The Family Man
KENNEDY AIRPORT, PAN AM TERMINAL - NIGHT
SUPER:
AUTUMN, 1987A line of PASSENGERS about to board a Pan Am flight to
London.
JACK CAMPBELL, 22, head full of long unkempt hair, Tom
Selleck mustache, the hopeful look of youth in his
eyes... sitting next to...
KATE REYNOLDS, 21, pretty, Dorothy Hamill haircut...
rubbing the tears from her swollen red eyes...
KATE:
I got you a few necessities...
Kate hands Jack a new copy of Vonnegut’s “Cat’s
Cradle.”
KATE (CONT’D)
Your copy was a mess...
Jack accepts the book but he’s unable to take his eyes
off Kate. She hands him a cassette.
KATE (CONT’D)
remind you of me in a slightly
different way...
JACK:
All in one tape?
KATE:
I also put side two of London
Calling on there...
Kate leans over and kisses him passionately on the
lips.
KATE (CONT’D)
That was not officially the
goodbye kiss. It was just an
interim kiss...
He looks at her, his eyes welling up. He pulls her
close, kissing her deeply. Then...
ANNOUNCER (O.S.)
This will be the final boarding
call for Pan Am flight 4 to
London, Heathrow.
Jack takes Kate’s hand, getting up, turning sadly to
the gate.
KATE:
You have your ticket?
Jack pulls out a BLUE PAN AM TICKET ENVELOPE. Kate
nods. They embrace and kiss again. As they separate.
JACK:
I’m not even gonna say it,
Kate. Maybe it’ll be like
I never left...
Jack takes one lastlook at her, then heads for the
gate.
Kate stands there, watching him go. Then...
...a moment of intuition. Something isn’t right. She
looks at Jack, about to disappear into the jetway,
trying to decide...
KATE:
Wait.
Jack turns. Kate approaches him.
KATE (CONT’D)
I have a bad feeling about
this.
JACK:
About the plane? What do you
think it’s gonna crash? Don’t
say that...
KATE:
(shaking her head)
I know we’ve talked about this a
thousand times and we both agree
right thing to do. But in my
heart... this feels wrong.
She looks at the gate...the last few passengers are boarding,
then back into Jack’s eyes.
KATE (CONT’D)
Don’t go, Jack...
JACK:
You mean don’t go at all?
What about my internship?
KATE:
Believe me I know what an
incredible opportunity this
is for you...
JACK:
For us, Kate.
KATE:
Right, for us. But...I’m
afraid that if you get on
that plane...
JACK:
What?
Kate looks at him, pleading with her eyes, but she can’t
say...
KATE:
(torn)
Go. I’m sorry, you should just
go...
JACK:
(thinking, then...)
No, you’re right. What are we
doing?
KATE:
We're being responsible. Go.
Get on the plane.
His eyes narrow as he measures her determination...
KATE (CONT'D)
(a smile)
Get the hell outta my sight.
You bother me.
A laugh from Jack. Kate gives him a calm smile and a
nod - it's not entirely convincing but it's enough for
Jack.
JACK:
(resolute)
Okay, I'm going...
He takes her in his arms one last time and hugs her
tight. Jack looks toward the gate, the line
disappearing...Kate grasps his shirt tightly.
KATE:
I can't seem to let go of
you...
JACK:
You hear me complaining about
that?
A sober look in Jack's eyes.
JACK (CONT'D)
Look, we're at the airport and
no one ever thinks clearly at
trust the decision we already
made. You've been accepted to
one of the best law schools in
the country, I've got this
internship at Barclay's Bank.
We have a great plan, honey...
Kate nods, then, with resolve...
KATE:
You want to do something
great, Jack? Let's flush the
plan...start our lives right
now, today...I don't know what
that life's gonna look like
but I do know it has both of
us in it. And I choose us...
Jack is jolted by her words.
KATE (CONT'D)
The plan doesn't make us
great, Jack. What we have
together, that's what makes us
great.
Her words sink in...A long moment of decision...He
looks toward the gate, only one person left in
line...back to Kate...imploring him with her eyes.
Finally...He kisses her deeply on the lips...
JACK:
I love you, Kate...
...a smile from Kate...relief...then...
JACK (CONT'D)
(taking her face in
his hands)
...and a year in London's not
gonna change that. A hundred
years couldn't change that...
Jack gives her one final kiss then walks pensively to
the gate, handing the attendant his ticket, not able to
look back.
Kate watches him go, tears streaming down her face, as
the gate door closes behind him. She waits, almost
willing it to open again...waiting...waiting...but it
doesn't...
DISSOLVE TO:
1AEXT. MANHATTAN - ESTABLISHING - DAY
The skating rink at Central Park...Christmas tree at
Rockefeller Center...the view down Fifth Avenue with
Christmas decorations...Park Avenue.
2EXT. MANHATTAN - EARLY MORNING
We close in on a spectacular pre-war doorman
building...
3INT. JACK'S APARTMENT - CONTINUOUS
A huge space with gleaming hardwood floors, ornate
moldings, and a great view of the Hudson and Jersey
behind it...
The place looks like a museum display...everything is
of the highest quality and meticulously maintained.
A wall of photos - Jack and Clinton, Jack with Patrick
Ewing, Jack between Alan Greenspan and Henry Kravis.
And a "Willie Mays" baseball bat encased in glass...
4INT. JACK'S BEDROOM - CONTINUOUS
...impeccably decorated and obsessively neat.
Close in on the bed where JACK CAMPBELL, now 35, sans
mustache and long hair, opens his eyes.
A FLASH of bright morning light from the window. Jack
shields his eyes, turning his head toward the bathroom
where he sees...
A WOMAN'S BACK...draped in a towel...an incredible
back, neither flabby nor overly toned, beautifully
curved...Jack focuses on it a moment. As the woman
turns to him...
PAULA. Beautiful, late 20s, a toothbrush in her
mouth...
PAULA:
(holding up toothbrush)
I hope you don't mind. There
were like ten new ones in the
cabinet.
JACK:
It's not what you think. I
took Mentadent public...
Paula smiles, moves over to a chair and grabs a little
black dress hanging neatly over it.
PAULA:
Did you really mean what you
said about Tuscany?
JACK:
Of course I did.
PAULA:
Last night was great...
JACK:
You are an amazing lover. You
should be giving motivational
seminars.
PAULA:
Thanks. You're not bad
yourself...
Jack grabs his Frank Mueller watch from the night
stand, puts it on his wrist. He looks at Paula as she
slips the dress on.
JACK:
I want to see you again.
PAULA:
I'd like that, too.
JACK:
Tonight.
She turns to him.
PAULA:
It's Christmas Eve, Jack.
JACK:
So we'll get egg nog.
Paula laughs.
PAULA:
(putting on her shoes)
I have to go to my parents'
house out in Jersey. Would
you like to come?
JACK:
Jersey? You know what the
traffic's gonna be like?
PAULA:
I'm taking the train...
Paula approaches Jack, leaning over him, her long hair
dangling on his chest.
PAULA (CONT'D)
Don't you have anywhere to go?
JACK:
go.
He stays there, confident, sexy, waiting for an
answer...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Family Man" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/the_family_man_340>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In