The Five Heartbeats Page #5

Synopsis: In the early 1960's, a quintet of hopeful young African American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improve, turn pro, and rise to become a top flight music sensation. Along the way however, the guys learn many hard lessons about the reality of the music industry with it's casual racism and greed while the personal weaknesses of the members threaten to destroy the integrity of the band.
Genre: Drama, Music
Director(s): Robert Townsend
Production: 20th Century Fox Film Corporation
  1 win.
 
IMDB:
7.5
Rotten Tomatoes:
35%
R
Year:
1991
121 min
3,316 Views


Are you out of your f***ing mind?

No.

I have a contract on Eddie.

Eddie, what the hell

is this all about?

jimmy, you know goddamn well

what this is all about.

Hey, baby...

I don't need no manager

out there

trying to replace me.

You ain't out there

singing and dancing every night.

jimmy, you don't do nothing

but get paid.

Same old Big Red.

You're not taking

the Heartbeats from me.

Eddie is the Heartbeats.

The other guys can be replaced

with anybody. You know that.

Besides, the other guys

can't go anywhere

until they've paid me

for the cars and clothes.

I got an even longer list

of expenses...

studio time, promotions,

your expense account.

So, you see,

you really owe me, Jimmy.

You're trying to muscle me?

As a friend,

I am trying to put some money

into your pockets.

Look, I'm not Bird!

You can't dangle me out some window

and expect me to go away.

I'll take your ass

to court frst.

I'll talk about

all the warehouses

where you used to press

bootleg records of your own artists.

Your two sets of accounting books,

and a long list

of D.J. s taking payola.

What kind of plans

did Eleanor make today?

Eleanor...

Eleanor.

I really like Eleanor.

Now, Red, this is

between you and me.

Maybe.

(Click)

jimmy.

Who was that?

Nobody.

jimmy.

What's wrong?

Nothing's wrong.

Look, I'm going to

go down to the club

and see if I can't sit in

for a few sets.

(Telephone Rings)

(Ring)

(Ring)

(Ring)

Hello.

TellJimmy he can't hide.

Ha ha ha ha!

Ha ha!

(Sings)

(Ends)

Good evening, Mr. Potter.

Get my car for me,

would you, Craig?

I'll make the call.

jimmy!

Oh, my God!

Oh, God! Oh!

jimmy! Jimmy!

Help me!

What is a man?

Someone who...

will not walk away

from life's responsibilities.

jimmy Potter

is a true example

of what a man should be.

Yes, sir.

He will be missed dearly.

Now...

we will have a few words

from someone who was

very close toJimmy...

Mr. ErnestJohnson.

I can't get up.

It's going to be OK.

Why?

We will have a selection

from our choir.

(Organ Plays)

(Singing)

Eleanor...

you have my deepest sympathy.

I'm here.

You shouldn't...

Oh, God, you shouldn't be alone.

Maybe sometime...

How dare you?

How dare you come here?

You disrespect my husband.

Get out! Now.

(Continues)

(Ends)

Eddie,

got any gum?

Dresser.

What's wrong?

Dresser.

Dresser, what's going on?

Dresser!

Get over here!

Come here, you f***ing

son of a b*tch! Get over here!

Calm down!

Dresser!

You son of a b*tch!

Get off me, goddamn it!

What's wrong with you?

Goddamn you!

Let me go! Let me go!

Tell them. Tell them, Eddie.

Tell them

aboutJimmy's accident.

Tell them about your deal

with that Red son of a b*tch!

Tell 'em!

Oh, God! I didn't know!

Come here!

I didn't know!

Come here!

(Sobbing)

What...

What did he...

What did he ever do to you?

(Singing)

(Ends)

(Doorbell Rings)

Thanks for coming back

to take care of Eddie.

Hey, Eddie.

How you doing, man?

You all right?

I guess so.

Uh, everybody's been, uh...

worried about you.

I...

decided I'm not going to...

I'm not going to sing no more.

Eddie, you can't stop singing.

Everybody knows.

It wasn't no accident.

That's why we came

to talk to you.

Eddie, we need to know

everything that happened

that last meeting

with Big Red and Jimmy.

(Doorbell Rings)

Big Red messed over

a lot of people.

Duck?

Yeah. Let him in.

More! More!

More! More!

More! More! More! More!

More! More! More! More!

More! More! More! More!

More! More! More! More!

(Music Starts)

(Singing)

(Continues)

(Ends)

Good show, brother.

Far out!

Hey, didn't Tanya look good?

Didn't she look good, man?

I think it's one of the best shows

we've ever done.

What's wrong?

The dance steps are too wild.

The clothes are too loud.

Turn us into a circus act.

We're a singing group!

We look like clowns.

What is the problem?

I just don't like him.

What's the real problem,J.T.?

Look whose name

they're calling out.

Listen to those women.

Whose name they calling out?

Flash.

He just sang lead.

I can't compete with him.

That pretty boy's taking

all the women away from me.

j.T.,

it's not about competing

with anybody.

How come they don't call my name?

Because you're doing

that same old, tired rap

you were doing in '65.

You haven't changed one word.

"Baby, can you hold me?

Can you touch me?"

Man, it's all you. It ain't

got nothing to do with Flash.

Thank you.

(Singing)

Excuse me, miss.

Is that your man?

Are you guys happy?

We're married.

Really?

Well, that's good.

Can I use your pen?

Here's my number.

Take it. Take it.

What you doing,J.T.?

(Continues)

What are you doing?

(Continues)

(Ends)

Ladies and gentlemen,

Mr.J.T. Matthews.

Sh*t.

Duck!

Duck!

j. -J.T.

j.T., that's Eddie.

jesus.

Let him in!

Let him in!

Get the f*** off of me!

Damn. Y'all was good tonight.

That's a new direction

you're going in.

Excuse me.

You look great,J.

l... I been working every day.

I been working real hard.

That's what I came

to talk to you about.

We're kind of late, Eddie.

Give me your number,

and we'll give you a call.

Give me your number,

and we'll give you a call.

I look like I got a number, man?

Come on,J.

Don't play me off like that.

I ain't coming for no handout.

Damn. Y'all...

Y'all wouldn't even be together

if it wasn't for me.

Eddie, what you

want to talk about?

Duck...

I just...

I just think we should

get back together again.

Du-Duck...

I'm singing every day, man.

I'm back, baby.

Check... Check it out.

(Sings)

Look. Remember?

Huh?

(Singing)

(Ends)

Ha ha ha.

Eddie. Eddie.

Eddie. Eddie. Eddie.

You're making a fool

out of yourself, man.

Go home.

Here's my card.

Give me a call.

OK?

OK.

Listen, man,

here's some money, all right?

Take care of yourself.

Why y'all want to insult me?

I...

I didn't come here

for your money...

or your f***ing pity!

I still got the pipes.

Can't nobody sing

like Eddie King, Jr.

How does it feel to be me?

(Singing)

(Ends)

(Funk Music Plays)

All right, man!

Hear that?

It's super. It's wonderful.

Yeah! Mmm!

It's so good.

What do you think?

It's wonderful!

Every song is a hit!

The third cut

with the high vocal.

- I have to give it up, man.

- It wasn't all me.

Your brother wrote

some serious stuff.

Ta-da!

We got a hit!

- Shh.

- Shh.

We have something to tell you.

We got a surprise.

What sounds like carriage,

but starts with an "M"?

Oh! Marriage!

We're getting married!

Are you?

Oh! Congratulations!

Isn't it beautiful?

Look at that!

Give me a hug.

What the f*** you doing?

What's wrong with you?

You don't even know her!

She loves me and I love her.

So what?

This ain't got nothing

to do with you.

just be happy for me.

I mean, I told Mom

about it already.

I'm gonna have a big wedding.

Would you be my best man?

Yeah. Sure.

Cool.

Congratulations.

(Singing)

(Ends)

(Laughter)

- Yay!

- Yay!

And many, many more.

Oh, don't bring

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Submitted on August 05, 2018

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