The Haunting Page #8
- PG-13
- Year:
- 1999
- 113 min
- 769 Views
Theo goes running for another door and is out.
Nell, realizing she's being left behind, springs after her into
another mysterious hallway --
INT. STATUARY HALL - DUSK (CONTINUOUS)
-- into a wide hall lined with niches and classical statuary. Theo
strides down it pointing left and right, bending over, straddling
the pieces, provocative:
THEO:
Here. Here. Here.
(under a leering
gargoyle)
Oh yes! Oh yes oh YES! Here!
Nell laughs -- appalled and loving every minute of it.
THEO (cont'd)
Can't you just see it?
NELL:
Theo!
INT. HALL OF MIRRORS - DUSK (CONTINUOUS)
Through a narrow passageway, and large double doors they suddenly
stand at the threshold of a fantastic ballroom lined with mirrors
and chandeliers. Rows of mirror-coated octagonal pillars, rise to a
vaulted, mirrored ceiling far above. With the door opening, there's
a CLICK, and a mechanism of some sort is activated. The FLOOR
begins to MOVE like a slow turntable.
Theo comes right up, looks over Nell's shoulder. Nell steps out.
She traipses out across the room, her million reflections waltzing
with her into infinity. Theo dances after her. They dance, not
quite together. Nell stops and pronounces:
NELL:
I love this house. I really love
this house.
THEO:
(gently, recognizes
that Nell is
different)
You're okay.
Nell blushes... and they burst out laughing. They take off running,
their reflections with them, stampeding for an archway on the far
side of the room and out --
INT. 1ST FLOOR HALLS (VARIOUS) - DUSK (CONTINUOUS)
-- into yet another hallway. They race down the hall, turn into
another hall, then another, all dimly lit by the very last rays of
day, all furnished in the House's dark, impossibly complicated,
impossibly ornate fashion. As they go, the mood is growing darker,
the women unaware that they are getting lost.
THEO:
(having fun)
Rats! We're rats in a maze!
That's what this experiment is
going to be!
They open a door to --
INT. HALLWAY OUTSIDE LOCKED ROOM - DUSK (CONTINUOUS)
They stand at the end of a long hallway to one of the House's
forgotten outlying wings. It is dark. Too dark. Nell and Theo
regard the darkness.
At the far end of the hall stand a pair of MAHOGANY DOORS, closed,
almost black, oily-looking. Surrounding them, an enormously complex
geometrical frieze.
The doors themselves are plain. In their simplicity there is
something about them enormously disturbing. It is as if the doors
are looking back at them, Nell goes cold. Theo holds herself.
NELL:
We should go back.
Theo nods. They turn around, Theo opening what she thinks was the
door they came through.
INT. NARROW STAIRCASE - DUSK
They hurry down a narrow staircase, Theo first, Nell right behind.
NELL:
Theo, I'm scared --
They fly down a set of steps, Theo flings open a final door -- and
SCREAMS!
INT. GRAND ENTRY - NIGHT
The Grand Entry, where they bump into LUKE SANDERSON, 20's, charming
and cynical.
LUKE:
Hi, Luke Sanderson, bad sleeper,
I'm your basic tosser-turner, and
you are...
NELL:
Uh... Nell Vance...
LUKE:
And what kind of sleeper?
NELL:
Well, I... uh...
LUKE:
Obsessive worrier. Join the club.
(to Theo)
And you? I'd guess...
THEO:
You'll never guess.
She won't answer.
Marrow comes in the front door. He looks at the house like
MacArthur studying a beachhead.
MARROW:
There we are. You're Eleanor,
you're Luke, you're Theo.
ALL:
Hi... hello... Dr. Marrow...
MARROW:
And this is Todd, he just came up.
TODD comes in.
TODD:
Hi. I'm Todd Aubochon.
LUKE:
(1950's alien
spaceman)
Greetings fellow insomniac.
TODD:
(playing)
Greetings fellow sheep counter.
MARROW:
And this is my assistant, Mary
Lambretta.
LUKE:
Greetings.
And Mary enters. Crossing the threshold, she catches her breath,
and when she comes into the hall and sees everyone, she also sees
the house in its detail. And she has a bad feeling.
Marrow is still putting everyone at ease.
MARROW:
Eleanor, how was the drive?
NELL:
You can call me Nell, Dr. Marrow.
MARROW:
Nell. Good enough. And I'm Jim.
NELL:
I'm really... honored to be part
of this study, Jim.
MARROW:
Well... we're glad to have you.
His smile is devastating. Nell reddens, instantly taken by Marrow's
warmth, observant sensitivity. Theo notices.
MARROW:
Have either of you seen David
Watts?
THEO:
No, but Nell's been here longer
than I have.
NELL:
I only saw Theo drive up.
LUKE:
Who's Watts?
MARROW:
The man who completes the group.
For a long moment they stand there, silent, looking at each other --
polite smiles, but awkward, even Marrow. One by one they all look
to him for a cue.
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