The Fugitive Page #4
- PG-13
- Year:
- 1993
- 130 min
- 2,284 Views
PROSECUTOR:
Did that fight cause the scratches
on your face and arms?
KIMBLE:
No. As I explained -
PROSECUTOR:
And how did this man enter your
house?
KIMBLE:
I don't know -
PROSECUTOR:
And you probably don't know why your
wife told the emergency operator You
were her attacker?
KIMBLE:
She didn't -
PROSECUTOR:
Your name is Richard, isn't it? Your
gun is a .38, isn't it? Your prints
were on the gun, the bullets, the
lamp, her neck, weren't they?
KIMBLE:
Look...
PROSECUTOR:
Weren't they?
CUT TO:
INT. COURTROOM - DAY
Richard Kimble sits behind the desk, but already he's a
shadow of the man we knew before, stares ahead passively as
Judge Bennett delivers the sentencing to hushed courtroom.
JUDGE BENNETT:
After careful and studied review of
all evidence presented during each
phase of this proceeding, and
because aggravated circumstances,
detailed at length, were present
Kimble is silent, stunned, but all around him the sentence
shockwaves through the courtroom. Reporters push out rear
doors. Prosecutors share a look - with a hangman's
satisfaction. Nichols, watching behind Kimble's table,
lowers his head. Disbelief.
He remains silent. Kimble is pulled gently to his feet by
bailiff. Gutherie whispers an "I'm sorry." Kimble doesn't
hear it.
JUDGE BENNETT (V.O.)
Therefore, it is the decision of
this court...
Looks over his shoulder to the emptying courtroom. Faces
stare back.
CUT TO:
Judge Bennett's V.O. CONTINUES over:
A locker opening. Inside, a profusion of chrome and nickel
plating. Jailhouse jewelry. Handcuffs dragged out. Action
checked.
JUDGE BENNETT (V.O.)
... that you be remanded to Menard
State penitentiary...
CLOSE ON CUFFS:
Slapped down over wrists, ratcheting down tight.
Ankle cuffs dragged out. Pant legs raised, canvas shoes
exposed. Cuffs clamped down on ankles.
CHAINS RATTLED out. Snaked across the floor. Looped around
waists and locked to handcuffs to form belly chains.
JUDGE BENNETT (V.O.)
... where you will serve a sentence
of life imprisonment without
possibility of parole.
EXT . SALLY PORT (COOK COW TY JAIL) - NIGHT
The chain gang exits through the sally port. Kimble and
three other prisoners. Jailers escort them to...
An Illinois Department of Corrections guard moves alongside,
checking the undercarriage with a pole-mounted mirror.
CUT TO:
Locking wire mesh cage inside bus.
Main gates open. The BUS GRINDS onto the streets.
INT. BUS - DAY
The four prisoners sit scattered, still cuffed but no longer
chained together. Near the front, PRISONER #1 is eyeing...
The two prison guards seated beyond the caged door. YOUNG
GUARD lighting a smoke. OLD GUARD drowsing. Shotguns
bouncing on their knees. Prisoner #l shifts his gaze to...
The driver. Pistol on his hip.
DISSOLVE TO:
The BUS RUMBLES north, heading towards the horizon.
INT. BUS - NIGHT
PRISONER #1 rises. Through caging:
PRISONER #1
Hey. Illinois penal regulations
require a meal for transport
rides of four hours or more.
Young Guard shakes his head. "F***ing jailhouse lawyers."
Checks his watch: 4:00.
YOUNG GUARD:
Jack! Feedin' time.
Old Guard yawns to his feet, unhooks a key-ring from his
belt. Young Guard stows his shotgun in the weapons locker.
PRISONER #2 looks at Kimble. Kimble stirs awake... watches
the cage door open, Young Guard moving back. And across the
aisle...
PRISONER #3, a big man named COPELAND, wags his head
between his knees. Something slides out of his shirt and
CLANKS to the dimpled steel floor. It's a razor sharp
plastic shank.
Heart quickening, Kimble looks forward. Young Guard is
handing a petrified sandwich to Prisoner #1. Kimble snaps
a look back to Copeland, who palms the shank.
COPELAND:
Breathe, and you're first.
Old Guard watches from the open cage door, shotgun
carelessly ready.
Young Guard reaches Kimble and extends a sandwich. Kimble
doesn't respond.
YOUNG GUARD:
Suit yourself.
He offers the sandwich to Copeland. In the exchange,
sandwich drops. Copeland leans down for it.
Up front, Old Guard yawns again just as...
KIMBLE:
Look out!
Too late... Jackknifing up, Copeland drives the shank into
Young Guard's gut.
Prisoner #2 dives for Young Guard's holster. As the gun comes
out, Young Guard gets a hand on it. A SHOT FIRES...
Jolting Old Guard. He chambers his shotgun. Kimble hits the
floor. The Old Guard jams a key into the cage door and surges
inside, but...
Prisoner #1 broadsides Old Guard. SHOTGUN DISCHARGES...
Opening a big Gainsburger hole in the driver. He sinks under
the steering wheel. A knee hits the accelerator.
The CAGE DOOR SLAMS locked behind the Old Guard.
As the bus careens off the road, accelerating.
INT. BUS - NIGHT
Young Guard wrestles gun from Prisoner #2 and FIRES, killing
prisoner #2. Copeland grapples with wounded Young Guard.
Old Guard shotgun-butts Prisoner #1, flips the gun, PUMPS
ONE ROUND into the man's chest. Dead. He turns just as...
As the driverless BUS BUCKS ant BANGS over open ground.
INT. BUS - NIGHT
Old Guard reloads. Copeland drops down behind a seat.
Old Guard jams his SHOTGUN under the seat. But just as the
Old Guard pulls the trigger the bus jerks. The SHOT goes
off target as...
The BUS ROARS into a gravel embankment. ROARS up the slope
and CRASHES down on its side - sliding to a stop at the
bottom of a small ravine.
INT. BUS - NIGHT
ENGINE DIES. Dusty silence. We don't know up from down.
On his knees, Old Guard makes his way to the driver. Finds
him dead. Now a SOUND. Old Guard whips his shotgun around
at...
Kimble. Rising between the seats.
A hairy beat. Old Guard might kill him just to finish things
off. But a GROAN turns Old Guard's head.
Young Guard, trying to hold his guts in. Old Guart turns to
find Kimble.
OLD GUARD:
(to Kimble)
You. You're a doctor. C'mere.
He slides to the Young Guard as the Old Guard scrounges up a
medical kit, shoves Kimble down on Young Guard.
OLD GUARD:
Do something.
Kimble looks at his cuffs. "In these?" Old Guard digs out
his key ring and unlocks Kimble's hands - only his hands.
Kimble opens medical kit. It's been ransacked - just
Band-Aids now. Kimble looks into the wound.
KIMBLE:
He isn't going to make it unless he
gets to a hospital. Fast.
OLD GUARD:
ZL.
In this delicate moment a SHIVER runs through the bus. Is it
just settling?
With other things to worry about, Kimble tries to stop Young
Guard's bleeding.
ANGLE UNDER SEAT
We see Copeland, alive. The crash has ripped the bars from a
back window and shattered the glass. He works to get out the
opening.
BACK TO KIMBLE:
A second SHIVER ripples through the bus, stronger. Kimble
retracts his hands to touch a metal panel - and feels a
growing vibration.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Fugitive" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/the_fugitive_859>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In