The Glenn Miller Story Page #4

Synopsis: The unemployed trombone player Glenn Miller is always broken, chasing his sound to form his band and hocking his instrument in the pawn house to survive. When his friend Chummy MacGregor is hired to play in the band of Ben Pollack, the band-leader listens to one Glenn's composition and invites him to join his band. While traveling to New York, Glenn visits his former girlfriend Helen Berger, in Boulder, Colorado, and asks her to wait for him. Two years later he quits the band and proposes Helen that moves to New York to marry him. After the success of "Moonlight Serenade", Glenn Miller's band becomes worldwide known and Glenn and Helen and their two children have a very comfortable life. Duting the World War II, Glenn enlists in the army and travels to Europe to increase the moral of the allied troops. In the Christmas of 1944, he travels from London to Paris for a concert to be broadcast; however his plane is never found in the tragic flight.
Director(s): Anthony Mann
Production: Universal Pictures
  Won 1 Oscar. Another 6 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
88%
APPROVED
Year:
1954
115 min
343 Views


- Hi.

It's a long movie. We have

two hours before the next stage show.

- Have a good time?

- I like the show. But the music!

Well, you know the music.

- That isn't the way you want to play, is it?

- No, but I like pit work.

It pays well. You get to stay in one place.

Glenn, I've been thinking.

How much does that Dr Schillinger charge?

He's pretty expensive. I don't know exactly.

I haven't worked with him for years.

That's just exactly what I mean. Why not?

I don't know. I...

What happened to that dream of yours?

What about that sound?

Well, I've been working on that, Helen.

It's an uphill grind.

My chance will come one of these days.

To tell you the truth, Glenn,

I've been sort of disappointed.

You mean that?

If I started to study again,

we'd have to make all sorts of sacrifices.

I'd have to give up those record dates.

Darling, I don't want to live in a fancy hotel.

We could get an awfully cute

little apartment.

I just want you to keep on trying.

I've sort of let you down, haven't I?

A little.

I'm sorry, Helen.

You're right. I should start to study again. I...

Why don't I call Schillinger right now?

See if he'll take me back.

I have his phone number here...

It's Trafalgar 7-5-0-9-8.

- 7-5-0-9...

- Eight.

Well... Well...

7-5-0-9-8.

(# Playing romantic tune)

- Helen?

- Yes?

- Where are my glasses?

- Right here! Why don't you put them on?

I'll have to get some glasses

to find my glasses.

What were you playing? It's lovely.

A little exercise I'm working out

for Schillinger. I hope he likes it.

Does that mean you won't be able to use it?

No, that doesn't make any difference.

It's not that good, though.

I think it is.

- You like it as good as Little Brown Jug?

- No.

But I think you should do something with it.

I suppose you could make a song out of it.

Get somebody to write lyrics.

Have to get a title. What's a good title?

Well, it should be soft and romantic.

Sort of like moonlight.

Moonlight. Young lover

under his sweetheart's window.

You wouldn't be thinking

of a certain night in Boulder?

There wasn't any moonlight. Just a shotgun!

I know. And you didn't serenade me either.

I didn't have a chance.

Serenade. There's a title.

- Serenade in the Moonlight.

- How about Moonlight Serenade?

Moonlight Serenade? Not bad.

- It's kinda pretty.

- Moonlight Serenade.

(Up-tempo) # I stand at your gate

# And the song that I sing is of moonlight

# I stand and I wait

# For the touch of your hand

in the June night

# The roses are sighin'

# A moonlight serenade

# Let us stray till the break of day

# In love's valley of dreams

# Just you and I

# The summer sky

# A heavenly breeze kissing the trees

# So don't let me wait

# Come to me tenderly in the June night

# I stand at your gate

# And I sing you a song in the moonlight

# A love song, my darling

# A moonlight serenade #

(Scattered applause)

- What have they done to my tune?

- It wasn't very good.

The song is supposed to be a ballad,

not a hootchy-kootchy dance!

They made a production number out of it.

And that arrangement, Holy Moses!

Why wouldn't he use yours?

Every band leader

wants his own arrangement.

So do you! If you had your own band,

this sort of thing wouldn't happen.

- Of course.

- Let's go. We have a lot to do.

We need an instrument truck, and a car.

That's two down payments.

If we use Chummy's car...

Wait till you see what I got now.

Snappiest job on the road.

It's a big Phaeton. Even got

a separate windshield for the back seat.

You can always be

the first one to arrive in town.

We'll need music stands and a copyist.

We can do the copying. Like the old days,

no food but plenty of manuscript paper.

What do you mean, no food?

- We'll need at least 1,800.

- Then we're all set.

Honey, he means we need $1,800

to start the band.

Yes.

- We don't need anything but good luck.

- What's this?

"The Glenn Miller Band Account"?

$1,842!

Now eat your dinner.

Hey. Did you get all that money

out of my pockets?

Mm-hm.

(# Upbeat swing)

We're late for the job now.

I better go on ahead.

- You fellas get there as quick as you can.

- All right, Glenn.

Practically a new tyre too.

(# Somewhere Over The Rainbow)

Helen, you don't look very well.

I'm just fine. I'm just a little tired.

And poor Glenn is up all night

working on the arrangements

and I have to sort of

take care of the bookkeeping.

Has the business manager

given you the big financial statement yet?

No, but I will. We left New York

with $42 in the bank.

After six months,

we've paid for the truck and the car.

That leaves a balance of 48.

In short, we're making exactly $1 a month.

So in ten years we'll have made $120.

It takes time for a new band to catch on.

It sure does.

I don't know.

One night we pack 'em in and they love us.

The next six dates we die.

We don't seem to be getting anywhere,

and we don't deserve to!

I just haven't been able to hit

the right combination.

I just still haven't got that sound.

Glenn, maybe if you stop playing.

- Touch!

- I'm sorry. I didn't mean...

I know what you mean.

Get a baton and start leading. No.

Once you step out in front of the boys,

you can never be a sideman again.

I'll stick to my trombone.

I've got some good news for a change.

I talked to Si Schribman.

He runs the State Ballroom in Boston.

He's booked you in

for the week of the 22nd.

That means six half-hour air spots.

That's what counts.

- It sure does!

- Imagine! A whole week in one town.

I could even get the washing

and the mending done.

- Let's all drink to Boston!

- I think we should.

Good ol' Boston.

Glenn, why don't you ever use

Moonlight Serenade?

Don't we have enough trouble

without resurrecting that?

- Well, I liked it.

- So did I.

That's two of us.

Now, if we can just find a third.

- How's she look?

- Could be worse. Don't know how.

You need a new axle housing,

an axle shaft,

ring gear and pinion,

differential gear case.

- How long'll it take?

- A few days once I get the parts.

- You don't have 'em here?

- Don't have many calls for ring gears.

Might have to go to Woodstock

soon as it stops snowing.

- It could be worse.

- Yeah.

There's Helen.

Get a hold of Schribman?

No, I couldn't get Boston.

The telephone lines are down.

Chummy, you and Helen

better try and make Boston.

Tell Schribman we'll be there

as soon as we can.

He's probably guessed what happened.

- He wouldn't cancel on us.

- No, we'll get there all right.

We can't lose that week in Boston.

Go ahead. Bye, dear.

- Take care.

- Yeah.

- You Mr Miller?

- Yeah.

Man left a message. Your wife's sick.

They got her to the hospital.

- What hospital?

- Boston Memorial.

Mr Miller, she's a very sick girl.

We gave her a transfusion

but we're lucky this happened when it did.

A few months further along and we might've

lost the mother as well as the child.

I had no idea that she was...

- All right, Doctor.

- Thank you.

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Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

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Submitted on August 05, 2018

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