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The Fabulous Baker Boys Page #15
- R
- Year:
- 1989
- 114 min
- 907 Views
INT. DINING ROOM
Dark and soundless. Balloons, streamers and the other
debris of revelry cover the tables and floor like snow.
Frank is sitting at the window, drinking as he stares at
the ocean. As Jack crosses the room, he looks up.
FRANK:
Ah, well, if it isn't the lad with the golden ear.
Happy New Year, little brother.
JACK:
What're you doing down here?
FRANK:
Celebrating. Join me?
JACK:
The party's over.
FRANK:
No, you're wrong. It's just beginning.
Come on, have a drink.
Show your big brother how it's done.
Frank pours him a glass. Jack notices the bottle.
JACK:
Expensive hangover.
FRANK:
A gift. Courtesy of our courteous
hotel manager, Mr. Daniels.
(toasting Jack)
We, dear brother, are a f***ing
smash.
(nodding)
Yup. They want us back. Easter. It seems they
have this egg hunt every year. Only not for kids.
Adults. They stuff these plastic eggs with
Timexes and little certificates for free Mai Tais
and everyone has a grand time crawling around on
the front lawn. Then afterwards, they have a
dance. An egg dance. Everyone comes dressed in
a different colored shell and at the end of the
evening they crack themselves open. It's our job
to separate the yolks from the whites.
Slippery business.
Frank smiles as he takes a swallow of his drink, then
leans his head back, staring at the ceiling.
FRANK:
(continuing)
You know, I've never kissed my wife on New Year's.
Not once in twelve years.
Jack studies Frank as he stares at the ceiling.
FRANK:
The Holmby has a chandelier like that doesn't it?
With the blue glass.
Jack looks up at the chandelier.
JACK:
The Royal.
FRANK:
Right. The Royal. When's the
last time we were there?
JACK:
Couple years.
FRANK:
February?
JACK:
April.
FRANK:
Right. It's incredible how you
do that. Remember things.
JACK:
A useless talent.
FRANK:
Drove me crazy when we were kids.
The way you never looked at the music.
Miss Simpson would just play it and ...
Frank snaps his fingers.
JACK:
They were simple songs.
FRANK:
Not for me. I still have to look at the music
sometimes, you know that? Otherwise, I forget.
I just forget. But you. You never forget.
Ever.
(turning)
So how come you couldn't remember Ma's birthday?
JACK:
I told you. It's a useless talent.
Frank studies Jack a moment, then stares out at the
ocean.
FRANK:
God, the old man would've loved
this view, wouldn't he?
JACK:
Yeah.
FRANK:
I always think of him on New Year's.
How he used to pour us each half a can of beer.
Remember?
JACK:
You always threw up.
FRANK:
Yeah, and you drank yours like it was orange juice.
He loved that about you.
JACK:
He was just having fun.
FRANK:
It was like you'd passed some test,
you know?
JACK:
It was just a can of beer, Frank.
FRANK:
Yeah, but he told you things. He never told me
anything. Even though I was the oldest.
It was always you two, running off, doing things
together.
JACK:
You could've come.
FRANK:
I could've. But he didn't want
me to.
JACK:
You're making things up, Frank.
FRANK:
Maybe so.
(pause)
You ever go back there? Where it
happened.
Jack stares at the angry SEA, LOUD even through the
thick glass.
JACK:
No.
EXT. HOTEL - DAY
The next morning. Jack is sitting outside the hotel,
watching HELEN and BUD WILSON pack up the Eldorado.
The streamers, by now turned to mush, cling like oatmeal
to the car's exterior. After a moment, Frank exits with
a little bag from the gift shop and pulls out a
tiny souvenir shot glass.
FRANK:
Want one?
Jack shakes his head.
FRANK:
(continuing)
Ah well, the kids'll break a
couple anyway.
Suddenly, across the parking lot, the voices of the
newlyweds are heard.
BUD:
Give me the keys.
HELEN:
You're not going to drive.
BUD:
Give me the keys!
HELEN:
You're not going to drive!
BUD:
It's my goddamn car!
HELEN:
It's our goddamn car!
BUD:
Give me the keys.
HELEN:
No.
Bud hesitates, then makes a rush for his wife, but
she's too quick and runs to the other side of the car.
Frustrated, he begins to run around the car like a
madman, trying to catch her. Finally, when he gets
close, she darts off, sprinting across the parking lot.
FRANK:
I think I'll warm up the car.
OVERVIEW - CITY
Cold, dark, dangerous, but somehow looking quite
appealing after a week in paradise.
INT. CAR - NIGHT
The trio, looking road-weary, is parked in front
of Jack's building. It is very late.
FRANK:
That takes care of this week. The tenth we
got the Sheraton, the sixteenth we're
at the Capri.
JACK:
The tenth's out.
FRANK:
What?
JACK:
I can't make the tenth.
FRANK:
What do you mean?
JACK:
I mean maybe you should check with us before you
go off and book us a month in advance.
FRANK:
Be reasonable, Jack.
JACK:
I play two hundred nights a year with you, Frank.
How much more reasonable you expect me to be?
Jack gets out of the car. Frank shakes his head in
exasperation, then looks to Susie.
FRANK:
How about you? Got a Bar Mitzvah
this weekend?
SUSIE:
(distracted)
Huh?
FRANK:
Forget it.
INT. JACK'S APARTMENT
Jack lets himself in and closes the door quietly.
In the darkness he can make out Nina and Eddie,
curled up on the couch, asleep. Above them,
hung carefully on a string, are some paper letters:
"WELCOME HOME."
INT. LOUNGE
In a lounge whols basic decor makes abundant use of
several historical eras but which might best be described
as Modern Pilgrim, Jack, Susie and Frank perform
"Feelings," while waiters in huge Paul Revere hats pass
in and out of view.
SUSIE:
Feelings ... Wo wo wo ... Feelings
... Wo wo wo ... Feelings ...
KITCHEN:
Jack, Frank and Susie exit the lounge to applause.
SUSIE:
I can't sing it anymore.
FRANK:
What?
SUSIE:
That song. I can't sing it anymore.
I'm gonna get sick.
FRANK:
What're you talking about? They
love it.
SUSIE:
I'm gonna throw up, Frank. I mean it.
Let's drop it for the ten o'clock, okay?
FRANK:
(as to a child)
Susie. It's one more show. One
more time. That's all.
SUSIE:
And two more times tomorrow night, and two more
times the next night, and the next night and the
next night and the next night. Frank, I can't
sing that f***ing song anymore!
She's yelling. The kitchen workers are glancing over.
Jack studies her as she tries to calm herself.
SUSIE:
(continuing)
I need some air.
EXT. HOTEL
A few minutes later. Jack comes out of the hotel and
sees Susie pacing.
He sits down and watches her for a moment.
JACK:
You're gonna wear down those
heels if you don't give it a rest.
She stops.
JACK:
(continuing)
Relax. We'll drop the song.
SUSIE:
Guess I got a little scattered.
JACK:
It's a shitty song.
Susie nods and looks up at the glittering hotel.
SUSIE:
How do you do it? Every night?
JACK:
Practice.
(pause)
There are worse songs, you know.
Not many, but a few.
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"The Fabulous Baker Boys" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/the_fabulous_baker_boys_440>.
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