The Grift Page #3

Synopsis: A 1940's period drama about about a woman who has been wronged by her husband, but must help him after he has fallen in with a family of grifters.
 
IMDB:
5.3
Year:
2008
109 min
69 Views


up for all to see.

No one touches it until midnight.

- Okay.

- Okay.

Wake up, went with the money.

I went up and when

regras? was ido.

- It was my savings.

- I knew it was not trustworthy.

- Qu? Har? Now?

- Where she was told.

To the west, I guess to Kansas City.

Maybe I can reach it, can not be

so far only have a couple of minutes.

If you reached, I promise you

mandar? every penny of your money.

- S? It har? I trust you.

- I promise.

Hurry up. Hurry up.

- I told you never camest.

- I did not.

?Qu? Do you think I am

a comemierda or ...?

S? S and what you did? With

who were. Now listen to me.

- Did you lose your virginity?

- No.

- No?

- No, oh no,

were only a couple of kisses.

Oh, a couple of kisses.

You give? All you want.

Now, sit down.

You went t? Who went to see?

Have you been with him behind my back?

No.

Gosh, it's over and over again.

- Do you mamaste cock?

- Qu?

I said if you mamaste cock.

I noticed that.

Oh, s? Y. .. How is that?

Tell me how that works?

How does that?

Well, first no dej? That

too close. Hell, that s what I?

Good for m?

Why what? Is that?

Because ...

- Why?

- Because when you get too close to a boy ...

... there comes a time

you do not know what to do.

S?

And you can lose your virginity,

and that can finish everything.

As? Is.

There is one more thing.

If ever ...

... ever again do ...

s not? what har? my wrist.

That was clear?

Well.

Now get out of here?

look like sh*t.

Can I come in?

Come, come.

?Hard Day?

You can secure it.

?Qu? Te pas? In the eye?

I found a door.

If we are going to start lying you can do

stories of all kinds, qu? think?

Thank you.

How long have you been off?

Since I was 13.

Did you at any time?

S? ?T?

Why what? What would you do?

I have to qu? Live, remember?

Who are you working for?

No way.

No te lo dir?

Think I am some sort of silly.

Do you?

Good argument.

Why? Not serve me

another and perhaps tell you.

He had a companion

did a couple of plays together

could not with that head.

Is that a smile?

We had a crazy game in Texas.

It was a bit risky

someone was very respectable.

And the girls were very pretty.

We used to do was to

followed the rodeo in town,

when I saw the cowboy love drinking,

spend their earnings more in girls than in anything else.

As? It was an easy job.

We found one,

form the strategy.

He was sent "in a corner with a guitar,

and said that the strings were bad.

Does your partner?

One night in particular,

wine boasting a cowboy,

was wasting the money everywhere

and I could see the finished work ...

... because the type was very bad.

Then my companion intent?

make contact with him y. ..

... swear to God that virtually

we were handed.

And then what?

Good,

then what?

The time to complete? continue

to a rodeo wrong.

Our cowboy era ...

... a Texas Ranger.

That hurts.

Imagine how hurt

10 months in prison.

All the time behind bars.

?Qu? Me tell your partner?

That, well, ah follow?

I follow? Doing it again.

Have you thought about leaving?

Sure, I did.

Me too.

As did my mam?

- Does she know?

- S?

One day, she dej? Around and left.

- S?

- A long time ago.

Do not remember.

I can not remember his face.

Just remember ...

I remember the dress I had,

have some flowers around,

and I remember her perfume

No blame.

And then, qu? About you?

- Why? ... No?

- Will I?

Well, firstly,

money is too good.

Have you ever tried the long way?

No, no, that's not for me?

That sounds too

m risky and I like ...

... move a little.

Why what? Still here?

Are you gonna ask me that?

Listen,

you do not want to mix with me.

- There are things that happen ...

- Lo s?

- Do not know anything.

- Is that the doors do not have cuffs.

- Gurdatelo, I do not cry.

- S? s? do.

Oh, I think that

m going to dramatize?

If I leave, s?

But I've heard this

conversation before.

No m?

?Qu? Makes you so different?

T?

Sweet talk and promises.

S? Involved

this whole conversation.

but s? not har? reality.

prubame.

Do not cry.

- Good morning.

- Good morning.

- Johnny.

- Hello.

Kate.

- Listen, about last night.

- Forget about last night.

- What qu? Is this?

- Last night was a mistake.

An error.

Is that what it was for you?

Well, it was not for me?

Well, that's your problem.

?Qu? Tell me of our

conversation, Kate?

When you do not joderas

the time was suitable.

Were they just words?

What were they? Were they just words, Kate?

people say many things.

Mira,

when I go ...

... not to be? with t as a con artist?

T? And I have no future.

You hear me?

S? I did.

No, no, do not do it.

I said you did.

?Why? Ruin it

everything? Stupid b*tch.

I hate you.

Wait.

- Why?

- We need to talk.

Okay, I hear you.

You said once that you want

we could be together forever.

S? I do not remember when.

I said.

Agreed.

?Qu? Say ...

... if we forget about everything

this and we 're out of here?

- What qu? Talking about?

- To go from here?

What I want to ask ...

... is ...

- ... Do you would go with me?

- Are you gonna let get away with it?

- I'm afraid.

- Are you going to do that?

I can not believe.

- If I gave you that impression, sorry.

- Printing?

I mean, I did not want to hurt her.

but m? s?

She is my wife.

And what am I?

?Qu?

- Come on.

- I can say.

You knew when we started.

- T? Only ...

- Whenever people have used me

- For one thing or another.

- Well, that's not fair.

You feel good too.

This time board? That would be different.

It was.

Things change.

Some things.

No. ..

Are you sure that you do not mind?

Oh, of course not.

Looks better on you and

m? me is longer.

Oh, Grace, I am so happy for you.

thanks.

I feel good about this.

Really it s?

And me too.

It seems that there is a

storm, it is better that I go.

- Take care, bye.

- Bye.

Oh, Jackson.

Oh, Jackson.

?Grace?

Hello, Jackson.

?Qu? Doing?

?Qu? Happens?

Oh, we were alone.

- You know, to visit.

- Qu?

you know, the normal tour.

Because I imagine that your wife

wonder where you are.

?Qu?

Of what? Est? Talking about him?

Est? Well ... Of what? Talking about?

I think you should know.

Jackson, qu? Happening here?

Is over?

Has been completed.

That is listening?

?Why? Doing this?

Is that I upset? When I enter?

Where were you?

Damn.

Anyway.

S?

Okay, just?

Get out of here?

Go.

Not har?

S? you will.

Maybe your wife wants to listen

my version of history.

Want?

Want?

Jackson, please

Do what? Is this?

Leave now, is it? Expecting a baby?

Oh, that's so sweet.

We are waiting.

Oh, God.

Grace,

If not say so, I har?

I've been in one place.

You've been in one place.

With someone.

Have you been in a place with someone?

S?

Tell with whom.

I have been with Kate.

?Qu?

?Qu?

Sorry.

Oh, God.

Oh, God.

There was no need for this.

S? good pens? s that? needed.

I understand your pathetic scene,

but,

I am not for this.

Come on, John.

No, no, no, no please.

Rate this script:0.0 / 0 votes

Pamela Smith

Lady Pamela Margaret Elizabeth Smith Berry, Baroness Hartwell (1915 - 7 January 1982) was an English socialite, included in The Book of Beauty by Cecil Beaton and part of the Bright Young Things crowd. She was known for her political salon and was one of Britain's museum leaders. more…

All Pamela Smith scripts | Pamela Smith Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Grift" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_grift_20375>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Grift

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The first draft of the screenplay
    B The character biographies
    C The final cut of the film
    D A detailed summary of the screenplay