The Edge of the World Page #3

Synopsis: A trio wanders the cliffs of an Outer Hebridean island and encounters a gravestone at the edge of a precipice; it reads, "Peter Manson ... gone over." One man in the trio knows the story of the gravestone and tells it to the others... It is ten years earlier, and the way of life on the island is dying; steam trawlers from the mainland threaten its survival as a fishing port. Peter Manson, one of the community's leaders, resists evacuating to the mainland, though his son Robbie is about to leave the island himself. Meanwhile, Robbie's twin sister plans to marry his best friend, Andrew Gray. Andrew and Robbie argue over evacuation and decide to settle the matter by racing to the top of a cliff. Ruth is terrified: she may lose them both. The race ends in tragedy, which tears apart the families of Manson and Gray. Times passes and Ruth reveals she is pregnant with an illegitimate child. This promises to bring the two families back together, but not before desperation hits the islanders. Ev
Director(s): Michael Powell
Production: British Film Institute
  1 win & 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
100%
PASSED
Year:
1937
74 min
121 Views


your twin brother and my best friend?

We were to be married today, Ruth.

- (Sobs)

- Maybe you've forgotten that.

Oh, Ruth, I'm sorry.

(Sound of boat approaching)

- James.

- Aye?

You'll be speaking to him?

Mm?

About Peter and Andrew Gray?

Aye, I will that.

- Is the laird there?

- I canna see him.

That's him.

Aye. And he was only 24, poor laddie.

Very hard on Peter to lose them both.

Aye. And he's not the sort of man

to share his troubles with people.

166 yards of wheat.

Correct.

600 pounds of wool.

The boy and the girl

both feel it very deeply.

It's always worse

for those that are left.

Aye.

Well, with the exception

of the jerseys, that'll be all.

I'll away in and finish my reports.

It's three months are gone and nobody

can do anything with the man.

I'm thinking that for as long

as he sees me every day,

he can't help hating me

for what I've done.

There's no reasoning with him.

I'm best out of the way.

But she'll only do as he wishes.

It's natural enough.

She's all he's got left.

I'll see what I can do.

You won't move him.

I've been talking to your son, James.

He's anxious to go with me

to the mainland.

But that's just...

Oh, aye.

Thought the lad had that on his mind.

He'll be a sad loss to the island.

I've always helped you

in every way I can.

You have that, Mr Dunbar.

But if all your young people leave,

you'll find it hard to carry on.

It'll be a thousand pities

if Andrew goes.

He's worth two of any ordinary men.

I make the total

the same as yourself, James.

Oh.

Excuse me, Mr Dunbar,

I have the sheep to see to.

James...?

Aye, it's all right, it's all there.

Here, mind that box, they're eggs.

Take care of yourself, son.

Goodbye, Laird.

Not much heft in them yet, John.

It's the salt spray that blows over

early in the year.

It'll be a poor harvest.

It will.

And the peat's giving out.

I'm back to my old workings now.

And we canna do without the peat.

Nah. The plain fact is,

Robbie was right, poor boy.

We'll win through this winter

but never another.

Peter'll just have to face the facts.

You know, James, someone'll

just have to speak to Peter.

Mm-hm.

Have you any idea where he is?

He'll be away after the sheep

on the cliffs.

Is this true?

Yes.

Andrew Gray's child?

Yes. And you can't take that from me.

Poor lassie.

Poor wee lassie.

(Dream Angus)

Can ye no hush your weepin', oh?

A' the wee lambs are sleepin', oh

Birdies are nestlin',

nestlin' thegether

Dream Angus is hirplin'

o'er the heather

Dreams to sell, fine dreams to sell

Angus is here wi' dreams to sell

Hush ye, my baby,

and sleep without fear

Dream Angus has

brought you a dream, my dear

List' to the curlew cryin', oh

Fainter the echoes dyin', oh

Even the birds

and beasties are sleepin'

But my bonny bairn

is weepin', weepin'

Dreams to sell, fine dreams to sell

Angus is here wi' dreams to sell

(Reel)

(Whooping)

He'll be here with the summer,

my dear.

Aye, we'll soon be able to send

the letters out now.

If only I could tell him now.

- Looks empty in the evenings.

- Yes.

- Looking for work?

- I might be.

- I need a hand.

- You do?

Aye. Two pound a week and share.

- Where's your boat, Skipper?

- Over yonder by Victoria Pier.

Well, do you want the job?

Not on a damn trawler!

- Oh, particular, are you, lad?

- Whom I work for.

Oh, well, then I'll no keep you.

One of them'll be picked up.

Aye, if they're not blown

too far south.

Nah. This wind'll take them

right among the fishing fleet.

Harbour Master, have you seen

Skipper McFee anywhere?

McFee? Oh, aye.

That's his boat o'er yonder.

Hello!

Have ye a full crew?

(Horns)

I'm looking for you, lad.

- Andrew Gray, isn't it?

- Yes.

- From Hirta?

- Yes.

Robbie Manson was my engineer.

- Robbie?!

- Aye, a good boy.

He was.

I'm glad to meet one of his folks,

so to speak.

I'm glad I met you, Skipper.

- I've a letter for you.

- You have?

Aye. One of these little mail boats.

I picked him up last Wednesday

off Sunborough Head.

- Where is it?

- Back at the "damn trawler".

(Both chuckle)

- From a lassie?

- Yeah.

- She'll be looking for ye.

- Aye.

It's too far to swim, lad.

We're leaving tonight.

Do you still feel particular?

Cos there's no reason why

we shouldna shoot trawl off Hirta.

(Waves crash)

(Wind whistles)

(Seagulls caw)

She canna breathe.

Would it be the croup?

We don't know.

If only we'd got a bigger boat,

we could get to the mainland.

(Softly) Aye.

This gale may blow for a week.

- Can you make out her name?

- No, I canna see it.

You must be brave, Ruth.

It's diphtheria.

Then there's only one chance.

I haven't the skill

to do an operation.

If only we'd got the wireless,

we could send for help.

Is there no hope at all?

None if we can't get her to a doctor.

Away up and get Ruth and the wean.

Right.

Andrew!

(Horn)

This way, Doctor.

Here's your bag, Doctor. Up there.

Skipper...

Fetch a kettle of boiling water!

- A kettle of boiling water.

- A kettle of boiling water, quick.

- I have it here.

- That's great, man.

Well?

Operate.

I've got you both safe now,

and you're not going back.

They'll all be on by noon.

Aye.

What are we going to do

about the cats?

I'm afraid

we'll just have to leave them.

I suppose they'll manage

to make a living in the cliffs.

It's the poor dogs I'm worried about.

They're no good as sheepdogs.

Who's to pay for taking them?

Aye, and then there's the licences.

They'd better be drowned.

Maybe when we get to the mainland

somebody might buy them.

Are you willing to risk that

out of your own pocket? For I'm not.

James, man, I'm away up the Kame.

One of they daft collectors offered

me five pounds for a guillemot's egg.

I know just where it is.

Come on, come on! Here!

Here, James Andrew!

Here, man.

Tie up this dog.

Tell them to drown him

with the others.

(Yelps)

(Bleating)

(Horn)

(Barks)

(Barks)

(Dog barks)

Oh, Peter!

Peter!

(Dog barks)

Oh, Peter!

(Dog barks)

Come here, lad!

- Peter!

- (Echoes) Peter!

- Peter Manson!

- (Echoes) Peter Manson!

(Chasing The Breeze)

Sing in hope,

let's find the breeze

Ho-ro, chasing the breeze

Ho-ro, chasing the breeze

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Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English film director, celebrated for his partnership with Emeric Pressburger. Through their production company "The Archers", they together wrote, produced and directed a series of classic British films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951). His later controversial 1960 film Peeping Tom, while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged.Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. more…

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Submitted on August 05, 2018

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