The Help
- Year:
- 2011
- 6,691 Views
WILLIAM FAULKNER wrote of Mammy Callie after her death:
"...she gave to my family a fidelity without stint or
calculation or recompense and gave to my childhood an
immeasurable devotion and love".
JACKSON, MISSISSIPPI 1963
INT. AIBILEEN'S HOUSE - KITCHEN - NIGHT
AIBILEEN, black, 53, sits at a table in a small, green
kitchen. She wears a yellow dress with black piping and
grips a tattered spiral notebook.
Although cracked, the window behind her is crystal clear.
Three framed portraits hang on the wall above her: John F.
Kennedy, Dr. Martin Luther King, Jr. and an UNKNOWN YOUNG
BLACK MALE wearing thick glasses.
Aibileen swallows hard.
AIBILEEN:
I was...born in 1911...on Piedmont
Plantation in Cherokee County.
An UNSEEN WOMAN interviews Aibileen.
WOMAN (O.C.)
Did you know as a girl, growing up,
that one day you'd be a maid?
AIBILEEN:
Yes, ma'am. I did.
WOMAN (O.C.)
And you knew that because?
AIBILEEN:
Momma was a maid. My grandmother
was a house slave.
WOMAN (0.C.)
Oh.
The woman repeats Aibileen's answer slowly as she writes.
WOMAN (O.C.) (CONT'D)
A...House...Slave. Uh-huh. Okay.
Aibileen squeezes the notebook in her lap.
WOMAN (O.C.) (CONT'D)
Now, did you ever dream of being
something else?
Aibileen gulps. She doesn't answer. The room is quiet.
WOMAN (O.C.) (CONT'D)
Well then, what's it feel like, to
raise a white child when your own
child's at home...being looked
after by somebody else?
2.
Aibileen's hand trembles as she sips from a glass of water.
She glances sadly up to the picture of the young black male.
FADE TO BLACK:
AIBILEEN (V.O.)
I done raised seventeen kids in my
life. Lookin' after white babies,
that's what I do.
INT. LEEFOLT HOME - MAE MOBLEY'S ROOM - MORNING
MAE MOBLEY LEEFOLT, 2 1/2 years old, lies in a crib, crying.
AIBILEEN enters. Her dark black skin contrasts angelically
with a brilliant white work dress, white panty hose and shoes
AIBILEEN (V.O.)
I know how to get them babies
asleep, stop cryin' and go in the
toilet bowl before they mommas even
get outta bed in the mornin.'
Aibileen lifts Mae Mobley out of her crib and pulls her into
her expansive bosom.
AIBILEEN (V.O.) (CONT'D)
Babies like fat. They like big fat
legs too. That I know.
Aibileen sits with Mae Mobley in a rocking chair.
AIBILEEN (V.O) (CONT'D)
I work from eight to four, six days
a week. Ninety-five cents an hour
comes to a hundred seventy-two
dollars ever month. I do all the
cooking, cleaning, washing, ironing
and grocery shopping, but mostly, I
take care a baby girl...And law, I
worry she gone be fat. Ain't gonna
be no beauty queen either.
Mae Mobley reaches up and touches Aibileen's face. Aibileen
kisses her and whispers in her ear.
AIBILEEN (CONT'D)
You is kind. You is smart. You is
important.
Mae Mobley's mother, ELIZABETH LEEFOLT, 21 and lanky, enters
wearing a green dress very much under construction. Pins and
double-stick tape hold it all together.
Elizabeth has pointed features and a nest of teased, brittle
hair.
ELIZABETH:
Aibileen, bridge club's in an hour!
Did you finish the chicken salad?
3.
ELIZABETH (CONT'D)
Oh, and Hilly's deviled eggs. No
paprika!
Elizabeth rotates around like the Tin Man.
ELIZABETH (CONT'D)
Does this dress look homemade?
AIBILEEN:
I reckon when you finish, it won't.
Elizabeth exits with her pinned hemline sloping at a good
twenty degree angle. Aibileen shakes her head.
AIBILEEN (V.O.) (CONT'D)
Miss Leefolt still don't pick Baby
Girl up but once a day. The
birthin' blues had got holt a Miss
Leefolt pretty hard. I done seen it
happen plenty a times...once babies
start havin' they own babies. And
the young white ladies of
Jackson...Oh, law, they was havin'
some babies.
INT. JACKSON JOURNAL NEWSPAPAER - OFFICE - SAME DAY
A smoking RECEPTIONIST, 50, leads EUGENIA "SKEETER" PHELAN,
23, across a smoke-filled news office. Even the light bulbs
have yellowed.
AIBILEEN (V.O.)
But, not Miss Skeeter...
Skeeter has very frizzy blond hair cut short above her
shoulders. She carries a red satchel.
AIBILEEN (V.O.) (CONT'D)
No babies...No man...And not
lookin'.
She wears flats, careful not to add more than a centimeter to
her towering height. Dressed well, Skeeter tugs on her
unfamiliar attire.
INT. MR. BLACKLY'S OFFICE - CONTINUOUS
The receptionist and Skeeter enter the office of MR. HAROLD
BLACKLY, 68. He has greased, grey hair and the face of a
mean man. Smoke pours into the room.
MR. BLACKLY
Shut the Goddamn door!
He snaps his fingers over a chair. Skeeter sits down.
MR. BLACKLY (CONT'D)
They announced last week
cigarettes'll kill you.
4.
Mr. Blackly pours a pack of nuts into his mouth.
MR. BLACKLY (CONT'D)
(CHEWING)
Okay, let's see what you got.
Skeeter quickly hands Mr. Blackly a resumé. He skims it
over, marking it violently with a red pen.
MR. BLACKLY (CONT'D)
"Murrah High Editor, Ole Miss Rebel
Rouser Editor, double major, Junior
League editor...Damn girl, didn't
you have any fun?
SKEETER:
Is that...important?
Mr. Blackly sighs, hands the resumé back to Skeeter.
MR. BLACKLY
You got any references?
Skeeter nods slowly. She takes a deep breath and pulls a
letter out of her satchel. She hands it to Mr. Blackly.
Mr. Blackly snatches the letter and reads it quickly,
mouthing the words as he does. He drops the letter on his
desk, and looks to Skeeter, flabbergasted.
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"The Help" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_help_24132>.
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