The First Legion Page #7

Genre: Drama
Director(s): Douglas Sirk
Production: United Artists
  1 nomination.
 
IMDB:
6.9
APPROVED
Year:
1951
86 min
65 Views


The Archbishop has granted our petition.

Permission will be named

to take testimony at once.

Congratulations, Father Duquesne.

Congratulations.

But tell me .. what was the Archbishop's

own personal feeling in the matter?

He doesn't say yes,

and he doesn't say no.

He gives us a free hand,

and that's all I need.

Well, now. Are there any questions?

Father Rector.

Do you .. do you have a good canon

lawyer to plead our case in Rome?

One of the best. We shall be represented

in this cause by Father Arnoux.

Father Rector ..

You know I found it impossible to believe

in this miracle from the very beginning.

I must ask to be excused.

Really, Father .. I know

this is most irregular.

Let me remind you that your own belief

is a matter that doesn't concern us now.

Father Rector ..

How can I plead a case

in which I do not believe?

One moment, Father.

As your superior, I can't of course ..

Command you to believe in something

you in good conscience, can't accept.

But as your superior I can and do

request you to prepare the case.

In which I believe.

That will be all, Fathers.

I'll ask you to remain, Father Arnoux.

Father Keene. Yes, sir?

I asked Dr Morrell to stop by. When he

comes, will you send him in here please?

I shall tell him.

You will be staying to supper, Monsignor?

Today is Sunday, isn't it?

Uhuh.

And you'll be having

cold mashed potatoes.

No thank you .. besides, we're having

icebox cake at the Rectory tonight.

And your desserts are always terrible.

Well what do you say, Monsignor?

I don't know. I don't know.

Sometimes I feel very

much like Father Arnoux.

Thank you Brother Clifford.

Then why bother to help

us as much as you do?

Vanity, Father Quarterman. Vanity.

You Jesuits have a way of

turning up on the winning side.

And I like to be with the winners.

Now, Father Arnoux.

Perhaps you'll be good enough to explain

the meaning of this unusual attitude.

I have no explanation.

You must do as I bid you.

You are under a special vow of obedience.

Yes, I know.

I know, a good Jesuit surrenders his

will to that of his order. In all things.

And most of the time I have.

But suddenly there is

no point to it anymore.

Call it insubordination if you will.

Disrespect for authority.

The fact is I am going stale.

There is nothing anyone can do about it.

Marc, this isn't like you.

I'd expect that from Fulton or Rawleigh

or the younger Fathers, but not from you.

You're made of different stuff.

Am I?

I wonder.

Alright Father Rector.

Let me ask you a question.

Why were you so quick

to believe in this miracle?

Would you be so quick ..

If it wasn't the one thing you needed

to prove Blessed Joseph a Saint?

You mean to imply that I perpetrated

a trick on this community?

No, of course not. You were

sincere, but you were wrong.

And then everybody followed you.

Even the church.

The church has taken

no stand in the matter.

Well, you said it yourself.

It gives you a free hand.

It allows you to go on promoting

this fantastic enterprise.

Sir, there is no promotion.

Not directly, perhaps, but ..

You reasoned, this might be a miracle.

Therefore, it will prove itself.

It has proved itself.

Ah, Doctor, you've come

at just the right moment.

Doctor .. let me ask you.

On your word of honour.

Is it your opinion that

this was truly a miracle?

The recovery of Father Sierra ..

Will go down in medical history as a

case for which we have no explanation.

There Marc, you see?

I don't care what a doctor says.

What evidence do you

have as against Dr Morrell?

I have no evidence.

Marc .. there are no two ways about this.

Either you do as I say ..

Or I shall have to ..

Very well then. I resign.

I can no longer be a Jesuit.

No, no, no. That solves nothing.

What are you holding back?

What is it? What is it?

Goodbye, Father Rector.

Oh no, Marc .. you can't go like this.

Marc .. you can't fail me now.

It is you who are failing me.

No.

God make me right.

Father Rector!

Father.

I don't know.

Heart attack.

There is nothing I can do in there.

It rather gets me.

These prayers for the dying.

What's getting you, Doctor, is that

in there lies another victim of your ..

Glorious hoax.

I won't argue with you.

You can stop this thing

before it gets any worse.

By this time, no-one would believe me.

I destroyed Father Sierra's records.

I've no proof any more.

You can tell what happened.

I would tell now, but you call the truth.

What good would it do?

It would only hurt the people who have

come here with hearts full of hope.

Sooner or later you are going to help them

anyway. Just as you helped Father Rector.

Do you know when Father Rector was hurt?

At the very moment he

began to fear it was all a lie.

And that's when the rest of

the people will be hurt too.

Morrell, I beg of you.

Do what is right for once.

Stop worrying about who will

be helped and who will be hurt.

Try to live one life at a time.

Your own.

Alright, Father. Have it your way.

Tell anyone you want, any way you please.

Morrell.

Father Arnoux .. Father Rector is

asking for you. Come quickly, please.

Edward.

Have I been anointed?

Yes, Paul. Everything has been done.

Father Rector. Hello, Marc.

I'm sorry. I tried to do too much.

Too soon.

There is no hurry when you

are dealing with eternity.

Even a miracle needs time to grow in.

Edward.

Edward. Yes, Paul.

There isn't much to dying.

It's like moving from

one room to another.

This is the day appointed.

And I'm content.

You must spare yourself, Father Rector.

Why should I spare myself now?

Father Keene .. Father Keene.

Yes, Father Rector.

You will be acting-Rector.

Until the new one is appointed.

Use your authority with discretion.

And try to serve God with a smile.

And Monsignor .. you too.

A Jesuit to the end.

I'm honoured.

Is there anything I can do for you?

Yes.

Don't neglect the Fathers when I'm gone.

Come and .. plague them

in the way you did me.

And sometimes .. remember to ..

To sing a small .. Te Deum for me.

A Te Deum, Father Rector?

Yes. This is not a time for mourning.

This is a time for rejoicing.

I begin to see now that ..

The miracle is to have faith.

To have faith is the real miracle.

The Lord God is my shepherd.

Whom then shall I fear?

Edward.

Edward. Yes, Paul?

Give me your blessing, Edward.

Dixio Dei Omnipotentis.

Patris, et Filii, et Spiritus Sancti.

Amen.

I don't believe you, Peter.

I just don't believe you.

I'm telling you the truth, Terry.

There's nothing to this miracle.

There never was.

That's why the church has suddenly

called off all these pilgrimages.

But how do you know this?

How can anyone know for sure?

Terry, I was there. I planned it all.

Father Sierra walked because

he was always able to walk.

It was just like a case of

shell-shock. That's all.

So I gave him a new shock. A feeling

that he was talking with Blessed Joseph.

Suddenly, he got up and walked.

Is he really telling

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Emmet Lavery

Emmet Godfrey Lavery (November 8, 1902 – January 1, 1986) was an American playwright and screenwriter. Born in Poughkeepsie, Lavery trained as a lawyer, before devoting his career to the theatre and to film. He wrote the English libretto for Ernst Krenek's 1940 chamber opera Tarquin. 1943 saw him writing for three films: He was one of the team of 22 writers collaborating on the film Forever and a Day. He adapted Gregor Ziemer's book Education For Death for Edward Dmytryk's film Hitler's Children. He wrote the American war film Behind the Rising Sun, based on the 1941 book] by James R. Young.Lavery was president of the Screenwriters Guild of Los Angeles from 1945 to 1947. He served as vice president of the Academy of Motion Picture Arts and Sciences in 1946. In 1946, Lavery was one of six Hollywood figures listed by William Wilkerson in a The Hollywood Reporter editorial under the headline "Hywd's Red Commissars!" Drawing on the biography Mr. Justice Holmes by Francis Biddle, he wrote the play The Magnificent Yankee, which opened in 1946, and he adapted it for the 1950 film version. In 1949, Lavery wrote his play The Song at the Scaffold, adapted from the novel Die Letzte am Schafott by Gertrud von Le Fort. In April–May 1949, Lavery had secured a contract from von Le Fort that granted him all rights to theatrical adaptations of her novel, and formally had declared his own play to be 'the only authorized dramatic version of the novel'. In 1952, Lavery learned of stage productions of Dialogues des Carmélites by Georges Benanos, which Bernanos had written as a film screenplay and completed in 1948, just before his death. In January 1949, von Le Fort had granted the Bernanos heirs permission to publish the screenplay, and had gifted her portion of the royalties due to her, as creator of the original story, over to Bernanos' widow and children. Lavery contacted the literary agent for the Bernanos heirs, Albert Béguin, to inform the latter of the status of theatrical adaptation rights to the von Le Fort novel. Their subsequent two-year literary rights dispute reached arbitration by a jury from La Societé des Auteurs in Paris. On 20 July 1954, this jury ruled unanimously for Lavery, and ordered the Bernanos heirs to pay Lavery 100,000 FF for past contract infringements. In addition, the ruling required the Bernanos heirs to pay Lavery, with respect to all future productions of Dialogues des Carmélites, 15% of the royalties from English-language productions, and 10% from productions in all other languages. This allowed Lavery to earn royalties from both his own play and the Bernanos adaptation, with no contribution of his own to the latter, because of von Le Fort's waiver of her share of royalties and retroactive application of copyright. Separately, Francis Poulenc had begun to compose an opera based on Bernanos' work. He curtailed work on his opera in March 1954, in light of his understanding of the Béguin-Lavery dispute. Following the July 1954 decision, separate negotiations occurred between Béguin and Lavery, via Lavery's agent Marie Schebeko, on rights and royalties to allow Poulenc to write his opera. Lavery claimed to have met Poulenc in October 1954 and to have come to a cordial agreement on terms and royalties. However, the final formal agreement was not dated until 30 March 1955, and acknowledged Bernanos, Lavery, von Le Fort, Bruckberger, and Agostini. The terms stipulated that the Poulenc opera was adapted from Bernanos 'with the authorization of Monsieur Emmet Lavery', with Lavery listed in the credits after Bernanos and before von Le Fort, with no contributions of his own at all to Poulenc's libretto.In 1950, Lavery wrote Guilty of Treason; in 1953, Bright Road ; in 1955 The Court-Martial of Billy Mitchell, which was nominated for "Best Story and Screenplay" at the 28th Academy Awards. He wrote Williamsburg: the Story of a Patriot, a 1957 orientation film for Colonial Williamsburg. Lavery and his wife Genevieve Lavery had two children. Their son Emmet G. Lavery, Jr. (1927-2014) was himself a lawyer and a producer in Hollywood. Their second child was a daughter, Elizabeth Taylor. His wife and children survived Lavery. more…

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