The Eichmann Show Page #6
- Year:
- 2015
- 90 min
- 450 Views
- It is us who'd be letting you down.
Mr Hausner showing the witness
a suit of striped clothes.
Is that what you used to
wear, wear at Auschwitz?
Yes. This is the garb of those
who lived on this planet called Auschwitz.
If I am able to stand here
in this court before you as we tell -
we tell the tale of this planet.
If I, fall-out of that planet,
am able to be here at this time then -
Is he ok?
- He's a poet.
I believe with perfect faith that this is
due to the oath I have sworn to them there
the oath I have sworn to them.
They gave me this strength.
They gave me the strength.
What's Eichmann doing?
Could I ask Mr Dinur a few questions,
with your consent?
Go close on Eichmann.
Please listen to Mr Hausner and hear...
- Did we get that?
- No, we were on Eichmann.
President of Court, I'll have to stop
this session unless the witness recovers.
Mr Hausner, I do not expect this of course
to happen and I think we cannot continue...
Did you get it?
We got almost everything,
but I think we missed the collapse.
You missed the collapse? Jesus, Leo.
We might have got a couple
of seconds of it, but
it's impossible to anticipate
something like that.
- I'd have put money on it.
- F*** you, Alan. Get the f*** out.
Hey.
Gentlemen, would you
give us five minutes please?
Thank you.
Shut the door, Millek.
That was a stand-out moment, Leo.
Like someone crying out in the auditorium.
- Talking points, human drama.
- That's a real damaged life in there
- not a f***ing TV show.
- And a f***ing TV show. And. And.
I'm sorry if that doesn't sit
with your artistic sensibility
but while we're here on Israel's
dime that's exactly what it is.
Christ, you're supposed to
be filming the trial as a whole.
- But you're obsessed with Eichmann.
- I can't understand why you're not.
Don't patronise me.
Your job, your f***ing job
is to film what happens in that courtroom
not to conduct a personal
investigation into the nature of evil.
- Why can't it be both?
- Because one gets in the way of the other.
And that's not going to happen,
not on my production.
- Well, I beg to differ.
- I don't give a f*** what you beg.
I'm paying your wages, Mr Hurwitz.
Differ in your own time.
In Paris they were all deported
in the second half of August
and the beginning of September,
in the space of about two weeks
in convoys consisting of
one thousand children
and five hundred adults
taken from Drancy.
I saw them. They arrived in four
transports of one thousand children.
This live cargo would
be taken off the
trucks rapidly to make
room for other buses.
This was done swiftly and the
unhappy children, mixed up and scared
came down in groups quietly.
There were small children
of two, three or
four years of age who did
not know their names
and it was impossible to identify them.
We found girls carrying
disks with boys' names
and boys with girls' names on their disks.
Let me just ask you this, Mr Wellers.
In 1944 when you came to Auschwitz
did you then see any one
of these children alive?
No, I did not. There were four
transports arriving every few days
one thousand people in each
transport, one thousand children
two hundred adults on each
transport, and in all four transports
four thousand children.
There were many who died,
some en route...
I estimate the number of suicides
at about one hundred.
Want me to switch away?
Stay on Eichmann.
- Leo.
- Stay on him.
Alan, switch to the witness.
Come on, do something.
Leo.
- Leo, there's some people to see you.
- I'm not expecting anyone. Tell them I'm busy.
- Well, they want to see you.
- Just tell them I'm busy.
- They said you'd say that.
- Leo, would you just go? I got this.
We wanted to surprise you.
- Right. Right. How was your journey?
- Good.
- Did you enjoy flying?
- Sure.
- What?
- You look old.
I am old.
We were working there with those
'Rollenwagen' which we were driving.
- You entered the crematorium?
- Yes, I entered the crematorium.
We had to go there in order to
take the wood which was...
- To the witness. Take one.
- ...to be used for burning.
- We had to take...
Some of the wood to the camps from the
crematorium, when there was still time
and when it was very cold.
The kapo of the Sonderkommando
took pity on us and said
'Children, it's very cold
outside, perhaps you
can warm yourselves
in the gas chambers.'
The gas chambers were not operating then.
And you would go into
the crematorium to warm yourselves?
- So sometimes...
- Tommy?
- We would go to the...
- I'm fine.
Crematorium, or even to the
gas chambers where it was much warmer...
Is this all true?
Sometimes it would happen that
when we arrived at the crematorium...
He was the same age as you.
They said, 'You can't possibly go in
because there are people inside. '
And Eichmann just sits.
And Eichmann just sits.
Camera two, stand by.
Did you use ashes of human beings to
spread it on the roads?
- Yes.
- What for?
So that people could walk
on the road and not slide.
- So they do not slip in the camp?
- Yes, in the camp.
What I want is that single
spotlight directly on Eichmann
as he's watching the camp footage.
The rest of the auditorium
is completely dark.
That allows the audience
to observe Eichmann
- as he reacts to what he's watching.
- The audience or you?
Leo -
Bringing him face to face with
the visual consequences of his actions
- will finally make him crack, it has to.
- Leo.
Eichmann attended mass shootings
for the SS elite to show
that you could stomach
the most brutal bloodshed.
It was a badge of
ideological superiority.
How likely is it he's
going to show weakness now
- before his Jewish captors?
- Sitting alone in that chair
watching the worst atrocities
known to mankind
it'll be impossible for him
to deny his participation.
- Leo? Leo!
- What?
I'm taking Tommy to Greece.
- Why?
- I don't want him here.
- Don't you think he should see this?
- I don't want him watching this 8 hours a day
day in, day out
for God knows how much longer.
Which is what he will do,
because that's what you're doing.
You think I'll get him?
- Look after him, won't you?
- Uh-huh.
I want to be honest with you, Leo.
I'm under instruction from Milton
to not talk about Eichmann on this trip.
- It's to give you a rest from the trial.
- Yeah, I understand.
- To give you a rest from Eichmann.
- I understand.
- What are you thinking?
- About Eichmann.
- Where do these people come from?
- Wherever they want to.
The Bedouin do not perceive
borders or governments.
They side with no one, threaten no one.
And they're left alone to roam freely.
Where do I sign up?
When you watch him, Millek,
what do you think of him?
A dog refusing to betray his master.
Till people see him react the way they do
to this testimony
they'll not fully understand that men,
not monsters, create fascists.
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"The Eichmann Show" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_eichmann_show_20134>.
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