The Elephant Man Page #10
- PG
- Year:
- 1980
- 124 min
- 2,432 Views
MOTHERSHEAD:
Do get on with it, Nora.
Mothershead walks on, as Nora now very flustered, picks up a
tray.
ISOLATION WARD:
CU of a bottle of dark fluid and a bottle of light fluid.
Treves mixes the two in a glass. We are in a small oddly
shaped room off the attic ward.
There is one tiny barred window located high up on the far
wall. There is also a bed, two hard chairs and a table. The
E.M. is sitting on the bed in shadow and his disguise is now
hanging from a peg on the wall beside him. He is still
wheezing and appears to be very weak. Treves serves the
mixture to the E.M., who sputters and gags on it, but manages
to get it down. Treves goes to the table and puts the two
bottles in his bag. He goes to the door and turns to the
E.M.
TREVES:
I don't know if you will understand
this, but you will never go back to
that man again. You're safe now. No
one will ever harm you. Do you
understand?
The two men just look at each other.
KITCHEN - LONDON HOSPITAL
Treves enters the kitchen and nicks up a bowl. A NURSE ladles
some porridge for him.
NURSE:
Breakfasting with the patients this
morning, Mr. Treves?
TREVES:
It's for a patient.
Treves exits and the nurses admiringly watch him go.
FIRST FLOOR LANDING AND HALLWAY
Treves climbs the stairs onto the landing. Down the hall,
Mr. Carr Gomm is walking toward his office. Treves tries not
to be seen, but to no avail.
CARR:
Mr. Treves, come over here a moment,
won't you?
Treves hesitates, trying to hide the bowl, but gives up and
goes down the hall to meet Carr Gomm.
CARR:
Good morning, Treves.
TREVES:
Good morning, sir.
CARR:
(seeing the bowl)
You've acquired a taste for this?
TREVES:
It's quite nutritious, sir.
CARR:
Don't be mad. This muck can kill
you.
Carr Gomm calls a Nurse from a nearby ward over. It is Nora.
He takes the bowl from Treves and hands it to her.
CARR:
Take this up, to to the man in the
isolation ward when you have a moment,
won't you?
NORA:
(apprehensively)
Yes, sir.
TREVES:
Don't be frightened. He won't hurt
you.
CARR:
Indeed!
He gestures toward his office door. As he and Treves enter
the office, Nora looks apprehensively up the isolation ward
stairs.
MR. CARR GOMM'S OFFICE
It is a small, elegantly furnished room with a large window.
The two men sit, Carr Gomm behind his desk and Treves in a
leather chair.
CARR:
A hospital is no place for secrecy,
Mr. Treves. Doctors spiriting hooded
figures about are liable to cause
comment. Why wasn't this patient
properly admitted, and why is he in
isolation? Is he contagious?
TREVES:
No sir, he's got bronchitis and he's
been badly beaten.
CARR:
Why isn't he in the General Ward,
then?
TREVES:
Well sir, he's quite seriously
deformed, and I fear the other
patients would find him... rather
shocking.
CARR:
Deformed? Is that it. Then am I to
assume that he is ultimately
incurable?
TREVES:
Yes sir.
CARR:
What are your plans then, Treves...
You are aware that the London does
not accept incurables. The rules are
quite clear on that point.
TREVES:
Yes, I'm well aware of that. But
this case is quite exceptional.
CARR:
Oh, is he a friend of yours?
TREVES:
No, more of an acquaintance.
ISOLATION WARD (A) AND STAIRWAY (B) CARR GOMM'S OFFICE (C)
(A) The E.M. is asleep in his sleeping posture on the bed.
(B) Nora, with the bowl, is climbing the stairs to the attic
ward. She pauses in sight of the door and looks apprehensively
at it. She begins to hum to give herself courage, and
continues up the stairs.
(A) The E.M. awakens, hears the footsteps, and now the
humming, which grows in volume. He becomes fearful and reaches
for his cloak. The humming stops. He freezes and listens.
(C) Treves and Carr Gomm seated as before.
CARR:
I certainly sympathize with your
problem, Treves... Why don't you try
the British Home, or the Royal
Hospital for perhaps they would have
a place for him.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Elephant Man" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_elephant_man_302>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In