The End of Violence
- R
- Year:
- 1997
- 122 min
- 156 Views
Define "violence".
- What?
- Okay, everyone,
I need you to step back.
Step back. Violence. Define it.
I don't know.
Violence?
You're making a movie about it.
Shouldn't you know what it is?
Maybe we should
just get ready.
I'm ready.
All right, silence.
We're going in 20,
here we go.
Try and define it.
Fifteen,
okay, bring it in now.
In my line of work,
if you don't know what
something really is... ten, nine,
instead of what it looks like,
eight, seven,
you don't mess with it,
six, five,
or you could get yourself
killed. Four, three,
hold your places, everyone.
That's good. Two, one.
And cut!
Way to go!
Beautiful. I think we've got it. No, no.
We got a problem down here.
Oh, boy.
Get the paramedics down here
immediately. You're okay.
We have an accident.
Hold on.
Something about that day
reminded me of when I was a kid.
We lived by the sea.
A tiny town.
Lots of fishing boats.
One movie theater.
My brother fished.
I watched movies.
They got me wondering what
we'd do if we were ever attacked.
We suddenly seemed so vulnerable to
killer sharks, nuclear submarines,
an alien invasion.
The enemy
could come from anywhere.
The land, the water, the sky,
the chinese.
Couldn't trust
any of 'em anymore.
Yeah, Brian. Mike, I've
There's absolutely
nothing you can do.
You're telling me you
couldn't find one loophole?
- I went over it all night.
- Who wrote that contract, Brian?
Look, I can
call Tokyo for you.
No.
Okay.
Guess I've been kinda edgy
ever since.
Looking over my shoulder.
Always ready
for that sudden attack.
- Claire, go ahead.
- Welcome back. How was your flight?
Oshima called from Tokyo. She said the
three million won't be in the account...
till Friday noon,
our time.
The studio said they are only
releasing the video in June.
You can sue them.
Brian doesn't think you'll win.
Yeah, I know he doesn't.
Listen, I don't want you to take
any more of Briars f***ing calls!
Tell them I gotta talk to
them myself. It's urgent.
Seeds of violence
but there was an accident
with one of the stunts.
- Cat, the stuntwoman for daisy, got hurt
in the explosion. - How is she?
She cut her face and got
banged up, but she's fine.
Did we get the shot?
Yeah, it looks great.
- Great.
- On the other picture there was a problem.
- The company was actually evacuated.
- Uh, Claire?
- Yeah?
- I gotta put you on hold.
Okay.
Yeah?
I'm leaving...
where are you going?
You.
What?
I'm leaving you.
Honey.
I can't get your attention
anymore.
I'm not sure I want it.
Where you gonna go?
Guatemala.
- What?
- I was thinking about Guatemala.
Guatemala? You have a
yearning for squalor?
Life.
I have a yearning for life.
Real life.
Christ, not again.
Paige, look, uh,
I'm coming upstairs.
I'm coming in a minute. I've
been waiting for this call.
Yeah?
I've got Hiyawa on the line.
All right. Put me through.
It's early morning there.
Look,
my highly overpaid lawyers are confident
we can win this on three counts.
How can this be possible? I have
to check with our New York lawyers.
Be my guest.
This will take time.
You have all day.
You'll hear from us.
I look forward to it.
Go ahead, Claire.
Six is here. He wants to know whether
you're gonna use his title track for violence.
Yo, Mike. What's up,
baby? How's that view?
Look, man,
you know my sh*t is phat.
It's hot, man. So you gonna be
using it or you gonna be losing it?
Go ahead and show me the Dailies
and you can put the song on over it.
Okay, one more thing. Someone dumped
a 400-page file into your e-mail.
with diagrams.
An FBI file in my e-mail?
Yeah, about some new
surveillance system.
That's it?
Nothing from the pope?
Ha ha.
Check it yourself.
Remember we did research on
high-tech crime for violence?
Anyway, here's the Dailies
and Six's demo track.
You never quite realize
the way things affect you.
When I was a kid movies scared
the sh*t out of me,
so then when I grew up,
I went into
the movie business.
Turned what you could call
a basic fear of strangers...
into a multimillion-dollar
enterprise.
After all, paranoia
is our number one export.
Everybody needs an enemy.
It's only now I've come to understand
that there are no enemies or strangers...
just a strange world.
Good morning, guys.
Don't you guys ever sleep?
Hey, Ray.
If you're so smart, why not try getting
a license? You could drive to work.
Oh, and good morning
to you too.
Truth is, I try to avoid modern
technology whenever I can.
Hey, you still want the tr-5
macros linked to your base matrix?
Do you have them rigged up yet?
What have you been doing all night?
Just teasing.
See ya.
Dispatch, this is 2-mary-19.
We have a visual on suspects.
10-4, 2-mary-19.
Dispatch, 2-mary-19. Suspects
are being questioned at location.
10-4, 2-mary-19.
Hey, we'll have another 25 X-rs
going by Friday,
all with the 10-to-500 zooms.
Mmm. Good.
- Trying to keep up with you, Ray.
- You're doing good down there.
- I'll check in with you later.
- We're here.
No, she did not
over-rotate.
Mm-hmm.
Mm-hmm.
The scene? Yeah.
I talked to the stunt
coordinator and the insurance guy.
They say the whole thing can
be attributed to our negligence.
She can definitely sue if
she wanted to. Oh, f***!
You might want to stop by the hospital
and talk to her before the meeting.
Oh.
Okay, where is she?
She's right in there.
Wow. Am I delirious, or is a famous
Hollywood producer coming to visit me?
You're delirious.
Ohh!
You're a pro.
And you're brave.
And you're beautiful.
What's the catch?
A sick sense of humor.
I don't know about that.
I...
- I don't have to answer this.
- Please.
Yeah?
Is this a good time, Mike?
No, I'm coming... in
a minute. Don't start.
- Go on. It's okay.
- Hang on.
Mm-hmm.
You're the stuff.
- Okay, yes?
- Hey.
I wasn't going
to sue you anyway.
Get out.
Hang on, Brian.
Claire, call Zoltan...
and have 'em screen-test Cat
for the part of the sister.
Cat? She's a stuntwoman, not an actress.
Schwarzenegger.
Everybody there? Brian?
Yeah.
You're fired.
What?
Why? Because I don't pay
lawyers to tell me I can't win.
Look, take some time,
wrap it up.
Do me a favor.
Plot your revenge on
your own time. Mike...
Let's go.
Mike. Honey, I'm glad I caught you.
I know we didn't get to talk.
I'm sorry.
I made some reservations...
Mike, I'm losing you.
Hey. Hey. Hey.
Hey! Hey!
Jesus!
What the f***... hey!
Hey!
Mike?
All right, this is good.
Right here.
Kill him.
Kill him.
You kill him.
Oh, man!
Just kill him.
Yeah?
You just kill him.
Lowell,
kill him... now.
Sh*t. Thanks
for mentioning my name.
It don't matter if I mention
your stupid, inbred name.
He's about to die.
Now shoot him!
You shoot him.
You don't want that Mercedes
anymore? Yeah, I want it.
Well, if we don't kill him,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The End of Violence" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_end_of_violence_20152>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In