was! Ya see it? Ya see it?...
Ya wanna see it again?
A flock of TEENAGE GIRLS are sure they've seen it, hysterical.
TEENAGE GIRL:
I saw it!... Yes, yes! Jim! Jim!
TEENAGE GIRL 2
Where? I didn't see it.
JIM:
(roaring out his
commands)
COME ON UP HERE AND LOVE MY ASS! I
WANNA SEE SOME ACTION OUT THERE! I
WANNA SEE SOME ACTION OUT THERE! I
WANNA SEE SOME ACTION OUT THERE! I
WANNA SEE SOME ACTION OUT THERE! I
WANT YOU TO LOVE MY ASS! I WANT SOME
LOVE... LOVE... LOVE... LOVE C'MON,
C'MON... NO LIMITS, NO LAWS YOU WANNA
F***? COME ON! COME ON UP HERE!!!!!
He looks like he's really gonna tear it all off now. A flash
of boxer shorts. RAY moving. SIDDONS moving. DOG getting to
him first, wrapping him in a bearhug from behind, lifting
VINCE THE ROADIE
RAY:
HEY JIM.
JIM:
C'MON! C'MON! NO LIMITS, NO LAWS! NO
LIMITS, NO LAWS! NO LIMITS, NO LAWS!
The place is in PANDEMONIUM now. GIRLS jumping on stage and
dancing with Jim still in Vince the Roadie's bearhug. Another
RIOT... COPS fighting the TEENAGERS off the stage, now
wobbling under the weight.
PROMOTER:
(pissed, head bandaged)
GET OFF THE F***ING STAGE! GET OFF
THE F***ING STAGE!!
(stiffarms Jim off
the stage)
RAY starts playing BREAK ON THROUGH trying to keep things
normal.
JIM now out there in the arena in a CONGA LINE, doing his
rain dance, hands on hips, the TEENAGERS forming a long snake
behind him.
The huge speaker columns teeter and fall. A corner of the
STAGE now COLLAPSES from the weight, PEOPLE spilling on the
floor, screams. The power console tips over next to DENSMORE.
He bails. Manzarek and Krieger follow.
The PROMOTER is yelling at SIDDONS about his insurance
contract as the COPS and FBI AGENTS close in, looking for
Jim.
COPS:
Where's the guy with the penis!
Who is out there leading his naked drunken FLOCK, hundreds
of them in a phallic Pied Piper dance thru the darkened
seaplane hanger. From BREAK ON THROUGH PART TWO:
JIM ET AL & DOORS
You know the day destroys the night
Night divides the day
Try to run, try to hide
BREAK ON THROUGH TO THE OTHER SIDE
BREAK ON THROUGH TO THE OTHER SIDE
BREAK ON THROUGH TO THE OTHER SIDE
Dead cats! Dead rats! Did you see
what they were at Dead cat in a top
hat! Sucking on a young man's blood
Fat cat in a top hat
Thinks he's an aristocrat
Thinks he can kill and slaughter
Thinks he can shoot my daughter
Dead cats! Dead rats! Think you're
an aristocrat Crap, that's crap
Ray watching from the corner of the stage, littered with
bras, bottles, shirts, shoes, socks, panties, hats, broken
equipment, debris -- the end of the dream. The Doors as a
live band are dead.
DISSOLVING TO:
INT. MIAMI COURTROOM - DAY (1970)
The "Charges" are being read by the JUDGE, distant, not of
this world. The court is lit in southern gothic daylight,
ghostly chiaroscuro, all colors bled. Camera moving along
the sweaty white faces of the six older JURORS, all of them
straight "silent majority"... past the PROSECUTOR, his shadow
cutting the jury box... onto JIM bearded, smoking 2 packs a
day, a deep racking cough, sitting with his elder ATTORNEY...
RAY, ROBBIE, JOHN, PAMELA, OTHERS in support are there in
background. The trial is going down like a morphine dream,
Jim featured in diopter close-up.
JUDGE VOICE:
...you are charged under four counts
with lewd behavior, simulated
masturbation, public drunkenness,
profanity, and public exposure.
A blues riff goes by -- brief, ghostly from RUNNING BLUE.
JIM SONG:
Poor Otis dead and gone
Left me here to sing his song
Pretty little girl with the red dress on
Poor Otis dead and gone
JIM (V.O.)
I can't believe this is happening
I can't believe all these people are
sniffing each other & backing away,
teeth grinning, hair raised, growling,
here in the slaughtered wind
This is it
No more fun the death of all joy has
come
The PRESS SECTION is full as Jim's older LAWYER argues in
front of the JURY, a distant voice.
LAWYER:
Your Honor, I would like to bring to
the Court's attention the contemporary
Broadway musical "Hair" in which
cast members disrobe and appear naked
on the stage.
JUDGE:
(pounds his gavel)
Inadmissable evidence.
JIM VOICE OVER:
I had a vision of America
Seen from the air 28,000 ft. & going
fast
A one-armed man in a Texas parking
labyrinth
A burnt tree like a giant primeval
bird in an empty lot in Fresno
SUPERIMPOSITION:
LAWYER:
Your Honor... any difference from
the Miami nightclubs where comedians
frequently incorporate profanity
into their acts
JUDGE:
(gavel)
Inadmissable evidence.
JIM VOICE OVER:
Miles & miles of hotel corridors &
elevators, filled with citizens
Motel
Money
Murder, Madness
Change the mood from glad to sadness
Play the ghost song baby
The backbeat of WHEN THE MUSIC'S OVER starts, into its
spiralling descent.
SUPERIMPOSITION:
LAWYER:
(distant)
...there has not been one shred of
evidence:
300 photographs and notone shows a thing; not reliable
testimony, nothing but hysterical
heresay
The PRESS is bored, their numbers reduced. The spectators
have changed from kids to OLDER PEOPLE intent on preserving
their way of life. A TAPE is playing of Jim's devil voice at
the concert, cursing: "Come on up here. No limits! No laws",
etc... (screams, obscenity)
JIM & DOORS
(SONG)
When the music's over (3)
Turn out the lights (3)
For the music is your special friend
Dance on fire as it intends
Music is your only friend
Until the end (2)
SUPERIMPOSITION TO:
LAWYER:
...this is a major First Amendment
violation by the Police and
Politicians of Miami. Every witness
they've brought has admitted under
oath to not actually seeing the
client's genitals -- except one who...
The PRESS section is now down to about THREE bored FACES,
one of them PATRICIA KENNEALY who looks pregnant.
JIM smiles at her.
JIM & DOORS
Cancel my subscription to the Resurrection
Send my credentials to the house of detention
I got some friends inside
EXT. ORANGE BOWL - MIAMI - DOCUMENTARY FOOTAGE (DAY)
ANITA BRYANT & JACKIE GLEASON at the NATIONAL DECENCY RALLY.
A large CROWD in the vicinity of 100,000. NIXON addressing
them.
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"The Doors" Scripts.com. STANDS4 LLC, 2025. Web. 22 Feb. 2025. <https://www.scripts.com/script/the_doors_978>.
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