The Ghost and the Darkness Page #11
- R
- Year:
- 1996
- 110 min
- 623 Views
REDBEARD:
Starting now, we attack them.
ABDULLAH:
How; we don't know where they are?
REDBEARD:
We'll have to make them come to us,
won't we? And since there are two of
them, we're going to set two plans
in motion.
(to Hawthorne)
First:
we must move the entirehospital by tomorrow night.
HAWTHORNE:
(appalled)
That's a terrible idea-
REDBEARD:
(backtracking)
-is it, I'm sorry, but then, of
course, you're the doctor, you
should know.
HAWTHORNE:
Silliest thing I ever heard of- why
in the world should we go through
all that?
REDBEARD:
(charming now)
I suppose I could answer you. I
suppose I could explain that the
place is so inviting, what with the
smell of blood and flesh, that they
have to strike. It's even possible
that I tell you I found some fresh
paw marks around back which means
they're already contemplating
feasting here.
(Turning on Hawthorne
now- his voice building)
But I don't want to answer you
because when you question me you are
really saying that I don't have the
least idea what I am doing, that I am
nothing but an incompetent, that I am
a fool.
(big)
Anyone who finds me a fool, please
say so now.
HAWTHORNE:
(The words burst out)
I have been desperate for Patterson
to let me move the hospital since the
day he arrived.
REDBEARD:
(nice smile)
Then we agree.
(And on that-)
BEGIN THE BUILDING SEQUENCE.
It was a huge effort and they got half of it done that day- but
there was always the sense of impending bloodshed.
What we see first are Patterson and a bunch of shots of a lot of
workers- laying out the dimensions of the new boma that would
surround the place. This was to be by far the biggest wall fence
they had in Tsavo.
And now here comes Abdullah leading a crowd of men, wading into a
huge patch of thorn trees, cutting the thick branches down,
starting to load them for carrying-
-and it's high noon now, and Patterson drenched with sweat, leads
the start of the actual building- taking the thorn branches,
bunching them together, forcing them so there is no room between
them-
-and we can just begin to get the sense of what the fence will be-
except at the moment it's barely a foot high-
-and now Redbeard appears, beckons to Patterson, and
CUT TO:
A LONG SHOT OF A FLAT GRASSY PLAIN. AFTERNOON NOW.
Patterson, Redbeard, and Samuel walk quickly.
CUT TO:
SAMUEL turning to Redbeard and Patterson.
SAMUEL:
Soon.
(Redbeard nods)
PATTERSON:
(to Redbeard)
I have to ask- why do you need me?
REDBEARD:
I don't really. But understand
something- even though it may take
me two or three days to sort this
out-
(Patterson has to smile
at the phrase)
-when I'm gone, you'll still have
to build the bridge. And I don't
want the men to have lost respect
for you.
PATTERSON:
(kind of surprised)
That's very considerate.
REDBEARD:
I'm always considerate- my mother
taught me that.
CUT TO:
SAMUEL, who just breaks out laughing.
REDBEARD:
Why do you laugh?- you don't
believe she taught me?
SAMUEL:
I don't believe you had a mother.
(And as Redbeard
laughs too-)
CUT TO:
A MASAI VILLAGE as they approach. Redbeard walks ahead.
PATTERSON:
You like him, don't you?
SAMUEL:
Oh yes. But it takes time.
PATTERSON:
You've known him long?
SAMUEL:
(He has)
Since his beard was red.
CUT TO:
INSIDE THE VILLAGE. AN AGED CHIEF RUNS THINGS.
Redbeard, Patterson and Samuel stand near him. WOMEN and CHILDREN
are there. Some of the children look at Redbeard, mime shooting,
fall down dead. Samuel translates as necessary.
SAMUEL:
How many cattle?
REDBEARD:
Four should do it.
SAMUEL:
They will want a lot of money.
PATTERSON:
(to Redbeard)
Have you got it?
REDBEARD:
No, but you do-
(beat)
-see, you were needed after all.
(to Samuel)
And fifty warriors at the camp
before dawn.
SAMUEL:
(Samuel explains. The
Masai Chief replies.
Translating)
Why so many?
REDBEARD:
Because I have two plans to kill
the lions- one involving the cattle,
the other the men.
CUT TO:
REDBEARD AND PATTERSON watching as Samuel tells the Chief.
CUT TO:
THE MASAI CHIEF. He moves toward Redbeard and Patterson. As he
speaks, Samuel translates quietly. There is a sadness in the
Chief's tone.
SAMUEL:
(translating)
The Ghost and the Darkness have
come... and we can do nothing...
but if you anger them... they will
stay in Tsavo... and life will
become more unberable, that I know...
CUT TO:
PATTERSON, watching as Redbeard replies.
REDBEARD:
(beat)
Two lions are all that have come...
they're only lions, that I know.
(beat)
And I will kill them both tomorrow.
(HOLD BRIEFLY, then-)
CUT TO:
SHADOWS AND FIRELIGHT. IT'S NIGHT NOW.
We're not sure for a moment where we are but we can hear metallic
sounds.
Now we hear voices.
REDBEARD VOICE (over)
I'll need you by me in the morning.
SAMUEL VOICE (over)
Whatever you wish.
CUT TO:
WHERE WE ARE- IT'S PATTERSON'S TENT AREA. Patterson, Redbeard,
Hawthorne, and Samuel sit around a fire.
THey are cleaning their guns, getting ready.
A WORD ABOUT THEIR WEAPONS. Patterson's is a good rifle and he
cleans it expertly.
Redbeard's surprisingly, is the oldest. And the way his hands move
as he assembles it, he might be bathing a child.
Hawthorne is the least skilled of the three. But his rifle is
clearly the finest. Bigger than the others, with great killing
power.
There is a tremendous tension- Patterson, Hawthorne, and Samuel
show it. Redbeard is as before.
HAWTHORNE:
(terribly tense)
You're certain about tomorrow?
(Redbeard is)
But you don't seem excited.
(Redbeard isn't)
PATTERSON:
You don't enjoy killing, do you?
(Redbeard doesn't)
HAWTHORNE:
Then why do it?
CUT TO:
REDBEARD. CLOSE UP. He stares at the fire. Then-
REDBEARD:
I have a gift.
CUT TO:
THE CAMPFIRE. Silence for a moment except for the sound of the
weapons being reassembled. Redbeard's hands fly. His rifle is back
together. He stands, nods, goes.
CUT TO:
HAWTHORNE, watching him.
HAWTHORNE:
Strange man.
(to Samuel)
Has he always been this way?
SAMUEL:
Much gentler now.
HAWTHORNE:
(shakes his head on that)
John?-
(He holds out his
beautiful rifle)
Change guns with me- mine's much
more powerful. I'll be finishing
the hospital tomorrow so I won't
be with you- but if you'll use
this...
(beat)
...then I will.
Patterson, touched, changes weapons.
PATTERSON:
Thank you.
(He turns to Samuel)
Why does he need you by him?
SAMUEL:
He doesn't. He needs nobody. But
we have hunted many times...
(beat)
...he knows I am afraid of lions...
HOLD ON THE FIRELIGHT UNTIL WE SHARPLY-
CUT TO:
THE BRIDGE. BEFORE DAWN.
Misty- hard to see much.
Then GHOSTS appear-
KEEP HOLDING:
-they're not ghosts, they're MASAI WARRIORS emerging from the
mists. They are powerful and painted and they carry noisemaking
equipment- tin cans and tom toms and as more and more of them
materialize-
CUT TO:
A HUGE THICKET.
Redbeard, Patterson, and Samuel wait as the Warriors approach.
REDBEARD:
(whispered)
I spotted one of them-
(gesturing toward
the thicket)
-in there.
CUT TO:
THE THICKET again- alive with thorn trees. Dark, filled with long
dark shadows.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Ghost and the Darkness" Scripts.com. STANDS4 LLC, 2025. Web. 15 Jan. 2025. <https://www.scripts.com/script/the_ghost_and_the_darkness_472>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In