The English Teacher Page #2
the purity of a love
that asks for no reward...
Oh! Hi!
- Oh, my goodness.
- Sorry to interrupt.
- No, no, no. Come on in.
- No, no, no...
Everyone's gonna be
so excited to meet you.
- No, no, no.
- Please, please. No.
Class, I have
a surprise for you.
This is Jason Sherwood.
He's a former student,
and a graduate of the Dramatic Writing
Program at NYU.
And I'm sure many of you remember
reading his wonderful story,
The Hidden Court.
Oh.
Sorry about that.
Um, I just came
to drop this off...
Oh, that's terrific.
Thank you so much.
- You're welcome to join us.
- Oh, no, I'm okay.
I'm just gonna go.
You guys should feel very lucky to have
Ms. Sinclair as a teacher.
I had many genius
writing teachers at NYU,
and she's up there
with the best.
Thank you.
- Bye.
- Goodbye.
Okay, I admit it.
I bribed him to say that.
All right, Noble Sacrifice.
- Dr. Sherwood!
- Yeah.
I saw your son today.
Uh, I'm Linda Sinclair.
- I was Jason's English teacher...
- Yeah, I know who you are.
Yeah, Jason's back home.
He told me all about New York.
It's very sad.
You know, I think he just reached a point
where he felt like he had to stop
and take stock of things.
It's very normal.
But it would be such a shame for him
to give up his writing.
Because he's
so very talented.
Yeah. But that's a very,
very tough racket, you know.
Not everyone's
cut out for it.
I'm excited
to read his play.
- He showed you his play?
- Yes.
I'm very excited
to read it.
- I hope you like it.
- Well, I'm sure I will.
Did you like it?
I can't exactly say
it was my thing.
- Nice to see you, Mrs...
- Miss.
Miss Sinclair.
Ms. Sinclair.
Right.
- Hello?
- I'm calling from the...
No, thank you. And please
take me off your list.
- This will only take a second.
- Thank you very much.
Ma'am?
Ma'am?
"Ms Sinclair, for what is worth,
here's 'The Crysalis.' Jason."
Jason? It's Linda Sinclair.
Did I wake you?
What? No.
No, no, no, no. Hi.
Hi.
How are you?
What's up?
Well, I read the play.
You did?
And it's fantastic!
You like it?
I loved it!
It's remarkable, I've been
crying for the last half hour.
You have?
Are you kidding,
with that ending, I mean,
how can you even think about
law school, you belong in New York.
That's so nice
of you to say.
No, no.
I'm not being nice.
I'm being honest.
And I can't bear the thought that
no one's gonna get to see this.
Yeah, me too. I mean, that's just
the way it is though.
You know, uh,
it's fine, you know...
I'll be a lawyer.
I just...
I have to let it go.
But what if there were
a way to get it produced.
Right now.
Would you be
interested in that?
I mean, honestly,
there isn't...
- Because... - Do you
remember Carl Kapinas?
Mr. Ka-penis,
the drama teacher?
Jason, please,
he's a friend.
Sorry. Kapinas.
Well, he's always
complaining about
having to direct the same show
year after year
and I wanna give him
The Chrysalis.
Yeah, well, I'm...
I'm not sure really how I feel
about that exactly.
Because if he flips for it,
like I know he will...
There's a very real chance that he
could mount a production of it.
- You mean at the high school?
- Mmm-hmm.
God damn it.
- With him directing?
- That's right.
He can come on a little strong,
but say what you will,
the man understands drama.
Linda,
are you in there?
Lin... Sorry.
- Linda?
- Carl.
I can't wait. I've just had the most
transcendent experience!
- Did you hear me?
- Yeah, I heard you. I heard you.
- Hurry!
- Okay.
Oh, Linda... Linda...
- Oh, you liked it?
- Liked it?
It's my story.
The boy wrote it for me.
I know! I felt
exactly the same way!
Naturally.
The tale is archetypal,
-and thus universal in its appeal.
- Mmm-hmm.
- Of course.
- Oh, but it's so extraordinary.
I feel I've been
transformed...
Wait... We should use
that for the posters.
"The Chrysalis will transform you."
Period. "Forever."
Exclamation point.
Linda, I'll do such
fantastic things with it.
I see it all
so clearly up here.
Ah, for the design,
I'm picturing a sort of
Neo-Edwardian-German-
Expressionist gestalt.
But colorful and fun.
an ideal lead. - Oh, yes.
And Sheila Nussbaum
as the Irish stepmother.
Oh! She excels at dialect.
I've harvested a bountiful and
talented crop of actors this year!
Do you really
think we can do it?
Oh, we can.
And we must.
Don't you see?
I've become
an artistic zombie,
walking lifelessly through
the same old productions
year after year
after year.
I'm supposed to direct
The Importance of Being Earnest
this semester
for the fifth time.
Try breathing life into
that antiquated sitcom.
And how can I,
after reading this play?
This is O'Neill meets Kafka
meets Spielberg
and then they all
walk into a bar.
It's fresh!
It's new! It's...
It's not gonna
happen, people.
And why is that, Phil?
Because this is not
a high school play, Carl!
What do you know about what is
and isn't a high school play?
I've done 38 productions.
Thirty-eight
over 19 years!
I believe
I'm the authority here.
- No one is questioning your
authority. - Oh, yeah.
- All Phil is saying...
- Phil would be happy
if we put on Our Town
twice a year.
Sue me, I like Our Town.
I think it's wholesome.
- Everybody likes it.
- I... Just for me...
I thought we were doing The Importance
of Being Earnest as the play.
Trudie, if I have to spend
another two months
making trays
of cucumber sandwiches,
I will curl into a fetal
position and die.
like that time you did Oklahoma
with those idiotic masks.
It was in the traditional
Japanese Noh style,
And Lydia Plotke at the Times Leader called
it "profoundly imaginative."
Yeah, well, I thought
it profoundly stank.
This from a man who thinks
American Buffalo
- is about an American buffalo.
- That's what it's called!
Well, in the words of
David Mamet, "F*** you!"
Hey, ya, pal!
Now time out!
Now just dial it down
a notch.
I'm sorry.
Accepted.
Now as for this play,
The Chrysalis.
You know, I am impressed by what
this alumnus has written,
but I have to wonder...
You know, is it appropriate for
a high school audience?
- Yes.
- Right.
- What will the parents think?
- Exactly.
Can we clear it
before the Board?
I'm sorry, what's the actual
issue here?
Hello?
Have you read the thing?
It's got language,
it's got violence...
Obviously we'd tone
all of that down.
That goes without saying.
Not to mention the cost,
with all these crazy special effects,
and, you know,
costumes.
Plus that girl who turns herself
into a bug-monster...
What is that?
This is not Broadway.
I'm painfully
aware of that.
We are dealing
with a limited budget.
But this is about
more than money.
This is about the kids.
to perform the work of a playwright
who used to be one of them.
You want to sell the Board?
You want to sell the parents?
Then sell them
on Jason Sherwood,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The English Teacher" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_english_teacher_7677>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In