The Fallen Idol Page #4

Synopsis: Philippe, a diplomat's son and good friend of Baines the butler, is confused by the complexities and evasions of adult life. He tries to keep secrets but ends up telling them. He lies to protect his friends, even though he knows he should tell the truth. He resolves not to listen to adults' stories any more when Baines is suspected of murdering his wife and no-one will listen to Philippe's vital information.
Director(s): Carol Reed
Production: Rialto
  Nominated for 2 Oscars. Another 7 wins & 5 nominations.
 
IMDB:
7.8
Metacritic:
88
Rotten Tomatoes:
100%
NOT RATED
Year:
1948
95 min
$57,745
371 Views


If you like.

This is our kitchenette.

Handy for getting a cup of tea.

It's from Mrs. Baines.

Her aunt's not well.

She won't be back for a day or two.

Do you think it's true?

True? Why, yes. Of course it's true.

She wouldn't say it if | it wasn't. Would she?

Does Mrs. Baines keep secrets?

We don't want to waste | good time cooking.

Got plenty of tins. | What we want's a good spread...

and every man his own drink.

How long does | a telegram take to get to a place?

Depends where it comes from.

I'm going to make a dart of this one.

Move along now, Phile. Move along.

- Do telegrams cost much? | - Oh, don't natter.

Couldn't we eat out here?

We could easily make a... | table out of some of the cases.

- Don't you think? | - Yes. Of course.

- It would be a picnic. | - Oh, must we have a picnic?

- Well, you'd like that, wouldn't you? | - Can I feed Macgregor first?

Of course you can, | while I'm taking out the things.

- Can I come too, Phillipe? | - Show her Macgregor.

Mmm. But won't you need me here?

Oh, I think I can manage.

Mrs. Baines doesn't like Macgregor.

- She doesn't, huh? | - She doesn't like you either.

What do you mean? Phile.

What do you mean she doesn't like me?

She doesn't like anybody really. | But Baines doesn't like her.

- How do you know? | - She won't give him his... freedom.

Did he ask her?

Oh, yes. I heard him. | But I didn't mean to listen.

No, no. I'm - I'm sure you didn't.

- When was this? | - Yesterday after Baines and I came back.

- What did he say, Phile? | - "I want my freedom. "Just like that.

And she went on. Natter, natter. | Always nattering.

Poor Baines. | He did want it so badly.

When she comes back | I'll ask her for my freedom too.

That was a good dart. | Why did you throw it away?

Oh, I can make lots more like that.

- What room is this? | - The guest room.

For very important people.

- Oh. It's very pretty. | - Macgregor lives here.

Supper.

- What's the matter? | - He's gone.

How could he have got out?

She must have killed him.

It's just a bit of bad luck you've got to take.

She never really liked him.

- She said he was vermin. | - Well, tomorrow we'll -

we'll put up a little stone | in the garden...

and we'll write his name on it.

"Macgregor, killed by Mrs. Baines. "

- And the date. | - No, no. No. Not that.

Something like...

"My Macgregor. | Very lovely he was in his life. "

And then the date.

No. We -We'll just have "Macgregor. "

That'll be plenty. | We'll remember.

How about a bite of supper? | Then we'll play a game.

Come on.

Well, sit down,Julie. | Let's - Let's have a drink to happier days.

Let me.

- Hey! | - Hey!

There he is. What is | it? I've caught a fish?

Is it a rabbit or a roly-poly pudding?

Where is he? Where is he? Where is he?

We'll catch him this time. | We'll catch him and kill him.

Puss, puss, puss, puss, | puss, puss, puss, puss.

Thunder and lightning! | Lightning and thunder!

Terrible storm in the jungle now.

I catch - I catch - I catch you.

Oh, what a run.

Where is he? Phile? Bedtime.

- Come along. | - Phillipe.

Think he went along here.

Come on. Come on. | Where are you?

- Phillipe. | - No?

I'm only going because -

because it's not possible to stay.

All day long I've wanted | to talk to you,Julie.

Now's my last chance. | Now we're alone, I just want -

I just want you around always.

- Baines. | - What is it?

- What's the matter? | - I saw -

What frightened you?

I'm - I thought I saw a ghost.

Aw.

The game's gone on too long. | Come on. Upstairs.

Where are they?

Where are they?

Don't lie to me.

I know they're here.

I have been here all the time.

That's not nice, Master Phillipe.

All I want to know is where they are.

I want -

I want to talk to them. | Help me. Help Mrs. Baines.

Master Phillipe, we -we've always | been friends, haven't we?

No.

We were friends, last night.

Do you remember that secret we had? | About them?

We didn't have a secret.

Oh, you know all about them.

You're not such a child | as you pretend to be.

You've got a nasty, wicked mind, | and it ought to be beaten out of you.

Phile? Phile? | Is that you?

Baines!

Look.!

Help.! Help.!

She's in there! | You've got that girl in there!

Now, wait a moment. Listen to me.

I don't want to hear any excuses.

I know all about it. Let me get at her. | I'll tell her a thing or two.!

We can say what | we've got to say to...

...each other downstairs. | Don't make a scene.

Get out of my way! | Don't you tell me what to do!

You're a fine one to dictate to me! | How dare you! Let me go!

I'll put you and her in the gutter | before I'm finished with you!

I'll give you something you'll remember | for the rest of your life!

Will you let me go!

Thought you had me safely out of the way, | didn't you? Hypocrite.!

And you.! You needn't go on | hiding in that room.! I recognized you.!

You needn't think you can come back here | on Monday to your safe littlejob.!

- I'll get you deported out of the country.! | - Quiet.!

For heaven's sake, | don't go on like this.!

If you've no thought of yourself or of me, | at least think of the boy.

Him? When I'm finished with her, | I'll give him what he deserves!

Be quiet!

He'll think twice | before he starts on his...

...sneaking ways, the lying, | beastly little brat!

- Stop, or I'll lose my temper!

Now, you go downstairs.

I'll join you, and we'll -

He pushed her.

Hello, sonny.

What are you up to?

Out a bit late, aren't you, sonny?

What's your name, sonny?

Come here.

Here.

Cold, sonny?

Come here. | Put this on.

How about | a nice, warm cup of tea?

Yes?

You would? Good.

Come on.

Yes?

Well, I'm going to have one anyway.

- Yes? | - And so I arrested her.

Well, Rose, what have you | got to say this time?

Nothing, | except it's not my turn yet.

Same address?

There we are.

- Now, round here. Come on. | - Come here.

Bring him here.

Who is he?

What's all this about?

I found him wandering about.

- Pickin' up kids now, are ya? | - Quiet, Rose.

Where do you live, sonny?

- He won't speak. | - Quite right.

Come on, sonny. | You come over here.

So, what have you been up to, eh? | Playing about, have you?

Come and sit over here. | There you are.

Now, then, what were you doing?

- Walking in your sleep, were you? | - That's all I was doing.

Remember where you live, sonny? Eh?

Come on. Try to think.

Come on, sonny. | There's nothing to be frightened of here.

Nothin' at all.

Shh. Shh.

We just want to help you, see.

You tell us where you live, | and we'll take you home.

Come on, sonny. | Tell us where you live.

See what you can do, Rose.

- Hello, deary. Where do you live? | - Rose, Rose.

- Not like that. | - Not like what?

- Well - | - Here! Not like what?

You know. Just find out where he lives | and tell him we'll take him there.

- Shall I take you home? | - Rose!

Can't you do it without - | without the smile?

Just ask him naturally.

Naturally?

Come along, deary.

Now, you would like to come home | with me now, deary, wouldn't you?

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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