The Game Page #14
- R
- Year:
- 1997
- 129 min
- 4,609 Views
NICHOLAS:
Stop this. It's not true...
CONRAD:
I'm sorry, Christ, I'm sorry! How
many more times do I have to say I'm
sorry before you forgive me... ?
NICHOLAS:
Stop it!
Conrad bolts away, full tilt, into a nearby PARK and PUBLIC
GARDENS. Nicholas gives chase, calling after.
AHEAD, Conrad runs headlong, disappearing thru thick bushes.
Nicholas follows, downhill, falls and slides, gets up. At
the bottom, he shoves thru vegetation...
On the other side, Nicholas looks all directions, gulping
air. Conrad's nowhere to be seen. Nicholas stops.
NICHOLAS:
(shouting)
Connie!
Far off, there's a concrete path winding thru the park past
a BANK OF PAYPHONES. ONE PAYPHONE starts RINGING. Nicholas
starts back the way he came.
Behind, ALL THE PAYPHONES start RINGING. Nicholas halts.
He runs to the phones, answers one.
NICHOLAS:
(into phone)
You sons-of-b*tches...
MAN'S VOICE (v.o.)
(from phone)
Flippy? Is Flippy there? Flippy?
Nichols slams the phone down, picks up another...
RECORDING (v.o.)
(from phone)
If you'd like to make a call, please
hang up and...
PHONE STOP RINGING. Nicholas hangs up, digging out his
wallet. Rifling thru it, he comes up with the VALET TICKET
with the C.R.S. EMERGRENCY 800-NUMBER on it. He dials...
Puts the phone to his ear. BUSY SIGNAL. He slaps the
headset-tongue, redialing, waiting...
RECORDING (v.o.)
(from phone)
We're sorry. The number you have
dialed has been disconnected or is no
longer in service...
He throws the receiver, tears the valet ticket in half and
tosses it, then steps back -- KICKS the phone.
Nicholas returns to his car, looks down at the flat tire.
At the rear, Nicholas opens the trunk. He reaches in and
takes out the car's JACK. He looks at it like an alien
thing, turns it over, tosses it into the street.
He closes the trunk, REMOTE's the ALARM, walking away.
There's a TAXI heading this way. Nicholas hails it...
INSIDE THE TAXI:
Nicholas gets in. GLASS separates him from the CAB DRIVER
NICHOLAS:
Twenty-two Moore Street.
The driver nods and hits the gas.
EXT. CITY STREETS, FURTHER ON -- NIGHT
The taxi roars down the street.
INSIDE THE TAXI:
Nicholas has his head back, eyes closed, loosening his tie.
He looks out the window, narrow his eyes.
NICHOLAS:
(pointing)
Um... you want to turn here...
(TAXI KEEPS GOING)
Excuse me, you missed the turn.
The driver says nothing. Nicholas knocks on the glass.
NICHOLAS:
Did you hear me? You're...
Nicholas stops, noticing the DRIVER I.D. on the other side
of the partition. "California Regal Sedans." C.R.S.
NICHOLAS:
No... no, no, no. Stop the car!
The taxi HALTS at a LIGHT. Nicholas tries the DOOR HANDLE.
Doesn't work. He tries the WINDOW HANDLE -- it COMES OFF.
ON THE STREET:
The cab PEELS OUT as the light turns green.
INSIDE THE TAXI:
Nicholas tries the other door, panicky. Same results --
locked in. The taxi makes a SCREEEEECHING TURN...
ON THE STREET:
The taxi speeds up... heading for a WHARF AREA and PIERS.
INSIDE THE TAXI:
Nicholas presses against the partition, urgent, calm...
NICHOLAS:
Listen. I am a very wealthy man.
Whatever they're paying you, I'll
double it!
The taxi driver simply opens his door and leaps out...
THRU THE WINDOW:
the driver ROLLS, a perfectly executedstunt fall. Nicholas can't believe. He grabs frantically
for his seatbelt, SNAPS it around him, looks up...
Opens his mouth to SCREAM...
ON THE WHARF:
The taxi goes FLYING off a deserted pier... airborne...
SPLASHES DOWN! in the San Francisco Bay.
INSIDE THE TAXI:
Nicholas is jerked forward, breath slammed out of him.
The taxi goes under in an eruption of bubbles.
UNDERWATER:
THRU THE TAXI WINDOW: Nicholas pulls off his seatbelt,
extricates himself and starts kicking the window. Dashboard
lights grow eerie as they submerge.
INSIDE THE TAXI:
Nicholas stops kicking, trying to calm. He looks to the
front:
water's gushing in through two-inches of open window.The taxi's less that half full.
NICHOLAS:
(to himself)
It's a game... it's a game...
He tries the DOOR HANDLE again, yanking, to no avail. He
realizes something, searches his pockets...
UNDERWATER:
The taxi sinks, headlights dimming in murkier depths.
INSIDE THE TAXI:
Nicholas finds the METAL CRANK. He takes a deep breath...
SUBMERGING. He puts the crank in the WINDOW HANDLE HOLE,
turns the crank. The WINDOW LOWERS, water flooding in...
UNDERWATER:
Nicholas swims out the window, heading upwards...
EXT. SAN FRANCISCO BAY -- NIGHT
Nicholas bursts to the surface, sucking air. He treads
water, catching his breath.
GIRL'S VOICE (o.s.)
Hey, mister... are you alright?
Nicholas turns. There's a CABIN CRUISER docked nearby. A
beautiful GIRL in a yellow raincoat throws a life preserver.
Nicholas swims to it.
Nicholas climbs the rear ladder with the girl's help. He
stays on his knees, teeth chattering. The boat's luxurious.
GIRL:
You could get hepatitis from that
water.
She helps Nicholas up, keeps a grip on him.
NICHOLAS:
I need the police.
GIRL:
Let's get you dried off first. I
might have some clothes below.
INT. CABIN CRUISER, BATHROOM -- NIGHT
The shower and mirrors are fogged. Nicholas' wet clothing
sits in the sink. He's wearing a short-sleeved shirt,
pulling on trousers.
QUIET MUSIC. Nicholas comes from the bathroom, feeling the
waistband of the pants, checking out the cuffs.
NICHOLAS:
You know, these fit... perfectly.
GIRL:
They were my husband's. My late
husband... may he rest in peace.
Nicholas looks to the girl. She rises from the bed and
slides the raincoat off, wearing only a BIKINI. A Playmate.
Nicholas just sort of sags.
The girl undoes her top, which falls. She steps forward.
GIRL:
I've been so lonely.
NICHOLAS:
I can't tell you how not interested
I am.
GIRL:
Don't be nervous. They said you'd be
nervous.
NICHOLAS:
Don't take another step.
The girl covers her breasts, confused. Nicholas gathers his
clothing from the sink, heading for the stairs.
GIRL:
Isn't this what you like? They told
me you had a thing for boats.
NICHOLAS:
First they try to kill me, now you?
(to girl)
Put your damn clothes back on.
Nicholas scrambles upstairs...
EXT. CABIN CRUISER -- NIGHT
Nicholas leaps off onto the wharf. The girl, pulling on her
raincoat, crosses to the boat's rail, waving a BOX. Thru
the box's window: a gold GLASS CUTTER nestled in velvet.
GIRL:
Don't you want your thing? I was
supposed to give you this thing.
Nicholas just keeps walking.
CUT TO:
EXT. C.R.S. BUILDING -- DAY
TWO POLICE CARS, marked and unmarked, pull to the curb.
From the plainclothes car, MALE DETECTIVE and FEMALE
DETECTIVE get out. Nicholas and Sutherland get out.
INT. C.R.S. BUILDING, LOBBY -- DAY
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Game" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/the_game_959>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In