The Five Pennies Page #2
- APPROVED
- Year:
- 1959
- 117 min
- 168 Views
You look a little shaky there, son.
You better sit this one out.
We'll get to the volunteers later.
Yeah, well, I...
You don't believe I can play this, huh?
Well, I'd like to inform you
about one information of piece of fact...
that I happen to be
the second-greatest cornet player...
- in Ogden, Utah.
You don't think that's much, do you?
Well, my father happens to live there...
and he's the greatest cornet player
in the whole world. Ask anybody.
If he ain't Gabriel,
you're in trouble. Play it.
- Where's the arrangement?
- Arrangement?
Man, nobody write down Dixieland.
You just let it happen.
Well, suppose it happens great one...
Suppose it happens great one time...
and you'd like it to happen exactly
the same way. What do you do then?
Just like tapping a nightingale
on the shoulder, saying:
"How's that again, Dicky-bird?"
Well, I write it down.
I've been writing it down
since I was 13 years old.
Here, I've got it right here.
Here's the drum part right there.
Would you just hold this here
right there? Thank you very much.
The... That's right there.
The... Right there.
The Battle Hymn of the Republic.
Maybe you better come back Sunday.
This prayer meeting ain't ready
for that kind of music.
Just try to stay with me, huh, boys?
Don't look back,
or you'll be trampled to death.
I'm gonna be very sick.
Excuse it, folks.
Somebody must have put alcohol
in our liquor.
- Feel better?
- Where's my horn?
You feel better.
I wouldn't want anything to happen
to this horn.
There's not another one like it
in the entire world...
and my father gave this to me.
You know that tea we had before...
that's the first drink of liquor
I ever had...
ever since I was born.
I wish I hadn't been...
I'd never have guessed it, Red.
While we're on the subject
of confession, I may as well tell you...
that nobody in Ogden calls me Red,
except me.
My name is Loring.
I couldn't help it.
Actually, it's Ernest Loring Nichols.
Now, you're ashamed
of all the wrong things.
You know what my real name is?
- Willa.
- What?
Willa. Willa Steutesman.
- Willa what?
- Steutesman.
Willa Steutesman? Oh, you're kidding.
Willa?
- Hi, Willa.
- Hi, Loring.
Now you just take it easy,
and I'll get your hat, and then...
And you can take me home.
Let's not wait for Tony.
You mean you want just me alone...
to take you home all by myself
with nobody else but just me?
And remember...
it doesn't really matter that...
you'll never be
the greatest cornet player in the world.
Doesn't really matter?
- You don't believe me, either.
- Oh, please. Now just wait here, Loring.
Just call me Red.
Glory, glory
hallelujah
Oh, yes
Gloried man
Oh, yes, oh, yes, oh, yes
Oh, yes, oh, yes
Yeah!
Yeah, get that boy's license number.
He caught the nightingale.
- More! More!
- More! More!
And when I was 5 years old,
I was playing Carnival in Venice...
at church festivals.
Have you ever been
at a church festival in Ogden, Utah?
I don't think so.
Well, you don't know
what you've missed.
"And now, Professor E. W. Nichols...
"and the entire
Nichols family orchestra...
"featuring Master Loring Nichols,
aged five...
"will play
The Carnival in Venice on the silver"...
You know, it was real silver, too.
My father's still got it,
as a matter of fact.
Let me finish, honey.
How much longer is the cab ride?
- Oh, it's a long way to Brooklyn.
- Good.
You live in Brooklyn?
And it's so late. I know
I'm gonna catch it from my mother.
You have a mother?
Well, sure.
It happens, even to showgirls.
Brooklyn and mother.
- Did you just hear what I heard?
- What?
Never mind. You will.
You had to go to Brooklyn, huh?
You went to Brooklyn.
I told you...
What's going on here?
Meet the blushing bride, my friend.
- Willa and I just got married.
- Who's Willa?
- Me, Bobbie.
- Good luck.
Thanks. Say, I wanna know
if we could...
have a little time off for the honeymoon?
- Just, you know...
- You get five-minute breaks, don't you?
That's two choruses and a reprise.
- Get out 43, 56, and 42.
- Real sweet fellow, isn't he?
- Keep your mind on the music, will you?
- Yeah, I'll do that. Don't worry about it.
By the way,
you didn't get a chance to look over...
those arrangements
I did for you, did you?
- Lf you want them, they're in the ashcan.
- What?
You trying to put me out of business
with that broken-down Dixieland?
- What are you talking about? It's...
- I gave your tone-deaf canary a job.
What else do you want?
- Now wait a minute...
- Now sit down, shut up, and blow.
High-ho, one and all...
and a very fond welcome
to the sweetest music ever played.
We're a little misty-eyed tonight.
For our own Loring "Red" Nichols...
the finest cornet in the country,
has taken to himself a bride...
none other than the new addition
to our happy family...
our society chanteuse,
the lovely Miss Bobbie Meredith.
For our loving couple, we dedicate
our theme with all of our blessings.
If you will hold my hand
Misty-eyed, huh?
I'll show him misty-eyed.
Loring, don't do anything crazy.
We need him more than he needs us.
With eyes afire
I'll know your desire
Then a heavenly kiss
I won't resist
For you will dim the lights
Then I will hold you tight
I'll take you
to paradise
Hello.
Did you apologize to him
like I asked you to?
Well, I had a little talk with him
after the show.
- Well?
- Well...
you wouldn't want me to stay in
the band if I weren't happy, would you?
I mean, can you imagine
another couple of months...
of, "Good evening, one and all.
"I'm a little misty-eyed tonight,
oh, misty-eyed"...
- Oh, Loring, you didn't even try.
- Yes, I did try, baby. I tried my best...
but he wouldn't listen to reason,
so I hit him in the eye and quit.
- Oh, but, Loring, we just got married.
- I know.
Oh, well. At least I still have a job.
I better tell you now, honey.
I hit him for both of us.
You what?
- Oh, Loring.
- I couldn't have my wife...
working for a guy like that. Now look.
Honey, will you stop worrying.
Pretty soon he'll be working for me.
I don't even know you.
You're a stranger.
No, I'm not.
My mother was right.
She said you were unstable.
- You do crazy things all the time.
- No. No. Please, no.
No, I don't, honey.
Why don't we talk about that tomorrow?
- After all, this is our wedding night.
- It was all a mistake, a horrible mistake.
Bobbie, will you...
Bobbie, listen. What kind of
a bridal suite is this anyway?
- The doors lock.
- You can sleep in there on the couch.
We'll both get a night's rest.
I don't want a night's rest.
Hello.
Now, here are your pajamas
and your toothbrush.
Bobbie, listen. I'll do anything you say.
I'll go back and beg Wil for the job.
I'll play so softly
nobody will know I'm there. Please.
No. No, you won't, Loring.
Do you know why you quit Wil's band?
He didn't like your arrangements.
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"The Five Pennies" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_five_pennies_8282>.
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