The Ghost and the Darkness Page #19

Synopsis: Sir Robert Beaumont (Tom Wilkinson) is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson (Val Kilmer) to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman (Henry Cele), seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington (Michael Douglas), who has finally met his match in the bloodthirsty lions.
Production: Paramount Home Video
  Won 1 Oscar. Another 4 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
50%
R
Year:
1996
110 min
624 Views


CUT TO:

SAMUEL with his rifle, as he climbs higher into his tree.

CUT TO:

PATTERSON in the next tree, climbing higher, until he's fifteen

feet up.

CUT TO:

THE DARKNESS, on the ground, circling the trunk of Patterson's

tree, raging with frustration.

CUT TO:

PATTERSON, exhausted but it's okay now, he's safe, and as he looks

across at the next tree not far away where Samuel is-

SAMUEL:

(embarrassed)

Afraid of lions.

CUT TO:

PATTERSON.

PATTERSON:

It's all right, Samuel- we all

get hit-

(Now he shuts up

fast and-)

CUT TO:

THE DARKNESS, as it does this incredible thing- it starts to climb

the tree after Patterson. Lions are cats and when they want to

climb, up they go and that's what The Darkness is doing now, going

up and

CUT TO:

PATTERSON, and it's terrifying- he reaches for the branch above,

climbing higher and

CUT TO:

THE DARKNESS, climbing higher too and the tree is sturdy but there

is a four hundred pound thing rocking it now and

CUT TO:

PATTERSON, going still higher but the branches are getting thinner

and the tree is shaking, and he could fall-

CUT TO:

THE DARKNESS, climbing on, nothing can stop it-

CUT TO:

PATTERSON AND THE DARKNESS, together in the tree, and there's no

further Patterson can go and it's harder for The Darkness too, but

slowly it moves in and

CUT TO:

PATTERSON, calling out-

PATTERSON:

Samuel!

(And he gestures for

the rifle and the

instant he does-)

CUT TO:

SAMUEL, and he takes the rifle between his two hands and

CUT TO:

THE DARKNESS, steadily moving in and

CUT TO:

SAMUEL, tossing the rifle with great care and Patterson's less

than fifteen feet away and

CUT TO:

PATTERSON, hands out to catch it and

CUT TO:

THE RIFLE in mid-air and

CUT TO:

PATTERSON, both hands ready and

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THE RIFLE as it strikes a tree branch, spins away to the ground.

CUT TO:

THE DARKNESS, almost on Patterson now and

CUT TO:

PATTERSON, suddenly leaping out of the tree, and yes it's a long

way and sure it's going to damage him but sometimes there aren't a

lot of choices in this world and

CUT TO:

SAMUEL, staring as Patterson falls and

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PATTERSON, crashing hard to earth, stunned, hurt, ribs broken, leg

broken and

CUT TO:

THE DARKNESS, and it's so big it's hard for it to get room to turn

but it does and

CUT TO:

PATTERSON crawling for the rifle, and he's in terrible pain but he

reaches the weapon, grabs for it and

CUT TO:

THE DARKNESS, skittering down the tree and as it reaches the

ground

CUT TO:

PATTERSON, forcing himself to his feet and

CUT TO:

THE DARKNESS, a dozen feet away as with a roar it starts its

charge.

CUT TO:

PATTERSON, aims, fires and

CUT TO:

THE DARKNESS, hit again and down it goes again but up it comes

again and

CUT TO:

PATTERSON, firing the final shot and

CUT TO:

THE DARKNESS, hit again and it has to stop, it just has to-

-but it doesn't.

It roars and roars and moves slowly toward Patterson.

CUT TO:

PATTERSON; all bullets gone, no place to hide.

CUT TO:

THE DARKNESS. Still moving forward.

CUT TO:

PATTERSON. He takes a step backward, falls backwards over a

branch, lands hard and

CUT TO:

THE DARKNESS, framed between Patterson's legs. Six feet away, now

four, now-

CUT TO:

PATTERSON, helpless on the ground.

CUT TO:

THE DARKNESS, and the eyes glow-

-a branch is on the ground in front of it- it buries its huge

teeth into the branch-

-now a long dying sigh... and it goes to the ground.

CUT TO:

PATTERSON. Can't breathe.

CUT TO:

THE DARKNESS, dead, its teeth still buried in the tree branch.

CUT TO:

PATTERSON. CLOSE UP. And suddenly he just empties and tears pour

down his face and he begins to cry out loud, his body wracked with

sobs. He manages to get to his knees, moves next to the animal-

CUT TO:

PATTERSON AND THE DARKNESS. Just the sound of Patterson's tears...

HOLD.

KEEP HOLDING.

CAMERA BEGINS TO RISE-

-WE ARE LOOKING AT THE BRIDGE NOW- AND IT'S FINISHED!

-hundreds of people are watching as the first train goes oer it-

-Samuel is there- lighting up the world with his smile-

-and Patterson's there, too. He stands with Helena, his young son

in his arms.

Everybody smiles, everybody waves, the train goes triumphantly by.

CUT TO:

PATTERSON. He looks wonderful again, vibrant and young. Watching

him, you might think he hadn't been through the nightmare as he

stands there, holding the boy tightly.

But with his other hand, he fingers the lion claw necklace...

HOLD ON PATTERSON.

Now slowly dissolve to an African evening. Animals stretch from

one horizon to the other.

SAMUEL VOICE (over)

Here we still wonder about them.

How did they escape for nine months?

And kill 135 men? And stop the

railroad?

(beat)

And were they only lions?

(beat)

If you want to decide for yourself,

you must go to America. They are at

the Field Museum in Chicago, and

even now, after they have been dead

a century, if you dare to lock eyes

with them...

(beat)

...you will be afraid.

In the distance, the animals continue to move.

SAMUEL VOICE (over)

Sleep well.

HOLD ON THE ANIMALS. They seem to go on forever...

FINAL FADE OUT.

THE END:

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William Goldman

William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He has won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists who broke the Watergate scandal of President Richard Nixon. Both films starred Robert Redford. more…

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